We are The Other Creatures, a project of psycho-punk experimental music from Brazil, formed by Gabriel Marinho (a.k.a $eraph) and Juliana Vannucchi. Our music tries to explore unknown universes.
by Nes Croft
Originally from Great Falls, Montana, I became involved with music at a young age and was writing songs by age 13. In highschool my bedroom was set up like a recording studio with an old Tascam 24 track recorder and various instruments.
“I slept in my closet! So I had room for the studio.”
At that time, I was making music under the moniker Wayyyne with a sound similar to Animal Collective and experimental pop from 2011. After graduating highschool, I moved to Portland, OR to pursue music further.
My name is Marcelo Badari, and I am a musician from the southeast region of Brazil. Looming Flames is my instrumental solo project since 2011.
The idea behind Looming Flames is to create music with an electric guitar, a loop pedal, and some effects pedals in a minimalistic way. I also use a Boss SP 202 sampler in my guitar chain. With it, I can have sampled acoustic drum beats, played by me, in my compositions. I have some electronic beats and some noises sampled in the SP 202 as well.
I started Nocturnal Company when I got to Albuquerque, New Mexico, for my freshman year of college. I often stayed up all night in my dorm recording on my laptop with the only live instruments being guitar and keyboard. Luckily, my roommate stayed at his girlfriend’s dorm most of the time. That kid was a character, he smoked hella pot and took watermelons full of vodka to parties, where he feigned a french accent.
To the best of my recollection, I can’t recall ever being tear-gassed.
My first instinct should probably have been to turn around and run away from the plaza, just like everyone else who went scampering, screaming and covering their mouths. The old, indigenous woman, with the multiple petticoats and black pork pie hat, sitting at her usual location half-way up the block, from whom I usually bought a daily newspaper, suddenly bent over and vomited. Moments before, I had heard a “pop-pop” and saw white, billowing clouds of smoke. A young Ecuatoriano adult, running in a hooded sweatshirt, gave a sudden yelp and stumbled, after getting hit in the leg with one of the tear gas canisters.
When I stepped out of LAX and into the warm evening air I suppose I fell in love.
Kansas City, as much as I adore it and feel proud to represent, will never be as warm as Los Angeles was that night in mid-December, nor will it evoke the feelings of excitement and hope that still exist within. So when you grow up in a rural place it’s not uncommon to dream of bigger things – in the back of my mind LA was always the destination.
The ambition of Syrenomelia is to find back the strangeness, the dirtiness, the emotion and passion which characterised the alternative rock music between the 60ties and late 90ties – defying the industrialised and genre-focussed ways of making music that have been so ubiquitous in the last 20 years.
Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.
I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.
I saw my first murder when I was only five years old. Such is life growing up in Camden, New Jersey. Although it was a very dangerous city to grow up in, It wasn’t all bad. Yes, it was tough times; but it helped define me. It helped prepare me for two tours in Iraq. But more importantly, it helped define my music. Yet, it would only take one basketball game to introduce my music to the world.
Vinyl Head is a LP made by Vinyl Motherfuck, the songs of the album talk about problems and thoughts Leo (aka Vinyl Motherfuck) had since his last (good) work, the “Spring Is Out There” EP.
This record has 11 songs written and composed by Leo, and this songs are (in his own words) “good, catchy, and a little mature” compared to his previous work.