Alternative rock (also called alternative music, alt-rock or simply alternative) is a style of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s. In this instance, the word “alternative” refers to the genre’s distinction from mainstream rock music. The term’s original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music. At times, “alternative” has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock (including some examples of punk itself, as well as new wave, and post-punk).
Alternative rock is a broad umbrella term consisting of music that differs greatly in terms of its sound, social context and regional roots. By the end of the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock, helping to define a number of distinct styles (and music scenes) such as noise pop, indie rock, grunge, and shoegaze. Most of these subgenres had achieved minor mainstream notice and a few bands representing them, such as Hüsker Dü and R.E.M., had even signed to major labels. But most alternative bands’ commercial success was limited in comparison to other genres of rock and pop music at the time, and most acts remained signed to independent labels and received relatively little attention from mainstream radio, television, or newspapers. With the breakthrough of Nirvana and the popularity of the grunge and Britpop movements in the 1990s, alternative rock entered the musical mainstream and many alternative bands became successful.
– Wikipedia: The Free Encyclopedia
In the first grade, I carried history books around like spell books. There was this magic about language that I felt compelled to keep close, like it had secret powers that I didn’t have access to yet. Clinging to an impressive-looking pile of books every day at school was also how I prevented my classmates from realizing I couldn’t read.
So when I was living in Lakewood, CO and I was beginning to write what would end up being Burnt Toast Cosmonaut’s self-titled album. I was getting a lot of my first shows in Colorado even though they were just acoustic gigs I was taking a lot of pride in what I was I doing. At this time I was working at this nursing home because at the time I was a CNA, which in and of itself was incredibly rewarding. But any who one day this just super cute mousy girl Shelbe started working with us.
Why do you enjoy music? Is it the compelling lyrics, catchy melodies, or addictive rhythm? We are Tracing Faces, and we believe that every song is an opportunity to change a life for the better. Music is an incredibly powerful form of art, and with every lyric, melody, and rhythm we write we are striving to produce emotional content for you to blast in the car, listen through your headphones at night, or scream out loud at live shows.
I began composing music in high school. I had a strong background in film and worked on several student shorts that required original scores for submission. By the time I started college I had a collection of guitar-driven punk and indie rock songs that I showcased to start a band. Although nothing developed beyond jam sessions and brief collaborations I continued to explore different styles and eventually took on all aspects of recording.
Music is dying. Slowly, but it is. I don’t want to be one of those close-minded people who lives in the glorious pinnacle of the past, but we can all agree that the quality of the music industry has declined intensely since the second half of the past century. Today’s standards of what is labeled as art are worrying. Why do we live in such an artistic wasteland, you might ask?
I started my music journey at fourteen in mid-2014 playing small coffee venues with my ukulele and guitar. In early 2017, I began to grow tired of my acoustic guitar and ukulele. I then moved on, and I started writing “I Can Actually Speak.” The album portrays a lot of things bunched into one that happened between mid-2016 and up until the end of 2017. I endured failed relationships and projects, moving out really young, and realizing how awful human beings can be. This is where the harsh beginning of “I Can Actually Speak” starts.
Joined by a Brazilian-born guitarist Gabriel de Mattia, and New Hampshire native, Adam Soucy, Andrey & Sasha (now known as Major Moment) were on the mission to create the sound that is almost extinct these days, that good old alt.rock of the early 2000s, but keeping it unique and fresh.