The album costs 3 euro, but took 18 years to make, of course, not continuous 18 years, but I wouldn’t record such music without living my life as I did since 2002 when I started recording cassette tapes with my friend in a high rise block in Poznań, Poland. The block’s address was 93-105. So, now you all know what „planet 93-105” means. And high rise blocks are really like separate planets, at least in Poland…
And cassettes are beautiful items, surviving years and owners, and „93-105” is now not only my block’s address, an imaginary planet, and album title, but also a beautiful cassette released with Illuminated Paths, USA, and this full circle of space and tapes, and my life April-July 2020 is what this story is all about a sound story. A sound story best experienced on cassette.
So go grab a copy of „93-105”, and feel like it’s 2002 in a Poznań, Poland high rise block, or elsewhere in the galaxy, wherever imagination takes you… this cassette is yours, not mine, now. And 18 years are gone, but it feels like light years…
Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.
If Griefer, my shitty one-man band, is about anything, it’s about boredom and anxiety. I started it because I wanted to make something really, really loud – the volume helped, somehow. Then it morphed into something else. It lets me show a bit of myself that I usually have trouble showing. Music makes me a better person. I think it’s as simple as this: the reality of being a “bedroom musician” is waking up alone, surrounded by reminders of work you need to finish.
My second album is somewhat of a time capsule. These are the songs I wrote between realizing I needed to get better and doing something about it.
My alcoholism and dependence on other addictive behaviors (weed, sex, etc.) had progressed to a point where they had begun destroying every semblance of a good life I’d managed to build despite them. To preserve any chance I had at living well, I needed to change the way I spent each and every moment of my time. In order to honestly document these in musical form, I stripped away every instrument other than my voice, guitar, laptop, and tape recorder.
If there is anything for you in these songs, you will most likely find it outside of what I have to say about them. All I really have to say is thank you so, so much for listening. So much.
That said, in case it might inform your listening, here’s what I have to say:
We are Sick Bookies from Lincoln, UK. For our second album, Analogue Viral, our bass player Les drew a comic strip about our band. Previously only available as a limited edition comic book coming with the CD, we now proudly present it for the first time digitally.
I’m 25 years old, living in Central New York. I often think about taking a one-way ticket to the West Coast, specifically like Los Angeles, or Seattle. I have been working on putting out what I believe is the best I can do with what I have. I’ve recorded hundreds of songs, I have written over 790 poems. I do what I do because I love art. Music is awesome. I’m not attempting to re-invent the wheel. I don’t want to sound the same. I’m not looking to fit into standards.
Lydia Lunch is the undisputed Queen of No Wave and is one of the most dynamic and influential artists of our time. She started Teenage Jesus & The Jerks in 1977. Since then she’s been part of numerous bands such as 8-Eyed Spy & Big Sexy Noise and worked with artists as diverse as Sonic Youth, Last Poets, Cypress Grove, Richard Kern, Christine IX,Brian Eno, James Chance, Robert Quine, Nick Cave and Rowland S. Howard of the Birthday Party. She’s published several books and memoirs like Will Work For Drugs, Incriminating Evidence & Paradoxia.
She was a pioneer in the genre of Transgressive Film and is known for her powerful spoken word performances and outspoken feminism. Lydia Lunch has been influencing musicians, poets and artists since she appeared on the scene in 1977 and bands like Sonic Youth and L7 were heavily influenced by her music and ideals. So was I, an unknown 20-something poet and noise musician from a small town in Canada. This is the story of how we first met.