Changes to Numbers Broken

by Ben George

Changes to Numbers Broken by Ben George (Merry Christmas)
The spherical ball flew flyingly through the damn autumn leaves like a nauseating plane that was too small and round to be in any way practical. But flew it did, having been propelled as it had by Adam’s fearsome left foot. The kids who lived in Miyashita-koen still tell stories about that left foot and use words like “fearsome” and “left”. I stood vertical in the goalmouth, a moth to the flame, a fish in a barrel, a horse to water, and did what any decent Thursday morning goalkeeper is obliged to do: I saved the potential goal so hard and crushed the dreams of the understandably confident Adam.

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2020 – A platter of songs for you to snack on

by Oliver Scott Draper

2020 - A platter of songs for you to snack on by Oliver Scott Draper
My short 4 track EP, “2020”, first took form before the year it’s named after before all of this insanity took over. I often think it’s best to leave a song’s meaning up to the interpretation of the listener. But, if there were an outlet to air out my thoughts of my songs, it would be here. So I’ll go through each track in the lineage of which they’re recorded and break them down.

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Missive From The Outskirts

by Jeannie Constance Guerrilla

Missive From The Outskirts by Jeannie Constance Guerrilla (Leonardo's Robot)

My name is Jeannie Constance Guerrilla, and I am writing this from the basement of a sort of safe house, I suppose you’d call it, in a sleepy and disintegrating Australian town. The heater here doesn’t work very well. It’s unbearably loud. A few minutes after turning it on, it heats the metal of the grille to the point that it resonates at the same frequency as the spinning fan inside, and the whole thing rattles like a milk truck. Sometimes switching the fan between its two speeds quiets it down a bit, but it seems to have found an equilibrium of density. Now it rattles no matter what I do.

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Waking Up From A Coma

by Mobius

Waking Up From A Coma by Mobius

We’re a three-piece band; we grew up in different places, met two years ago and started up playing in a basement that now we can call our own. It’s awful and depressing that in Greece, you never get much attention or the respect you deserve as an artist, except if you are a rapper, a metaller, or a traditional type musician. It’s so hard to find live gigs here when you play the kind of music we do. I believe that this is one of the main reasons we need to get out of here for good if we get the chance.

The name of the band comes from my brother’s syndrome Mobius and it has to do with facial nerve paralysis and being expressionless, which happens to remind me of what I think about the world I live in, paralyzed, and emotionless.

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New Single and Video ‘Take it Easy on Me’ – out Valentine’s Day, Feb. 14th

by The Terminally Well

The Terminally Well - New Single and Video 'Take it Easy on Me - out Valentine's Day, Feb. 14th
The Terminally Well are an independent American rock band conceived of and formed by Rob Runkle – who has previously released several album’s worth of music as Intense “The Bohemian Pimp” from Philadelphia hip-hop group Schoolz of Thought (having worked with Questlove of The Roots, 88-Keys, Pink, Scratch, Zap Mama and Illmind, among others).

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Revolución – The Latin Spring

by Robbie Cree (Ojos Feos)

Revolución - The Latin Spring by Robbie Cree (Ejos Feos)
To the best of my recollection, I can’t recall ever being tear-gassed.

My first instinct should probably have been to turn around and run away from the plaza, just like everyone else who went scampering, screaming and covering their mouths. The old, indigenous woman, with the multiple petticoats and black pork pie hat, sitting at her usual location half-way up the block, from whom I usually bought a daily newspaper, suddenly bent over and vomited. Moments before, I had heard a “pop-pop” and saw white, billowing clouds of smoke. A young Ecuatoriano adult, running in a hooded sweatshirt, gave a sudden yelp and stumbled, after getting hit in the leg with one of the tear gas canisters.

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Sadomasochism, androgyny, air guns and rural mayhem

by Syrenomelia

Sadomasochism, androgyny, air guns and rural mayhem by Syrenomelia
The ambition of Syrenomelia is to find back the strangeness, the dirtiness, the emotion and passion which characterised the alternative rock music between the 60ties and late 90ties – defying the industrialised and genre-focussed ways of making music that have been so ubiquitous in the last 20 years.

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Behind the 3-song Hara EP

by Intueri (Patrik Bulak)

Behind the 3-song Hara EP by Intueri (Patrik Bulak)
In 2018, I completed my first LP album as a solo artist. It is called Kriya and features ten tracks (in 37 minutes). I later realized that even though I spent a lot of time and energy on the album, most people wouldn’t be able to listen to it from start to finish in today’s hectic times. So, I decided to tell the story of finding our center (relevant to each of us!) in the form of a shorter 3-track EP, where each song represents a different genre, a different sound, and lyrically offers a diverse point of view. The Hara EP (10 and a half minutes) was born.

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