Born & Bored

by Guilhem

Born & Bored by Guilhem

Dear People of the Internet,

My name is Guilhem, and I’m a singer/songwriter from Montreal, QC Canada. I play in a punk/rock band called Lost Love (since 2013), and I’ve also been performing solo/acoustic shows since then. After playing 500+ shows with both projects in 20 different countries (4 different continents), I thought it was a good idea to release a full-length album finally.

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Singing to Survive: From “Skin and Bones” to “A Fully Educated Man”

by Paul Kameen

Singing to Survive: From 'Skin and Bones' to 'A Fully Educated Man' by Paul Kameen width=
“I sing because I’m happy. I sing because I’m free.” I like those lines from the famous gospel song “His Eye Is on the Sparrow,” especially as sung by The Preservation Hall Jazz Band, who convey in both their instruments and voices all the hardship and pain that often precede or surround the moments of happiness and freedom that singing can create, the way one really depends on the other to achieve its full impact.

I create a lot of different kinds of things. Singing is the one among them that always gives me more back than I put into it, leaves me feeling happy and free. Whether it’s dark or light in my life at that moment those sounds are being made, I always feel that a good eye is still on the sparrow.

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A Magical Musical Journey of Folk and Immortality!

by Mark McCafferty

A Magical Musical Journey of Folk and Immortality! by Mark McCafferty
Middle age –
Some buy a motorbike or go skydiving, some swim with sharks or hunt for ancient treasures…. me I started to record all the songs I’d scribbled on little bits of paper over many years! As the technology made it infinitely easier to set up a studio at home… that’s what I did, and here am 😉 7 albums, two e.p.’s and a couple of compilation albums in 4 years, and many more still to come!!

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Beneath the Surface of ‘Lost At Sea’

by Danny M. Cohen of They Won’t Win

Beneath the Surface of ‘Lost At Sea’
My name is Danny M. Cohen, and I’m one half of the Chicago-based gay folk-rock duo They Won’t Win. My “music husband” is Greg Lanier and we wrote and co-produced our debut album over a few years of life’s ups and downs. For me, parts of ‘Lost At Sea’ reflect what it was like to witness a dear friend fall into a dark, frightening place, but, ultimately, our album is about finding your way out.

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Heartfelt and Light-Hearted

by Al Barnes

Heartfelt and Light-Hearted by Al Barnes
I grew up in a small town in Minnesota called Elbow Lake. There wasn’t a whole lot to do in the “sticks” of MN, so I found love in rock ‘n’ roll at an early age through my older brother’s music collection. He moved out when I was young, joined the Air Force and was stationed in England when I was in middle school, so our family took a trip overseas to see him. When I got there, he showed me his electric guitar. I picked it up, and he showed me a couple of licks. I played that damn thing the rest of the time I was there. My parents heard me playing it the whole weekend and later that year, for Xmas, I got my first guitar. I was obsessed. I quit all sports and just focused on that.

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How We Forgot To Plan Ahead and Got Stuck With This Band Name

by The Brothers Of Depression

How We Became Known As “The Brothers Of Depression”

Hello friends. We are from the prairies of southern Alberta where it is sparse and dry, kind of like us. We don’t know what we’re doing or what we want, but we think we will continue. Join us as we try not to suck, but also don’t worry too much about being great. We’re just trying to be ok.

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I Went To The Desert And Held Out My Thirst

by Noah Evan Wilson

I Went To The Desert And Held Out My Thirst by Noah Evan Wilson
The different settings for my latest album, Desert Cities – Part One, span from Denver to Seoul. Track three, Brooklyn, is a love song for the gritty and enigmatic Bushwick neighborhood and track four, Coming Home, rides the metro north to Midtown where home is not a place but a person (and a lovely oasis at that). Track two, Lost in Seoul, reflects on the foreign shores of South Korea, “the crowded streets, the angry East Sea, don’t mind if I belong here for a while.”

Only track one, Hold out Thirst, mentions a dry, barren, lifeless, sandy desert. Its brief and stark first refrain, “I went to the desert and held out my thirst,” captured something much bigger in me when I first listened back to the completed album. The desert, in this case, is where one goes to reflect deeply, to test themselves against the elements, physically and emotionally and to experience thirst as a fundamental sensation of life, to feel acutely alive. The remainder of the album (part two included, TBR Fall 2019) is born of this same desire.

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