We are the goth rockers, Black Angel, from Los Angeles (even though I hail from 80’s England) and have just released an extended version of our debut album “The Widow.” Initially released in October 2019, some may think this is a little quick for an extended version. But while the first version was awesome, something wasn’t quite right.
It was mastered for the “headphone and streaming” generation, and it just didn’t have the bollocks it needed for a Goth/Post-punk album – not the ones I grew up listening to. I should have gone with my gut, I shouldn’t have catered to this popular way of mastering songs, should have stuck to my guns. So now I’m doing it again. And I couldn’t just re-release it, so we thought let’s just make it longer and more impressive, so fans have a reason to want it.
Originally from Great Falls, Montana, I became involved with music at a young age and was writing songs by age 13. In highschool my bedroom was set up like a recording studio with an old Tascam 24 track recorder and various instruments.
“I slept in my closet! So I had room for the studio.”
At that time, I was making music under the moniker Wayyyne with a sound similar to Animal Collective and experimental pop from 2011. After graduating highschool, I moved to Portland, OR to pursue music further.
When I stepped out of LAX and into the warm evening air I suppose I fell in love.
Kansas City, as much as I adore it and feel proud to represent, will never be as warm as Los Angeles was that night in mid-December, nor will it evoke the feelings of excitement and hope that still exist within. So when you grow up in a rural place it’s not uncommon to dream of bigger things – in the back of my mind LA was always the destination.
What do you get when you combine the funky bass lines of the Chili Peppers, the haunting vocals of Nirvana, the screeching leads of Buckethead, the beefy guitars of Basement, and the powerful rumble of Balance and Composure drumming? A cacophony of styles and tastes blend into a unique representation of alternative rock music in the form of Tuesday Atlas. We just like to make songs that get stuck in your head, like a ghost in your attic.
“Waiting For” was written alongside producer/writer Abraham Hovey. I had been wanting to release a single for a while, and let something sit on its own… this finally felt like the track that could do just that.
Positive Reinforcement Cookies is the Drool Brothers 8th release. I, Chuck Mancillas, play drums, sing lead and am the primary songwriter and engineer. My Brother, Tom Slik, is the bassist, idea curator and serves as father wisdom. We are joined by instrumentalist Dan Marfisi (bongos, xylophone, keys, guitar, and vocals) and lead guitarist East Los heart throb, Rico Garcia.
At the time of writing this I am 14 years old, a freshman in high school, and chock-full of angst. I write music to express how I feel— so basically just to bitch to the universe about whatever shit is happening in my life — however, I take it seriously and put a lot of effort into what I make because it makes me happy.
In this post, I will go through each of the songs on my debut album, “Going Nowhere”, and explore the backstories to each of them.