by Vincent Cecchini of Tiki Bar
Two years ago, at 17 years old, I would be exposed to crucial elements that would rock my understanding of myself and my place in this world.
I was first introduced to Erik, my best friend and co-founder of Tiki Bar, through mutuals at a house party. At that point, we didn’t have many similarities: He was the embodiment of a modern-day hippie, and, unbeknownst to me, I was still searching for a purpose to assign me individuality.
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Music is where I go when I wish to step out of current time and space.
There is no Control mechanism in there playing on my conscious or unconscious mind telling me I must, should or am obliged to be doing something or other.
It is my place of Zen or a form of meditation if you prefer.
It’s the only place where everything external stops other than the immediate Now and I feel at peace in my own world.
I like to put sounds together to see what will happen. Often with words, sometimes not. The way they synthesise is an endless source of enjoyment and wonder to me. I never know where it’s going to end up and that is the main joy.
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My short 4 track EP, “2020”, first took form before the year it’s named after before all of this insanity took over. I often think it’s best to leave a song’s meaning up to the interpretation of the listener. But, if there were an outlet to air out my thoughts of my songs, it would be here. So I’ll go through each track in the lineage of which they’re recorded and break them down.
The Sinclair Express is a Chicago-based alternative rock trio. We’ve been working on our debut album, “All Aboard,” for four years and are incredibly proud to finally release it!
If you like Pink Floyd or Jimi Hendrix, you will like this album. If you like Reggae or Hip-Hop music, you will like this album. If you like Country or Blues music, you will like this album. If you just like to get insanely high and listen to music, you will like this album. We hit every genre with tact and precision and hope that there is a song for everybody here. Enjoy!
Photo Credit – Gretchen Pellaton
When you cue up a song titled “Highway 1”, you probably anticipate a great driving song. Greg Connors delivers with his new single, which if you let it, will take you on a journey to both your own bitter end and recreation.
“Highway 1” manages to relentlessly unbalance and rebalance its discord and flow. The lyrics have that signature Connors flair, the mercurial duplicity and winking turns of phrase.
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I started Nocturnal Company when I got to Albuquerque, New Mexico, for my freshman year of college. I often stayed up all night in my dorm recording on my laptop with the only live instruments being guitar and keyboard. Luckily, my roommate stayed at his girlfriend’s dorm most of the time. That kid was a character, he smoked hella pot and took watermelons full of vodka to parties, where he feigned a french accent.
To the best of my recollection, I can’t recall ever being tear-gassed.
My first instinct should probably have been to turn around and run away from the plaza, just like everyone else who went scampering, screaming and covering their mouths. The old, indigenous woman, with the multiple petticoats and black pork pie hat, sitting at her usual location half-way up the block, from whom I usually bought a daily newspaper, suddenly bent over and vomited. Moments before, I had heard a “pop-pop” and saw white, billowing clouds of smoke. A young Ecuatoriano adult, running in a hooded sweatshirt, gave a sudden yelp and stumbled, after getting hit in the leg with one of the tear gas canisters.
In 1986 it all began near Cologne (Germany) in a little town called Kerpen Sindorf. For me, it was clear that it would be a long journey, and it still is. Now 33 years later and after 33 released albums, it is still something special and every day something new to create music.
Right now, we just released the album “Laughter filled with pain” – eight acoustic songs with some electronic elements here and there. It is a very personal album reduced to the essentials.
It is Free!! It costs nothing!! Stated the elderly anesthesiologist to the boy’s family. To put your son to sleep for his surgery costs absolutely nothing!! It is Free!! Free!! But to wake him up??………very very expensive!!
Indeed.
Moments earlier, in the same pre-operative area in this public hospital in a large Central American city, I witnessed another local medical doctor, drill a metal rod horizontally and completely through an indegenous patient’s femur, with the patient wide awake, and only after injecting numbing medicine, not much deeper than the skin, on the entry site of the thigh.
Such is the plight of the poor and marginalized, of which I have witnessed as an anesthesiologist, in over 30 international surgical missions, and which dominate the lyrical content of Ojos Feos’ original psychedelic Afro-Latin rock compositions.
by Alex Panait
I started recording my own music about seven years ago, when I was 14, by myself in my bedroom – like a lot of people do. I haven’t formally released anything over this period of time, but I still organized my songs into albums and made artworks for each of them. I’ve got about 11 of these ‘albums’ which I’ll probably never release, but they are certainly a good way to document my evolution as a singer-songwriter.
That being said, this first LP Postponed Arrivals means a lot to me – not only because it’s the first one, but it’s also the most uncomfortably personal thing I ever wrote.