Pitch Black Noise: How I Learned to Write Lyrics

by Anna Brooks

Pitch Black Noise: How I Learned to Write Lyrics
In the first grade, I carried history books around like spell books. There was this magic about language that I felt compelled to keep close, like it had secret powers that I didn’t have access to yet. Clinging to an impressive-looking pile of books every day at school was also how I prevented my classmates from realizing I couldn’t read.

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Dignity of The Unknown

by Euan B Graham

Dignity of The Unknown - The Music of Euan B Graham
I began with a classical training from age eight on violins made by my grandfather, from a half size to three quarter, then to his “number 2” with a finessed fiddleback grain in high glaze. His Luthier’s hands I remember as large and gnarly as they would trace the creases of my palm to elucidate future prospects. After ten years of scales and arpeggios working my way through graded texts filled with compositions by the gifted and deceased, a final concert in the embers of 1990 marked the occasion of my last musical performance on stage, aside from dreams.

Barely 12 months passed before my own strange sounds were committed to cassette tape for the first time, born of a natural necessity to do, and it was this background of prescribed exam pieces that gave me something to react against.

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The Town and The City

by Daniel Armstrong

The Town and The City by Daniel Armstrong
Hailing from the town of Nottingham, England, I relocated to London in 2014. Gigging consistently solo and with various outfits such as Never Never Man and Frankie Teardrop Dead, I found time to begin working with producer Gavin Bowers (Elêphant, Tsuki) on the record in the fall of 2017. Collaborating with a host of different musicians on the album, I wanted to ensure that each track on my album ’The Town and The City’ was as varied as the settings that inspired the songs themselves.

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Gravedigging In Reverse

by Satyr

Gravedigging In Reverse by Satyr Syndicate Records
Satyr Syndicate Records is my project to re-record and master much of the music I have written. On the website, I play the part of Hermes, the messenger god. Hermes gives updates on how the excavations are going. Sometimes, there is drama with the bands. For example, there was a socialist funk band, called Smashpattern, who only put out a single EP, and then tragically disappeared into the jungles fighting for liberation. Satyr Syndicate is the group of satyrs who write, record and perform the songs. They represent various moods or genres. There is also the imagery of excavation and of Hades. Since I am re-recording, I am excavating stuff that was done long ago, like an archeological dig. Hades represents the other-world or sub-conscious, from which the music comes. Gravedigging in reverse.

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Travel through the Night

by Johnny Dell’Orso

Moonshine Effect: Travel through the Night by Johnny Dell'Orso
Moonshine Effect travel through the night in a psychedelic mood, humming dream pop melodies. They enjoy riding into pink moons on dancing horses and whispering folk sounds in the cool early morning breeze. They insist on watching the constellations of trembling blue stars, gently screaming their poetry till it touches the sky.

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Blik & Sand: Writing love songs

by Christopher Blicher

Blik & Sand: Writing love songs by Christopher Blicher
Love songs have been done to death. They are not new. But do they necessarily have to be all-in on either the sugar-sweet and romantic side or the heavily emotional and melancholic breakup side?

Can’t they be written in a detached way seen through glasses of the harsh conditions of reality? With a sarcastic and humorous tone? With a hint of cynicism? Even about objects instead of people? Can’t the story behind be as interesting as the emotions?

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Two Junkies

by Jade Steven

Burnt Toast Cosmonauts’ Two Junkies by Jade Steven
So when I was living in Lakewood, CO and I was beginning to write what would end up being Burnt Toast Cosmonaut’s self-titled album. I was getting a lot of my first shows in Colorado even though they were just acoustic gigs I was taking a lot of pride in what I was I doing. At this time I was working at this nursing home because at the time I was a CNA, which in and of itself was incredibly rewarding. But any who one day this just super cute mousy girl Shelbe started working with us.

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