At first, it was all about expanding my limits. Likewise many artists, I had always seen them as a barrier, before understanding, they were my best friend.
At secondary school in Cambridge, I was friends with an extremely strong boy. Let’s call him Alan.
Once, all the boys in our year were involved in a rough version of rugby. You had to get the ball from one side of the playground to the other and could use any means necessary to get the ball off your opponent. Most of us didn’t want to hold onto the ball too long for obvious reasons. But Alan went the whole length of the playground, jaw clenched, taking a torrent of kicks and punches like a badge of honor. He was a warrior who did not register physical pain. For that episode, we all got lined up and told off by the headmaster.
Ennio Marchetto loves to dress up. Most noteworthy, his dresses are made of paper and carton, therefore the additive “The Living Paper Cartoon.” And by exaggerating typical features such as hairstyle (Tina Turner), tooth position (Freddie Mercury) or iconic dresses (Lady Gaga’s flesh) and through the playback music, Ennio’s figures are recognized worldwide although he completely renounces language.