Indie Blues Folk Rock

by J-C0B

Indie Blues Folk Rock by J-COB

“What genre do you play?” – Everyone Else.

Seriously, have you ever told someone you write/perform music only to have someone ask what genre you play? Because that seems to be most of my experience with people, and it’s more or less the reason I decided to call this oh so important first EP I.B.F.R or, for those of you who skipped the title, Indie Blues Folk Rock.

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Baer and the Lady

by Kalani Baer Henshaw

Baer and the Lady
What’s up! My name is Baer (right) and Connie (left) is my lady. As of 2019, we are officially starving artists. Ok, we have plenty of mac’ n cheese… so, we’re getting by. We are a 2-piece band called Baer and the Lady. At some point last year, I realized that music is as precious as any material thing I’ve ever seen. So precious, it’s worth paying for..

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It Started Around A Glass Table…

by Catch Me Catatonic

It Started Around A Glass Table by Catch Me Catatonic
Catch me Catatonic is Soul-Punk. It started around a glass table. Some of us had been friends for years, and some of us had only just met, but we were immediately connected by our passion for music. We come from different places and pull our musical inspirations from even more places, but we contribute equally to the creation of every song we play, and it’s been magic from day one.

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Kelebek Evrimi: Three Roads Coming into One

by Monti Karus

Kelebek Evrimi: Three Roads Coming into One by Monti Karus

Kelebek Evrimi at Menada, Skopje – Macedonia; from left to right: Monti Karus, Dejan Spasovic (guest), Katerina Dimistrovska and Umur Sadico

What happens when three traveling street musicians from different backgrounds come together into a single path for a brief snapshot of time? You get the culturally rich sound garden of the Kelebek Evrimi project.

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1 Cabin, 1 Mic, 1 Guitar, 1 Week

by Jack Norton

1 cabin, 1 mic, 1 guitar, 1 week by Jack Norton
I, Jack Norton, am an Emmy Award winning singer-songwriter performing hokum blues and vaudeville folk music. Based in the United States, I recorded my most recent album “Busker’s Blues” in a cabin in a remote part of Manitoba, Canada. Armed only with a mic, a guitar and a week in the woods, the following is a journal kept by me while recording…

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Mother Coyote was a hassle to make, but I’m really proud now

by Pablo de Leon

Mother Coyote was a hassle to make but I’m really proud now by Pablo de Leon
We started out recording this album (Mother Coyote) as nothing serious. Originally it was supposed to be a four-song demo, so we started at a really slow pace. I went up to the studio maybe once a week to record some guitars or something. But as it evolved, it started to become a full album.

I began to push to get things moving faster but, a lot of problems started to come along: Like getting the drums recorded and getting the right drummer, getting the right keyboard player, someone to mix and master and someone to make the album cover. Everything took almost two years, and it was a real hassle, but now I feel very proud, and it turned out to be a great album!!

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The Birth of Grunge- “91”- And The Death of Drums- “Taon II”

by ION

The Birth of Grunge- "91"- And The Death of Drums- "Taon II" by ION

(In the Tempo of the Dog, please…)

“Can’t smoke, can’t drink, can’t dance, can’t sing,
can’t punk, can’t folk, can’t fight, can’t fall anymore…”

– “Taon II”

All that is not entirely true.

I can still sing.

And punk.

And fall…

like you wouldn’t believe.

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