by Blue Cougars
Poised to play a series of shows supporting a brand new album, COVID happened. The music industry is always in a state of change, but what does a band do when everything changes in one week?
by Zach Pliska
My band Vazum‘s new album Vampyre Villa has a variety of moods and styles which people have picked up on. It floats between deathrock, shoegaze, goth, and post-punk which is why we call ourselves a deathgaze band. We’re interested in combining the rawness of deathrock with the depth of shoegaze.
by Seth Gibbs
Music is one of the few constants in my life.
I’ve been interested in a lot of different subjects and have tried to learn numerous skills over time — digital art, programming, web design, (briefly) robotics, among others — but most I either eventually decided weren’t for me, or I have a very on & off relationship with, being deeply interested and practicing it for months, and then spending the next year completely forgetting about it.
But everything about music — the production of it, how instruments are made, the history of music and its influences on cultures — that is the one thing I have always been fascinated by. I loved finding new music and wanted so badly to either play an instrument or even somehow make new music myself.
Being diagnosed with paranoid schizophrenia when I was around twenty-six (being honest) was a relief. I had always known. The way my brain worked was neither sustainable nor healthy. The professionals who help me think I suffered from childhood-onset schizophrenia and that I could almost function with it for whatever reason.
My stage name is Mason Andrew Freak, but everyone calls me Drew. I have lived in my car, abandoned trailers, and isolation. And all with the dream that it was for a purpose. With hope, God had a plan for me.
by Ben George
The spherical ball flew flyingly through the damn autumn leaves like a nauseating plane that was too small and round to be in any way practical. But flew it did, having been propelled as it had by Adam’s fearsome left foot. The kids who lived in Miyashita-koen still tell stories about that left foot and use words like “fearsome” and “left”. I stood vertical in the goalmouth, a moth to the flame, a fish in a barrel, a horse to water, and did what any decent Thursday morning goalkeeper is obliged to do: I saved the potential goal so hard and crushed the dreams of the understandably confident Adam.
by Mark Wilkins
Life during the lockdown and one finds oneself turning to the online world for community, support, and solace. The pandemic is a global phenomenon after all, and it would seem by the swell of blogs and posts on social media that millions of people the world over are doing the same. Social media explodes with information, disinformation, misinformation, distraction, and instruction.
One of the most shared posts by the online artistic community tells me ‘use the pandemic and the new reality to write that song, that novel, that screenplay you’ve always wanted to’ but this merely serves to impose a feeling of guilt -after all learning to adapt to the restrictions is difficult enough without the added pressure of trying to summon the muse and create new music.
What if I have no new ideas at my immediate disposal to inspire new tunes or fresh ideas to share with other musicians, let alone an audience?
My short 4 track EP, “2020”, first took form before the year it’s named after before all of this insanity took over. I often think it’s best to leave a song’s meaning up to the interpretation of the listener. But, if there were an outlet to air out my thoughts of my songs, it would be here. So I’ll go through each track in the lineage of which they’re recorded and break them down.