In 2018, I completed my first LP album as a solo artist. It is called Kriya and features ten tracks (in 37 minutes). I later realized that even though I spent a lot of time and energy on the album, most people wouldn’t be able to listen to it from start to finish in today’s hectic times. So, I decided to tell the story of finding our center (relevant to each of us!) in the form of a shorter 3-track EP, where each song represents a different genre, a different sound, and lyrically offers a diverse point of view. The Hara EP (10 and a half minutes) was born.
The time to start a musical project should probably have been in a university where access to a range of different musicians was abundant. But then most people choose to learn the hard way…
The New Nervous Kind was created in the wake of the university with nothing more than a laptop (to program drums), a guitar, and a bass guitar, with the help of a trusty microphone. The setting was an isolated attic space, far from friends or family, which would serve well as the basis for the nostalgic lyrics and mechanical quality for our first single “Going Nowhere.”
by Alex Panait
I started recording my own music about seven years ago, when I was 14, by myself in my bedroom – like a lot of people do. I haven’t formally released anything over this period of time, but I still organized my songs into albums and made artworks for each of them. I’ve got about 11 of these ‘albums’ which I’ll probably never release, but they are certainly a good way to document my evolution as a singer-songwriter.
That being said, this first LP Postponed Arrivals means a lot to me – not only because it’s the first one, but it’s also the most uncomfortably personal thing I ever wrote.
My name is Kaine Harington, and I am the sole instrumentalist of the post-rock band American French Fries based in Dunedin, New Zealand. My latest album Bigger Things To Worry About wears its influences on its sleeves. Quite literally, the major influencing factors behind the album and its long-winded production is displayed clearly on the record sleeve. The image is of myself and my daughter (3 weeks old at the time) cuddled together and falling asleep. The longer I sit with the album as a finished product, the more I realize her influence is far greater than just a cutesy cover image. Every single track was shaped by the huge impact she has made on my life.
What do you get when you combine the funky bass lines of the Chili Peppers, the haunting vocals of Nirvana, the screeching leads of Buckethead, the beefy guitars of Basement, and the powerful rumble of Balance and Composure drumming? A cacophony of styles and tastes blend into a unique representation of alternative rock music in the form of Tuesday Atlas. We just like to make songs that get stuck in your head, like a ghost in your attic.
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