Vampyre Villa

by Zach Pliska

Vampyre Villa by Zach Pliska (Vazum)
My band Vazum‘s new album Vampyre Villa has a variety of moods and styles which people have picked up on. It floats between deathrock, shoegaze, goth, and post-punk which is why we call ourselves a deathgaze band. We’re interested in combining the rawness of deathrock with the depth of shoegaze.

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This Will Make A Fun Story One Day

by _The Spotlights

This Will Make A Fun Story One Day by The Spotlights
Blurry lights, late-night, pink roses, and a tremendous amount of drama: Enter the world of The Spotlights. My name is Vincent, and I’m here to tell you the story of our first EP called THISWILLMAKEAFUNSTORYONEDAY.

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Silent Scream

by Ioana Iorgu (JO)

Silent Scream by Ioana Iorgu (JO)
Being a self-taught guitarist and drummer, my journey into music production started back in 2014 when I was living in Borneo, Malaysia. I was very lucky that one of my teachers, a music producer himself, showed me how to do it. Traveling around Asia, hearing each place’s tune greatly influenced the vibe of my latest album ‘Silent Scream’ which is a collection of memories from there.

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Throwing Sounds Together as Amphibian Sibling

by Christian McCagherty

Throwing Sounds Together as Amphibian Sibling by Christian McCagherty
This project is really just the natural progression of my seemingly endless need to throw sounds together until they resemble something along the lines of a song. I’m excited to see where I can take amphibian sibling and how I can benefit people with music as I’ve benefited from others’ music.

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With Every Breath You Die

by Day & Dream

With Every Breath You Die by Day & Dream
Day & Dream is a husband-wife team, Peter Frizzante, the morning person, and Abby Amaya, the night owl – our band name is a nod to our opposite sleep schedules. We are often writing music or lyrics at home in between work and daily chores, finding inspiration in personal relationships, nature, and risk-taking.

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Dignity of The Unknown

by Euan B Graham

Dignity of The Unknown - The Music of Euan B Graham
I began with a classical training from age eight on violins made by my grandfather, from a half size to three quarter, then to his “number 2” with a finessed fiddleback grain in high glaze. His Luthier’s hands I remember as large and gnarly as they would trace the creases of my palm to elucidate future prospects. After ten years of scales and arpeggios working my way through graded texts filled with compositions by the gifted and deceased, a final concert in the embers of 1990 marked the occasion of my last musical performance on stage, aside from dreams.

Barely 12 months passed before my own strange sounds were committed to cassette tape for the first time, born of a natural necessity to do, and it was this background of prescribed exam pieces that gave me something to react against.

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