by Camel Eye
Yes, I’ve done it, just about. Okay, it’s been closer to a year and a half, a couple of those albums were EP’s, one was a single, etc., but I’ve done it, just about. Five more releases, and I’ll have recorded as much music as The Beatles.
What makes music great? I guess the answer is the uniqueness of your music. I always try to make my music unique and far from standard.
by Two Moons
We’ve returned after almost three years. With an album that drives us back to the origins, to that EP (“The first moon”) from where everything had started. Italian in its provenance but with an original British twist, “The first Moon” earned us the reputation of champions of a “new New Wave”.
My name is Peter Gilliver. I am in a London based band called Wondergeist, along with my bandmates Sam Stretch and Sam Lott. We released our first album as a three-piece this year called ‘The Gulf.’ This is how we got there.
Blurry lights, late-night, pink roses, and a tremendous amount of drama: Enter the world of The Spotlights. My name is Vincent, and I’m here to tell you the story of our first EP called THISWILLMAKEAFUNSTORYONEDAY.
Being a self-taught guitarist and drummer, my journey into music production started back in 2014 when I was living in Borneo, Malaysia. I was very lucky that one of my teachers, a music producer himself, showed me how to do it. Traveling around Asia, hearing each place’s tune greatly influenced the vibe of my latest album ‘Silent Scream’ which is a collection of memories from there.
This project is really just the natural progression of my seemingly endless need to throw sounds together until they resemble something along the lines of a song. I’m excited to see where I can take amphibian sibling and how I can benefit people with music as I’ve benefited from others’ music.
by Day & Dream
Day & Dream is a husband-wife team, Peter Frizzante, the morning person, and Abby Amaya, the night owl – our band name is a nod to our opposite sleep schedules. We are often writing music or lyrics at home in between work and daily chores, finding inspiration in personal relationships, nature, and risk-taking.
I began with a classical training from age eight on violins made by my grandfather, from a half size to three quarter, then to his “number 2” with a finessed fiddleback grain in high glaze. His Luthier’s hands I remember as large and gnarly as they would trace the creases of my palm to elucidate future prospects. After ten years of scales and arpeggios working my way through graded texts filled with compositions by the gifted and deceased, a final concert in the embers of 1990 marked the occasion of my last musical performance on stage, aside from dreams.
Barely 12 months passed before my own strange sounds were committed to cassette tape for the first time, born of a natural necessity to do, and it was this background of prescribed exam pieces that gave me something to react against.
Moonshine Effect travel through the night in a psychedelic mood, humming dream pop melodies. They enjoy riding into pink moons on dancing horses and whispering folk sounds in the cool early morning breeze. They insist on watching the constellations of trembling blue stars, gently screaming their poetry till it touches the sky.