What makes music great? Some background about Spark’s Fighter Squadron

by Keiichi Hirokawa

What makes music great? About backstage of Spark's Fighter Squadron - Fragile by Keiichi Hirokawa
What makes music great? I guess the answer is the uniqueness of your music. I always try to make my music unique and far from standard.

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The Sinclair Express – “All Aboard” Album Release

by Chris Sinclair

The Sinclair Express - All Aboard Album Release
The Sinclair Express is a Chicago-based alternative rock trio. We’ve been working on our debut album, “All Aboard,” for four years and are incredibly proud to finally release it!

If you like Pink Floyd or Jimi Hendrix, you will like this album. If you like Reggae or Hip-Hop music, you will like this album. If you like Country or Blues music, you will like this album. If you just like to get insanely high and listen to music, you will like this album. We hit every genre with tact and precision and hope that there is a song for everybody here. Enjoy!

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Howlin’ Herman And The Dwellers

by Tiger Morrocco

Howlin' Herman And The Dwellers

We would say it’s great to hear you enjoyed our unique blend of genres, but we hear that every day baby! I’m a Gypsy Dub Rockstaaa sugar!

We invented the genre of Viber and we ain’t done there, next we’re gonna invent portable lean fat grilling machines…. sign up for updates on this project by texting “update me hoe” to 0800-GRILL-ME-NICELY.
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Waking Up From A Coma

by Mobius

Waking Up From A Coma by Mobius

We’re a three-piece band; we grew up in different places, met two years ago and started up playing in a basement that now we can call our own. It’s awful and depressing that in Greece, you never get much attention or the respect you deserve as an artist, except if you are a rapper, a metaller, or a traditional type musician. It’s so hard to find live gigs here when you play the kind of music we do. I believe that this is one of the main reasons we need to get out of here for good if we get the chance.

The name of the band comes from my brother’s syndrome Mobius and it has to do with facial nerve paralysis and being expressionless, which happens to remind me of what I think about the world I live in, paralyzed, and emotionless.

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New Single and Video ‘Take it Easy on Me’ – out Valentine’s Day, Feb. 14th

by The Terminally Well

The Terminally Well - New Single and Video 'Take it Easy on Me - out Valentine's Day, Feb. 14th
The Terminally Well are an independent American rock band conceived of and formed by Rob Runkle – who has previously released several album’s worth of music as Intense “The Bohemian Pimp” from Philadelphia hip-hop group Schoolz of Thought (having worked with Questlove of The Roots, 88-Keys, Pink, Scratch, Zap Mama and Illmind, among others).

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Lo-fi post-rock electric guitar & beats

by Marcelo Badari (Looming Flames)

Lo-fi post-rock, electric guitar & beats by Marcelo Badari (Looming Flames)
My name is Marcelo Badari, and I am a musician from the southeast region of Brazil. Looming Flames is my instrumental solo project since 2011.

The idea behind Looming Flames is to create music with an electric guitar, a loop pedal, and some effects pedals in a minimalistic way. I also use a Boss SP 202 sampler in my guitar chain. With it, I can have sampled acoustic drum beats, played by me, in my compositions. I have some electronic beats and some noises sampled in the SP 202 as well.

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Leaving The Past Behind

by Gillie McGahee

Leaving The Past Behind by Gillie McGahee(Nocturnal Company)

I started Nocturnal Company when I got to Albuquerque, New Mexico, for my freshman year of college. I often stayed up all night in my dorm recording on my laptop with the only live instruments being guitar and keyboard. Luckily, my roommate stayed at his girlfriend’s dorm most of the time. That kid was a character, he smoked hella pot and took watermelons full of vodka to parties, where he feigned a french accent.

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Revolución – The Latin Spring

by Robbie Cree (Ojos Feos)

Revolución - The Latin Spring by Robbie Cree (Ejos Feos)
To the best of my recollection, I can’t recall ever being tear-gassed.

My first instinct should probably have been to turn around and run away from the plaza, just like everyone else who went scampering, screaming and covering their mouths. The old, indigenous woman, with the multiple petticoats and black pork pie hat, sitting at her usual location half-way up the block, from whom I usually bought a daily newspaper, suddenly bent over and vomited. Moments before, I had heard a “pop-pop” and saw white, billowing clouds of smoke. A young Ecuatoriano adult, running in a hooded sweatshirt, gave a sudden yelp and stumbled, after getting hit in the leg with one of the tear gas canisters.

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