Alternative rock (also called alternative music, alt-rock or simply alternative) is a style of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s. In this instance, the word “alternative” refers to the genre’s distinction from mainstream rock music. The term’s original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for alternative music. At times, “alternative” has been used as a catch-all description for music from underground rock artists that receives mainstream recognition, or for any music, whether rock or not, that is seen to be descended from punk rock (including some examples of punk itself, as well as new wave, and post-punk).
Alternative rock is a broad umbrella term consisting of music that differs greatly in terms of its sound, social context and regional roots. By the end of the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock, helping to define a number of distinct styles (and music scenes) such as noise pop, indie rock, grunge, and shoegaze. Most of these subgenres had achieved minor mainstream notice and a few bands representing them, such as Hüsker Dü and R.E.M., had even signed to major labels. But most alternative bands’ commercial success was limited in comparison to other genres of rock and pop music at the time, and most acts remained signed to independent labels and received relatively little attention from mainstream radio, television, or newspapers. With the breakthrough of Nirvana and the popularity of the grunge and Britpop movements in the 1990s, alternative rock entered the musical mainstream and many alternative bands became successful.
– Wikipedia: The Free Encyclopedia
“The moon looked pale and wan, as if it shouldn’t be up on a night like this. It rose unwillingly and hung like an ill specter.”
This is a quote from early in the third chapter of a book called Dirk Gently’s Holistic Detective Agency by Douglas Adams. This is a book that I don’t like very much but loved in 8th grade. Before I was in a band, before I played an instrument, before I even listened to music, I loved the stories of Dirk Gently. So, when my friends and I started a band in middle school, I suggested this line as a name, and, being in middle school, misspelled specter as “spector”. This was, more or less, how the band started; as middle schoolers who couldn’t play our instruments, misspelling words, and deciding we liked it better that way. And this is, more or less, how the band has stayed since then.
When I’m playing or listening to music time stands still, and the outside world doesn’t exist. My imagination runs free. That’s what I most enjoy about being a musician. I like to spend time alone which gives me plenty of time to write songs, but then performing in front of an audience is an entirely different thing.
Back in the late ’80s, my parents started up a rainforest conservation project in Cameroon. They had their adventures getting there, having driven the whole way with all their gear in a Landrover. They almost got lost in the Sahara desert and crossed Chad, which at the time was in the midst of a civil war.
Their project was based in a remote village called Oku, in the north-west province of Cameroon. It revolved around working with local people to protect a remaining island of rainforest on Mt Oku, home of the Oku tribe.
Apart from being behind the band SoundFields, I (Robert Fields) am the main character in a screenplay about someone who started thinking back in 2007 that he is the one John Lennon wrote his song, Doctor Robert, about.
You might wonder how someone comes up with such a thought. One reason is that I was already around when the song Doctor Robert has been written. The Beatles’ songs filled the room where I lived when I was just a little child; when something dramatic happened: I nearly died.
The Nine Unknown Men is the new album by Danish dark-wave romantics, Fervency. A concept album, each song is one of nine sacred books, protected by one of the nine guardians entrusted with the ancient knowledge, wisdom, and technology deemed too dangerous for mankind to possess.
Feathers, Wood ‘N’ String was born of a move between continents, a 24 hour trip between us and our family and friends, a new climate and culture, and unrestricted time together, just ourselves and Lloyd’s guitar. Three years on, we have developed our own brand of alternative rock, varying from soaring indie clean tones to heavy distorted ones, and we produce all this on our own in a one bedroom flat in Southampton, UK, a base 16,356 kilometers from our hometown of Adelaide, South Australia.
As a young boy, I went to music school to learn to play the piano. That knowledge helped me to learn how to play the guitar and drums. I listen to a wide range of music genres. After twenty years of playing in hardcore and metal bands, I started with the project Wake Forld because I wanted to unite my favorite music styles.
In the first grade, I carried history books around like spell books. There was this magic about language that I felt compelled to keep close, like it had secret powers that I didn’t have access to yet. Clinging to an impressive-looking pile of books every day at school was also how I prevented my classmates from realizing I couldn’t read.