Our story is that we have no story, at least not one that is interesting for a lot of people. We’ve always thought it strange that musicians need to have a story or an image for people to listen to their music when it is a purely aural art form. Our music as “Sound Furies” speaks for itself; it is its own entity that tells its own stories.
The most vivid artwork I’ve ever seen was a series of blank frames.
The first time I walked into the Dutch Room at the Isabella Stewart Gardner Museum in Boston, I was gobsmacked. This room was the site of the most notorious art heist in history, where thirty-three years ago, two thieves disguised as police officers broke into the museum and stole half a billion dollars worth of masterpieces by Rembrandt, Vermeer, and Degas. I’ve never witnessed such a visceral display of the absence of art.
For those who don’t know my name is Alex Black, but I go by many names. I’m Alex Black. I’m Flash The Stampede. I’m Johnny Louisville. Hence the The Man With Three Faces moniker. When I practice martial arts I’m Three Chāoláng (超狼) LOL. My main creative persona is Alex Black, however. I’m an artist in every sense of the word. A dreamer, hard worker, flamboyant, charismatic, experimental. I’m gorgeous, and one of the most dopest people walking this planet. I’m one of one, I do what I want, when I want & how I want which confuses people.
I’ve said this somewhere else but people see a 6’5 dude from Brooklyn, muscular, with an androgynous pretty boy style, constantly rocking something flamboyant. They’ll see this dude pull up in a streetwear brand from London, or maybe he’s rocking some vintage designer clothes from the 80s and 90s, mixing it with crazy footwear and eyeliner. An eccentric human being, but his talent and charisma is undeniable. That’s who Alex Black is.
Some of my favorite moments and memories consist of being out on the road wearing a hat over greasy hair and some of the same travel clothes for days. Stepping out of the van barefoot to see the sights, the wind blowing my clothes as I look out over the expanses, I feel free of earthly possessions, free of the need to control how I look and feel, and free of the expectations of the outside world. Truly anonymous in a hat, I travel from town to town in and out of diners and cafes with my face slightly obscured. I’m just a traveler blowing through, never promising anything to anyone. I’m a transient presence for a moment and then I’m gone.
I’d never been to Louisiana, never seen New Orleans, never been out on the Bayou. It was May of 2021 and here I was driving in the middle of the night to a town called Breaux Bridge, out past Baton Rouge, deep in the middle of rural Louisiana farmlands—what they call “Cajun country.” I arrived at a big, rundown house and was greeted by Mark, the producer of my new record (released Feb 11 2022 on Dream Puppy Records). We had only communicated by email and text up til this point and now here he was—grinning, talking a mile-a-minute, introducing me to the semi-stray cats, describing the armadillos that would come around if he left the cat food out over night in the garage: “nasty fuckers.”
When you cue up a song titled “Highway 1”, you probably anticipate a great driving song. Greg Connors delivers with his new single, which if you let it, will take you on a journey to both your own bitter end and recreation.
“Highway 1” manages to relentlessly unbalance and rebalance its discord and flow. The lyrics have that signature Connors flair, the mercurial duplicity and winking turns of phrase. —
The 2010’s have come to an end, and there was no better way to end the decade with a collection of songs that mean so much to me as an artist and person… The tracks of the Mirror Stage era. This collection of 80’s inspired new wave tracks, with sprinkles of modern chillwave, have taught me so much about myself as a musician and will forever hold a special place in my heart. The Mirror Stage era ended with my newest release to date, the Imaginary Order EP. This EP is only 17 minutes long, but it packs so much emotion and angst into 5 tracks. Although the Mirror Stage era is over, this EP is the perfect way to kick off the new decade.
I know I’m supposed to promote myself, but before I do that, let me break down why my latest project is bigger than me.
So. I am born, raised, and artistically based in Queens, New York City, USA. The borough of Queens as a standalone city would be the single most diverse place in the world; something like 200 languages are spoken here. In high school, I knew this girl who spoke English, Spanish, and a specific dialect of her family’s motherland (I forget which specific country it was – sorry mija). And it gets way more diverse than that around here.