Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.
I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.
I saw my first murder when I was only five years old. Such is life growing up in Camden, New Jersey. Although it was a very dangerous city to grow up in, It wasn’t all bad. Yes, it was tough times; but it helped define me. It helped prepare me for two tours in Iraq. But more importantly, it helped define my music. Yet, it would only take one basketball game to introduce my music to the world.
The day is November 9, 2019, and I live in Calgary Alberta, Canada. I grew up in Stratford, Ontario, Canada, the same town as Justin Bieber. Belieber it or not I actually babysat him once and played music with him a few times before he became the hugely famous, hated, loved, etc etc .etc .superstar kid-adult that he is now. That being said the youth culture that I grew up in that town a few years before he was not at all like what you would think a town that Justin Bieber partly grew up in would be…
In 1986 it all began near Cologne (Germany) in a little town called Kerpen Sindorf. For me, it was clear that it would be a long journey, and it still is. Now 33 years later and after 33 released albums, it is still something special and every day something new to create music.
Right now, we just released the album “Laughter filled with pain” – eight acoustic songs with some electronic elements here and there. It is a very personal album reduced to the essentials.
In 2018, I completed my first LP album as a solo artist. It is called Kriya and features ten tracks (in 37 minutes). I later realized that even though I spent a lot of time and energy on the album, most people wouldn’t be able to listen to it from start to finish in today’s hectic times. So, I decided to tell the story of finding our center (relevant to each of us!) in the form of a shorter 3-track EP, where each song represents a different genre, a different sound, and lyrically offers a diverse point of view. The Hara EP (10 and a half minutes) was born.
As somebody who enjoys making music, I often find myself getting lost in a series of questions when writing and producing. The overriding thought being “What value does this have?”.
It is easy to deter ourselves from creating art, and putting ourselves in a vulnerable position, simply by talking ourselves out of finishing or sharing a creation in fear that it doesn’t add anything of value to the world, or worse; detracts value.
Due to these thoughts and conversations within my own mind, I haven’t shared an entire song or idea for many months, perhaps even years now.
The time to start a musical project should probably have been in a university where access to a range of different musicians was abundant. But then most people choose to learn the hard way…
The New Nervous Kind was created in the wake of the university with nothing more than a laptop (to program drums), a guitar, and a bass guitar, with the help of a trusty microphone. The setting was an isolated attic space, far from friends or family, which would serve well as the basis for the nostalgic lyrics and mechanical quality for our first single “Going Nowhere.”
It is Free!! It costs nothing!! Stated the elderly anesthesiologist to the boy’s family. To put your son to sleep for his surgery costs absolutely nothing!! It is Free!! Free!! But to wake him up??………very very expensive!!
Moments earlier, in the same pre-operative area in this public hospital in a large Central American city, I witnessed another local medical doctor, drill a metal rod horizontally and completely through an indegenous patient’s femur, with the patient wide awake, and only after injecting numbing medicine, not much deeper than the skin, on the entry site of the thigh.
Such is the plight of the poor and marginalized, of which I have witnessed as an anesthesiologist, in over 30 international surgical missions, and which dominate the lyrical content of Ojos Feos’ original psychedelic Afro-Latin rock compositions.
Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.