Sometimes used interchangeably with “guitar pop rock”, in the mid-1980s, the term “indie” began to be used to describe the music produced on punk and post-punk labels. During the 1990s, Grunge bands broke into the mainstream, and the term lost its original counter-cultural meaning. Yet, it became associated with the bands and genres that remained dedicated to their independent status. By the end of the 1990s it developed subgenres and related styles including lo-fi, noise pop, emo, slowcore, post-rock and math rock. In the 2000s, changes in the music industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success.
– Wikipedia: The Free Encyclopedia
The songs in “Notes From Planet Earth” include Indie Folk, Rock, and Country styles. They deal with the disastrous direction our world seems to be taking driven by the likes of Trump and the GOP, and their kind worldwide. The songs are grounded in the understanding that without a major change of course, we’re in the process of degrading and destroying the world we live in rather than passing it on to the future in good shape. I hope these songs touch some hearts and that we pull off that change of course successfully.
Music has always been said to be a universal language, but I don’t agree. Music has as many meanings as people who listen to it. What for us can be a sad melody, for someone from the other side of the world, it can be the happiest of songs, that’s why I refuse to believe that music is universal. However, I don’t think this is a problem, but an advantage to be able to communicate with ourselves. Art shows us the reality that we need to see.
I’ve been interested in a lot of different subjects and have tried to learn numerous skills over time — digital art, programming, web design, (briefly) robotics, among others — but most I either eventually decided weren’t for me, or I have a very on & off relationship with, being deeply interested and practicing it for months, and then spending the next year completely forgetting about it.
But everything about music — the production of it, how instruments are made, the history of music and its influences on cultures — that is the one thing I have always been fascinated by. I loved finding new music and wanted so badly to either play an instrument or even somehow make new music myself.
The spherical ball flew flyingly through the damn autumn leaves like a nauseating plane that was too small and round to be in any way practical. But flew it did, having been propelled as it had by Adam’s fearsome left foot. The kids who lived in Miyashita-koen still tell stories about that left foot and use words like “fearsome” and “left”. I stood vertical in the goalmouth, a moth to the flame, a fish in a barrel, a horse to water, and did what any decent Thursday morning goalkeeper is obliged to do: I saved the potential goal so hard and crushed the dreams of the understandably confident Adam.
My short 4 track EP, “2020”, first took form before the year it’s named after before all of this insanity took over. I often think it’s best to leave a song’s meaning up to the interpretation of the listener. But, if there were an outlet to air out my thoughts of my songs, it would be here. So I’ll go through each track in the lineage of which they’re recorded and break them down.
My name is Jeannie Constance Guerrilla, and I am writing this from the basement of a sort of safe house, I suppose you’d call it, in a sleepy and disintegrating Australian town. The heater here doesn’t work very well. It’s unbearably loud. A few minutes after turning it on, it heats the metal of the grille to the point that it resonates at the same frequency as the spinning fan inside, and the whole thing rattles like a milk truck. Sometimes switching the fan between its two speeds quiets it down a bit, but it seems to have found an equilibrium of density. Now it rattles no matter what I do.
The 2010’s have come to an end, and there was no better way to end the decade with a collection of songs that mean so much to me as an artist and person… The tracks of the Mirror Stage era. This collection of 80’s inspired new wave tracks, with sprinkles of modern chillwave, have taught me so much about myself as a musician and will forever hold a special place in my heart. The Mirror Stage era ended with my newest release to date, the Imaginary Order EP. This EP is only 17 minutes long, but it packs so much emotion and angst into 5 tracks. Although the Mirror Stage era is over, this EP is the perfect way to kick off the new decade.