Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.
I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.
For most of a decade, Carlotta loitered, half-finished, in the fringes of my songbook. Old-fashioned with modern sensibilities, her presence was staunch, her gaze penetrating, yet musically, her identity remained vague.
Gas stations have always been a cornerstone of exploration. A glimpse into a different world every time you enter those doors lathered in other peoples fingerprints and rust from the hinges. We want to give you that feeling of going head first into a place that has room for exploration, where the possibilities never cease and the road always winding. But the first place every great trip starts and all good travelers go to share their tales is the gas station.
Hello friends. We are from the prairies of southern Alberta where it is sparse and dry, kind of like us. We don’t know what we’re doing or what we want, but we think we will continue. Join us as we try not to suck, but also don’t worry too much about being great. We’re just trying to be ok.
My second album is somewhat of a time capsule. These are the songs I wrote between realizing I needed to get better and doing something about it.
My alcoholism and dependence on other addictive behaviors (weed, sex, etc.) had progressed to a point where they had begun destroying every semblance of a good life I’d managed to build despite them. To preserve any chance I had at living well, I needed to change the way I spent each and every moment of my time. In order to honestly document these in musical form, I stripped away every instrument other than my voice, guitar, laptop, and tape recorder.
If there is anything for you in these songs, you will most likely find it outside of what I have to say about them. All I really have to say is thank you so, so much for listening. So much.
That said, in case it might inform your listening, here’s what I have to say:
I’m Jesse, an independent singer/songwriter/producer. I’ve been recording music in different projects since 2009. Juliet’s Funeral, The Freddy Velcroman Expedition, and International Spies just to name a few. I’ve always been inspired by the DIY concept of garage rock and punk bands. I’m a huge fan of the ’60s and ’70s psychedelia and pop music.
I would describe my music as Alternative Pop Rock with explorations into Folk/Blues, Reggae and Jazz. I’m trying to find that someplace out there for my music, those ears to hear it and hearts to feel it. It’s been hard with such a wide range of influences. That’s when I realized I’d have to carve out my own corner here on this earth to fly my freak flag.
Vinyl Motherfuck is the solo (and unique) project of Leonard, a mexican guy that with his cheap lyricism and his basic but good instrumentals is making music since 2018 (but most of his published work is from 2019).
After we started Soft Milk in 2015, there was a little buzz going because of our music but also some of wacky on-stage antics. It was just two of us then. We played with some cheap 10-watt amps and wore nothing but ghastly bed sheet costumes.
The Kameleon Bloom Collective was born from the amalgamation of two minds, two artists: Cuadrado and Torugo, that converged into the genre Lo-Fi, giving way to an idea: an album full of homemade beats, that would draw various references from many different subgenres, from trap (samurai jack), rock (changing perspective), reggae (bad luck), chillwave (working at 3 a.m.) and ambient (slow dance in the rain).