Not necessarily me, but hey, I’m doing it anyways!
I am Uncle Wormwood, the harbinger of doom & gloom, a one-man band from the mountains of central Finland, specializing in doom-blues, death-country and folk-noir. Armed with home-made percussions, shitty guitars, and a deep growly voice, I’m on a mission to spread my gospel of death and destruction all over the world.
Seriously, have you ever told someone you write/perform music only to have someone ask what genre you play? Because that seems to be most of my experience with people, and it’s more or less the reason I decided to call this oh so important first EP I.B.F.R or, for those of you who skipped the title, Indie Blues Folk Rock.
What’s up! My name is Baer (right) and Connie (left) is my lady. As of 2019, we are officially starving artists. Ok, we have plenty of mac’ n cheese… so, we’re getting by. We are a 2-piece band called Baer and the Lady. At some point last year, I realized that music is as precious as any material thing I’ve ever seen. So precious, it’s worth paying for..
Catch me Catatonic is Soul-Punk. It started around a glass table. Some of us had been friends for years, and some of us had only just met, but we were immediately connected by our passion for music. We come from different places and pull our musical inspirations from even more places, but we contribute equally to the creation of every song we play, and it’s been magic from day one.
Kelebek Evrimi at Menada, Skopje – Macedonia; from left to right: Monti Karus, Dejan Spasovic (guest), Katerina Dimistrovska and Umur Sadico
What happens when three traveling street musicians from different backgrounds come together into a single path for a brief snapshot of time? You get the culturally rich sound garden of the Kelebek Evrimi project.
I, Jack Norton, am an Emmy Award winning singer-songwriter performing hokum blues and vaudeville folk music. Based in the United States, I recorded my most recent album “Busker’s Blues” in a cabin in a remote part of Manitoba, Canada. Armed only with a mic, a guitar and a week in the woods, the following is a journal kept by me while recording…
We started out recording this album (Mother Coyote) as nothing serious. Originally it was supposed to be a four-song demo, so we started at a really slow pace. I went up to the studio maybe once a week to record some guitars or something. But as it evolved, it started to become a full album.
I began to push to get things moving faster but, a lot of problems started to come along: Like getting the drums recorded and getting the right drummer, getting the right keyboard player, someone to mix and master and someone to make the album cover. Everything took almost two years, and it was a real hassle, but now I feel very proud, and it turned out to be a great album!!
Genu is an art and a philosophy. It is at its very core a story, spanning lifetimes of love and tragedy. Reincarnation and renewal are its biggest themes. With subtle social and religious contexts that shed light on a personal transformation through the quest of finding the self.
As a songwriter, I like to go back and study the songs that have left the biggest mark on me. When I was finishing my recent album Bad Poems For Good People, no song was stronger in my mind than The River by Bruce Springsteen.