Metal

Your Friendly Neighborhood Electro-Witch

by Megan McDuffee

Megan McDuffee, your friendly neighborhood electro-witch


As I sit down to write this, I have several topics swirling around in my brain. I could spill my life’s story, I could educate you about music for the video game and film trailer industries, I could ramble about my frustrations and stress around having to wear too many hats, and so on. But for your sake (and mine honestly), I’ll keep it simple.

Welcome to my blog post! Thanks for being here. My name is Megan McDuffee and I’m a composer, music producer, and artist primarily for video games. I’ve built a successful client business over the past decade, and have gotten to work on some very cool things like all the Atari Recharged games, River City Girls 1 & 2 from WayForward, Apex Legends Mobile, the trailers for Annihilation and The Predator, and many more. You can even hear my songs in reality TV shows like The Bachelor and Love Is Blind. It’s been a wild journey, and there’s still so much more to tackle.

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Without Any Constraints

by Nethracedicon

Nethracedicon


Greetings! I want to let you know that I have an Avant-garde/Alternative Rock music project called NETHRACEDICON.

I’m sure you’re probably thinking, “Nethra-what!?” And, you’re correct. This is not a word. It’s a fictional title I have given myself, as an independent recording artist. “Nethra” is actually a male first name that can be found in India. Also, at the tail end, you can find “Icon,” which someone I used to work with pointed out to me.

When I was 20, and still in college at Texas A&M University, I hooked up with some musicians who were needing a drummer for their Reggae group, Raggamuffin. During the Fall of 2005, I became their active drummer and managed to capture multiple rehearsal sessions with a portable device. This was my introduction into “do-it-yourself,” home audio recording and I’ve been doing this ever since.

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When all else fails, do it yourself

by Context Sensitive

When all else fails, do it yourself by Context Sensitive
You will never know my real name, but will instead know me as Britain Chambers. I am the sole mind behind my band Context Sensitive. Unlike everyone who happens to chase the next big trend or stay within the confounds of genres, I make the music that I like with all the sounds that I desire the music that turns me on. Follow me down the rabbit hole and see how far it goes.

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Sadomasochism, androgyny, air guns and rural mayhem

by Syrenomelia

Sadomasochism, androgyny, air guns and rural mayhem by Syrenomelia
The ambition of Syrenomelia is to find back the strangeness, the dirtiness, the emotion and passion which characterised the alternative rock music between the 60ties and late 90ties – defying the industrialised and genre-focussed ways of making music that have been so ubiquitous in the last 20 years.

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It’s all about the music! Isn’t it?

by Royce Davis

It's all about the music! Isn't it? by Royce Davis (Teenage Nothing)

I started playing with bands in 1997, and all I cared about was playing live, seeing people see and hear me. I wasn’t concerned with whether they liked it or hated it, so long as they felt something. Here we are, 20-something years later, and not much has changed for me, but the rest of the world is a different animal entirely.

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Gravedigging In Reverse

by Satyr

Gravedigging In Reverse by Satyr Syndicate Records
Satyr Syndicate Records is my project to re-record and master much of the music I have written. On the website, I play the part of Hermes, the messenger god. Hermes gives updates on how the excavations are going. Sometimes, there is drama with the bands. For example, there was a socialist funk band, called Smashpattern, who only put out a single EP, and then tragically disappeared into the jungles fighting for liberation. Satyr Syndicate is the group of satyrs who write, record and perform the songs. They represent various moods or genres. There is also the imagery of excavation and of Hades. Since I am re-recording, I am excavating stuff that was done long ago, like an archeological dig. Hades represents the other-world or sub-conscious, from which the music comes. Gravedigging in reverse.

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Writing music is the closest I’ll get to playing god.

by The Red Priest

Writing music is the closest I'll get to playing god.
I’d rather retreat into a world of sound that I made up than have to deal with the world as it’s given to me. Maybe then I can come up with a clever idea to change it. Music has always been sort of an escape for me, and sometimes I choose to isolate myself from those who love me the most so that I can just play. Solitude is great, but don’t get solitude confused with loneliness. I look at solitude as being good company to yourself and loneliness as being double un good company to yourself.

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