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Alternative

Alternative music (also called alternative rock, alt-rock or merely alternative) is a style of rock music that emerged from the independent music underground of the 1980s and became widely popular in the 1990s. In this instance, the word refers to the genre’s distinction from mainstream rock music. But the term’s original meaning was broader, referring to a generation of musicians unified by their collective debt to either the musical style or simply the independent, DIY ethos of punk rock, which in the late 1970s laid the groundwork for it. The term is a broad umbrella term consisting of music that differs significantly regarding its sound, social context, and regional roots. By the end of the 1980s, magazines, and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of it, helping to define some distinct styles (and music scenes) such as noise pop, indie rock, grunge, and shoegaze.
– Wikipedia: The Free Encyclopedia

About a Musician

by Gerrit Walter a.k.a. The Song & Dance Brigade

Gerrit Walter


I am kindly asked to write something about my musical life, which has now spanned several decades. No one had ever asked me that before. Well, I have been making music since I was 13 years old. My mother taught me how to play the guitar, at least the rudimentary playing she mastered. That was when I was thirteen.

Since then, I’ve been playing the guitar. It’s the instrument I desire in terms of beauty, sound, and challenge. In school, they told me I couldn’t sing. I did it anyway.

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Time To Dream It All Up Again 

by Tony Meade

Tony Meade


I’ve spent my life as a late bloomer, perpetually running to catch up. I was late into my teens before I even knew that I could sing, into my twenties before starting to play guitar, in my late twenties before I was in a band writing my own songs, and only years later would release my first album. Chasing the clock, hoping to catch up before time runs out.

I was born and raised in the hills and valleys of West Virginia, a land of contradictions itself – a place of conservative values and union labor, of startling beauty and stifling poverty, of struggle and soul. It was here that I had my first musical experiences, from the traditional country gospel of my ancestors to sneaking into my older sisters’ bedroom to pilfer and explore their collection of 45s, pretending I was giving concerts, using the bed as a stage.

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Gathering Flowers

by Richard Thomas a.k.a. Mint Biscuit

Richard Thomas aka Mint Biscuit gathering flowers in his parent's garden


I spent three or four years as a student in school and University, playing in rock bands and organizing music events. These years were the best of my life, filled with music, love, learning, friendship, and joy. It was also a tumultuous time, with stress, illness, and injury plaguing my life. In the band “Mint,” we played loads of gigs around my University town of Durham and recorded an album, “Leaving It Late,” which marked the culmination of our collective collaboration with a flourish.

After going “off the rails” slightly for this short period, I had to force discipline back into my life. I quit the rock and roll lifestyle completely and returned to being the hard-working, sports-playing, family-oriented guy I was before. I played rugby four times a week. I completed my degree eventually and got married to my girl.

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Not Needing To Live Up To An Image

by Sound Furies

Sound Furies


Our story is that we have no story, at least not one that is interesting for a lot of people. We’ve always thought it strange that musicians need to have a story or an image for people to listen to their music when it is a purely aural art form. Our music as “Sound Furies” speaks for itself; it is its own entity that tells its own stories.

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The Perfect Jumping-Off Point

by Jalen Doughty

Jalen Doughty


In May this year, I found myself becoming disillusioned with music, something I never thought would happen. No matter how many hours I’d put into creating pieces, they always felt hollow and meaningless – maybe a technique here or there was exciting, but for months, it all felt like nothing.

With roots firmly in ambient and noise music, this was an unsustainable position to be in, and I felt like giving up.

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Scene from an Art Heist

by Nick Stevens a.k.a. The Eighty Six Seas

Nick Stevens a.k.a. The Eighty Six Seas


The most vivid artwork I’ve ever seen was a series of blank frames.

The first time I walked into the Dutch Room at the Isabella Stewart Gardner Museum in Boston, I was gobsmacked. This room was the site of the most notorious art heist in history, where thirty-three years ago, two thieves disguised as police officers broke into the museum and stole half a billion dollars worth of masterpieces by Rembrandt, Vermeer, and Degas. I’ve never witnessed such a visceral display of the absence of art.

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Release It Creatively

by Simon Grundy a.k.a. Subtle Amnesia

Simon Grundy a.k.a. Subtle Amnesia


Subtle Amnesia is a one-person band prioritizing new sounds. With these sounds, I introduce philosophical ideas and the more grim aspects of reality to my music. I am a spiritual person who has had my fair share of mental health issues, and that ingrains itself into my music quite heavily.

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Getting Back My Wings

by Jessica DeSimone of Warren Teagarden and the Good Grief

Warren Teagarden and the Good Grief
Photo by Mr. Dodgy

Since I can remember, I’ve been performing. My earliest memories are dancing around my childhood home, singing along to my mom’s records, or doing what I can only describe as a cobra pose inside the giant planter boxes at our local shopping mall, pretending I was Ariel from The Little Mermaid. I used to feel like I could fly when I sang, like I had tiny wings sprouting from my back.

As I got older, my grandma taught me how to play piano, back when my hands were so tiny I couldn’t hit an octave. In school, I added choir, theater, and dance team to my repertoire, and I was sure I would be a big theater star one day. But of course, pragmatism won, and I went to college for something far less fun and ended up in a career even less fun, leaving a part of myself behind.

For years, my creative self was suffocated. I was dying to tap back into the freedom that came with being on stage, that rare out-of-body experience when you get to leave yourself behind and become something else entirely.

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Epilepsy

by Martin Ejlertsen

Epilepsy from The Admirer by Black Light White Light


How can you convey a song about a disease? Especially a disease like epilepsy that most people have heard about but probably know very little about. And can I express the feelings and the hopelessness associated with having a child with this disease without it being simply too much for others to listen to?

Among other things, it was with these thoughts that I started writing the song Epilepsy. A song that has now become very central to my album The Admirer, which is my most personal album to date. The song was also the first single from the album, and was released on International Epilepsy Day. That all made sense.

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No Easy Way Out

by Ezra Meredith of Supplemental Pills

No Easy Way Out by Supplemental Pills


On our sophomore full-length album, “No Easy Way Out,” we examine tragedy underneath a bed of pulsating drone-rock following the murder of our bass player Aron Christensen in 2022, inspired by artists like Spacemen 3, The Velvet Underground, and The Brian Jonestown Massacre.

We do a lot of things: heavy blues, psychedelic, and atmospheric rock. It’s not as psychedelic/jammy as our first record. It’s more dark and brooding. It has some jams in it, but it’s far more focused.

Tragically, the biggest story isn’t our sound but the death of Aron Christensen, who was murdered while hiking with his four-month-old puppy, Buzzo. Inept police work, a lazy district attorney, and many questions that will probably never be answered have led many news outlets, including the Wall Street Journal, to write about Aron’s mysterious murder. However, before his passing, we were finishing what would become No Easy Way Out, an eight-track collection of songs that explore, examine, and contemplate life, death, and how nobody makes it out alive.

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