Recently I had the opportunity to interview Greg Connors about his new single “Future Nostalgia.” As I was listening, I was so drawn into the track, which prompted further listening to Connors’ vast cannon of eclectic material. I found his songs speak to me in a familiar voice, both vulnerable and comfortable. His melodic, yet ‘cut the crap’, self-styled phrasing dances with a deliberately off-kilter, sweetly angular guitar motion.
“Are you gonna be ok speaking to him?” she says.
“Yeah sure, why?” I say.
“It’s just that some people totally freak out when they meet him,” she says.
I’m standing outside of a studio door at BBC 6 music, and the nice girl who is chaperoning me is asking if I’m gonna be ok meeting Bruce Dickinson.
Driving (in the) snow from Kempten. I was supposed to put saucers and blondes together, but the reversable rider of Skye said „NO!”, and off he went on a rollercoaster ride of thrift shop guitars, carrying the torch for Lady Biba. The 4 A.M. Lamp kept burning, and sociopaths were rescued from their shady caves, turned into rainbows and oh! Butterflies „above the nation”. That was the dream of the Woodstock generation, now wasn’t it?
The album A Beard Of Stars from Ataraus Minor was recorded accidentally on purpose when I bought my first bass guitar and wanted to practice to some T. Rex songs. I started recording, and a week later, the album was finished. I played and recorded everything you’ll hear. The words and music are, of course, by Marc Bolan.
Satyr Syndicate Records is my project to re-record and master much of the music I have written. On the website, I play the part of Hermes, the messenger god. Hermes gives updates on how the excavations are going. Sometimes, there is drama with the bands. For example, there was a socialist funk band, called Smashpattern, who only put out a single EP, and then tragically disappeared into the jungles fighting for liberation. Satyr Syndicate is the group of satyrs who write, record and perform the songs. They represent various moods or genres. There is also the imagery of excavation and of Hades. Since I am re-recording, I am excavating stuff that was done long ago, like an archeological dig. Hades represents the other-world or sub-conscious, from which the music comes. Gravedigging in reverse.
Moonshine Effect travel through the night in a psychedelic mood, humming dream pop melodies. They enjoy riding into pink moons on dancing horses and whispering folk sounds in the cool early morning breeze. They insist on watching the constellations of trembling blue stars, gently screaming their poetry till it touches the sky.
by Weston Smith
Weston Smith, which is my actual name, is a Solo Synth Pop project I started in early 2016 as a way for me to cope through my mental illnesses. For years I had been battling with enormous waves of anxiety and depression, I had gone through multiple treatments to balance my life with various medications, but there wasn’t really any success with said attempts.