(Contemporary) Folk music refers to a wide variety of genres that emerged in the mid 20th century and afterward which were associated with traditional folk. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also “folk,” but is often called “contemporary folk” or “folk revival music” to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock, folktronica, and others also evolved within this phenomenon. While contemporary folk is a genre generally distinct from traditional folk, it often shares the same English name, performers and venues as traditional folk; even individual songs may be a blend of the two.
– Wikipedia: The Free Encyclopedia
It was March in Seattle, and I’d just had all four wisdom teeth removed while listening to Megadeth. I was lying in bed – – healing and reading Tom Wolfe’s “Electric Kool-Aid Acid Test” – – when I got a text from a fellow singer/songwriter (we’ll call him Drew), asking if I’d like to join him for a road trip to Austin, Texas. We would leave in a few days. After arriving we’d stay with a traveling musician named DB Rouse who lived and worked on a horse ranch just outside of the city. DB had set up a makeshift recording studio in a shack on the property and had invited Drew to come down and record some songs.
My need for adventure greatly outweighed my need for rest, so I agreed to tag along.
Middle age –
Some buy a motorbike or go skydiving, some swim with sharks or hunt for ancient treasures…. me I started to record all the songs I’d scribbled on little bits of paper over many years! As the technology made it infinitely easier to set up a studio at home… that’s what I did, and here am 😉 7 albums, two e.p.’s and a couple of compilation albums in 4 years, and many more still to come!!
My name is Danny M. Cohen, and I’m one half of the Chicago-based gay folk-rock duo They Won’t Win. My “music husband” is Greg Lanier and we wrote and co-produced our debut album over a few years of life’s ups and downs. For me, parts of ‘Lost At Sea’ reflect what it was like to witness a dear friend fall into a dark, frightening place, but, ultimately, our album is about finding your way out.
I live in a small house. High on a forested mountain. It rarely snows during the winter. I drive long distances to see the entire country sometimes. I eat alone in vast naturistic scenarios. However, I have a deeply loving partnership. I can only live openly as sex is a constant and powerful urge in my life.
I hear music in my head; it writes itself for me. It feels as if I have been dialed into a radio frequency of sounds, words, images and stories, and my body is just the antenna. My life from that moment on became who I was before and who I am now.
I grew up in a small town in Minnesota called Elbow Lake. There wasn’t a whole lot to do in the “sticks” of MN, so I found love in rock ‘n’ roll at an early age through my older brother’s music collection. He moved out when I was young, joined the Air Force and was stationed in England when I was in middle school, so our family took a trip overseas to see him. When I got there, he showed me his electric guitar. I picked it up, and he showed me a couple of licks. I played that damn thing the rest of the time I was there. My parents heard me playing it the whole weekend and later that year, for Xmas, I got my first guitar. I was obsessed. I quit all sports and just focused on that.
Hello friends. We are from the prairies of southern Alberta where it is sparse and dry, kind of like us. We don’t know what we’re doing or what we want, but we think we will continue. Join us as we try not to suck, but also don’t worry too much about being great. We’re just trying to be ok.
My second album is somewhat of a time capsule. These are the songs I wrote between realizing I needed to get better and doing something about it.
My alcoholism and dependence on other addictive behaviors (weed, sex, etc.) had progressed to a point where they had begun destroying every semblance of a good life I’d managed to build despite them. To preserve any chance I had at living well, I needed to change the way I spent each and every moment of my time. In order to honestly document these in musical form, I stripped away every instrument other than my voice, guitar, laptop, and tape recorder.
If there is anything for you in these songs, you will most likely find it outside of what I have to say about them. All I really have to say is thank you so, so much for listening. So much.
That said, in case it might inform your listening, here’s what I have to say: