I Ain’t No Bitch (The beginning of Timmy Dangerfield; also known as ABKTRAUMA)

by Timmy Dangerfield

I Ain't No Bitch (The beginning of Timmy Dangerfield; also known as ABKTRAUMA
I saw my first murder when I was only five years old. Such is life growing up in Camden, New Jersey. Although it was a very dangerous city to grow up in, It wasn’t all bad. Yes, it was tough times; but it helped define me. It helped prepare me for two tours in Iraq. But more importantly, it helped define my music. Yet, it would only take one basketball game to introduce my music to the world.

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The Pain Of Living A Lie, Why You Should Be You

by Twinchild Edozie

The Pain Of Living A Lie, Why You Should Be You by Twinchild Edozie

Originality is what makes you different. Stop copying others instead of bringing uniqueness into your work. Let the world know who you are and what stuff you are made of.

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Classic Pop Reborn For A Hip Hop Is Pop World

by Cosmos T’err

Classic Pop Reborn For A Hip Hop Is Pop World by Cosmos T'err
For most of a decade, Carlotta loitered, half-finished, in the fringes of my songbook. Old-fashioned with modern sensibilities, her presence was staunch, her gaze penetrating, yet musically, her identity remained vague.

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The Making Of My Debut Album “New Dawn”

by Twinchild Edozie

The Making Of My Debut Album by Twinchild Edozie
Like they always say, “nothing good comes easy” as true as it sounds. It takes hard work, patience, resources, and most importantly, time. Just like refining gold from its ore requires a lot of work, so it is with whatever venture we embark on.

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Digital Queer Aesthetics

by Ava (Hegemonix)

Digital Queer Aesthetics by Ava (Hegemonix)
My name is Ava and Ben, I use they/them pronouns, and I make music as Hegemonix. I’ve recently been exploring online queer aesthetics via electronic music and music videos. I’ve been using digital instruments and my physical body to communicate my exploration of having a non-binary gender identity. I’m interested in using the “precise” robotic language of electronic music combined with the uncertainty of the voice and body to explore what it means to be human in today’s digital world.

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Music as Magick. Magick as Music

by Dusty Santamaria

Music as Magick. Magick as Music. by Dusty Santamaria
The Sun looked like a prison break. I woke up in a suburb of Seattle and stared drowsily out of a stranger’s bedroom window. My wife was talking to an admirer of hers around the scattered ashes of a campfire from the night before. There was a mysterious text message from an unknown number on the blue screen of a broken iPhone. It was clear that the veils to what folks call the spirit world were perceptibly thin. Little hints of future memory flickered with mischievous honesty through the cracked wallpaper in the shadows of the room.

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Music Licensing Collective

by Jonathan Segel

Music Licensing Collective by Jonathan Segel
Songwriters and composers, lend me your ears/eyes/brains for 20 minutes here, this is IMPORTANT and critically timely. And it affects writers globally, if your music is streamed in the US. Please take time to read this and research a bit.

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