How can you convey a song about a disease? Especially a disease like epilepsy that most people have heard about but probably know very little about. And can I express the feelings and the hopelessness associated with having a child with this disease without it being simply too much for others to listen to?
Among other things, it was with these thoughts that I started writing the song Epilepsy. A song that has now become very central to my album The Admirer, which is my most personal album to date. The song was also the first single from the album, and was released on International Epilepsy Day. That all made sense.
On our sophomore full-length album, “No Easy Way Out,” we examine tragedy underneath a bed of pulsating drone-rock following the murder of our bass player Aron Christensen in 2022, inspired by artists like Spacemen 3, The Velvet Underground, and The Brian Jonestown Massacre.
We do a lot of things: heavy blues, psychedelic, and atmospheric rock. It’s not as psychedelic/jammy as our first record. It’s more dark and brooding. It has some jams in it, but it’s far more focused.
Tragically, the biggest story isn’t our sound but the death of Aron Christensen, who was murdered while hiking with his four-month-old puppy, Buzzo. Inept police work, a lazy district attorney, and many questions that will probably never be answered have led many news outlets, including the Wall Street Journal, to write about Aron’s mysterious murder. However, before his passing, we were finishing what would become No Easy Way Out, an eight-track collection of songs that explore, examine, and contemplate life, death, and how nobody makes it out alive.
I guess if I had to describe my “story,” the story that at least gets told through my music, it would be a story of adolescence, at least for now. I have lived in Fresno for all of my (admittedly short) life, and I think it can show through my music at times. But I’m always looking for a way to escape. Whether it be the mountains or the beach, make no mistake that I’d rather be anywhere than Fresno from at least July up to September. Our summers are scalding and long.
If I can’t do that, though, I still have the long-standing escapist cliche of music.
Do you ever rehearse a conversation in your head that you’ll probably never have?
My name is Mike Haggith. I’m an indie/alternative artist with countless albums under my belt, and stories to tell. Today, I’ve got one for you.
Imagine being 18 and setting off for a place where no one knows your name, landing in a place where the only thing familiar is your dream. That was me, stepping out of the car and touching the ground of Sault Ste Marie for the first time. I had just relocated from Windsor, Ontario. It was 2010 and I looked like McLovin from Superbad, so at least I had that going for me.
The story behind “Fake Artists”, although still recent, dates back to mid 2019 where I was invited to go to one of those hipster parties in an abandoned loft called “Solar dos Abacaxis”, something that the artistic bourgeoisie loves to turn into a stage for events (kind of like a reference to the Berlin experience, but which is already dated by the clichéd pedantry of this same privileged/intellectual bubble).
Want to know how I became good at making music? I just forgot I sucked at it.
I have a selective memory. Depending on how I feel, things either seem rather gloomy or much more thrilling looking back. However, a feeling I remember experiencing well throughout my upbringing is one of not being good enough. I always tried different things, which made me insightful in many respects but simultaneously mediocre in those very things. I’ve always struggled to do one thing. That always made me feel indecisive and ill-disciplined – two qualities you don’t want as a male where I’m from.
Well, my dad died when I was really young, so most of my life has just been my mother and me. As much as I’d hate to admit it, she significantly influenced my perception of the world and myself in it. Accepting this brought about the meaning behind my latest project: “Stasis,” a collection of songs made at home during points of recovery after wild trips far from home (2021-2022).
Def Robot was formed in 2019 when David Hancox and I, Paul Taylor, reconnected after 20 years.
I was the singer and David was the bassist in 90’s Manchester U.K. grunge/rock/indie band Kerosene, who were signed to Dead Dead Good and then Sire records. We released an album “Arrythmia” along with various singles and toured the U.K., Europe and the USA supporting such bands as Green Day, The Flaming Lips, and Terrorvision amongst others.
When I read the advertisement for the contest, I had to chuckle. The Nassau cultural prize for contemporary composition 2003 sounded great to me. Yet I hardly believed in myself enough to think the effort to apply would be more than futile. So that’s what I called my non-existent band project: The Futile Project.
I had left all my former bands when I returned from six months abroad in Glasgow. There, for the first time, I had an opportunity to present my music to an audience of musicians I hardly knew. Therefore, the feedback I got was honest and not tainted by friendship or sympathy. I performed almost every Monday at Gerry Lyon’s open stage night in the Nice’n’Sleazy, a club on Sauchiehall Street.
My mother used to say that when I was 2 or 3 years old, I was a little pest, but when music was on the television, it was silent; it was peaceful at home. I was absorbed in what I was wanting to do forever. Music.
I started my sound adventure learning sounds; I created them around me with a k7s recorder. I walked around the house reporting where I went, something like: “And now this is the sound of water, and let’s all listen…” turned on the bathroom faucet “listen, it’s the water singing…”
We are Aurora Falls, a post-rock band from Poland. We are a mixture of musical souls 🙂
We gathered at the beginning of 2021 to play some music, and we stayed longer. From the very beginning, we loved to seek space in our musical improvisation, somewhere between shoegaze, post-rock, blackgaze, or dreampop.
After a year of playing together, this concept finally took the shape that we call Aurora Falls. At the end of 2022, we decided to record some of our songs to share it with the world. That’s how it started.