Hello friends. We are from the prairies of southern Alberta where it is sparse and dry, kind of like us. We don’t know what we’re doing or what we want, but we think we will continue. Join us as we try not to suck, but also don’t worry too much about being great. We’re just trying to be ok.
We are Loving Love, an art project that was started in Kyoto in 2018 by Kotoku Tsurutani and me, Hifumi Sasaki, the lead songwriter, and guitarist. We have grown to five members now, and we have released our 1st EP, “A Momentary Cocoon Of Memory.” Please check it out!
The Kameleon Bloom Collective was born from the amalgamation of two minds, two artists: Cuadrado and Torugo, that converged into the genre Lo-Fi, giving way to an idea: an album full of homemade beats, that would draw various references from many different subgenres, from trap (samurai jack), rock (changing perspective), reggae (bad luck), chillwave (working at 3 a.m.) and ambient (slow dance in the rain).
The years 2015 to 2017 were most probably the most crucial building block along my musical path. I’ve spent the two years struggling with a degenerative tendon disease leading to a derailing chronic wrist injury.
At first, I was misdiagnosed, and it took six months to understand why my wrists were escalating in pain. Since March 2015 I have routinely been a patient of several clinics, in and out of several hospitals, X-ray/Ultrasound/MRI scanning beds, frequented medical specialists and doctors offices around the city with minimal results.
It still affects me every day now. But I have new music released since and I’m moving on!
Being a self-taught guitarist and drummer, my journey into music production started back in 2014 when I was living in Borneo, Malaysia. I was very lucky that one of my teachers, a music producer himself, showed me how to do it. Traveling around Asia, hearing each place’s tune greatly influenced the vibe of my latest album ‘Silent Scream’ which is a collection of memories from there.
Songwriters and composers, lend me your ears/eyes/brains for 20 minutes here, this is IMPORTANT and critically timely. And it affects writers globally, if your music is streamed in the US. Please take time to read this and research a bit.
Much of my childhood is hazy in my memory because of its ever-shifting nature. The one thing that I can still recall with rather unhindered detail is finding my voice as an artist even when life itself was uncertain.
When my parents split, it was messy. The house foreclosed, my mom and I moved in with my grandparents four hours north, and my two older sisters stayed in Cincinnati with my dad. As my mom struggled to find a job and a sense of new permanence in Akron, my aunts and grandparents stepped up and helped with caretaking duties. I was eight or nine years old.
Around the age of 18, I was in a Pop Punk/Hardcore band called “All That.” At the time that was the style of music I wanted to work with, but at the same time, I wanted to mess around with some acoustic songwriter stuff. So I figured, on the side, I’d start my own solo acoustic project. Of course, I needed a name, but I didn’t want to go with my own name. I wanted an artist name, something that stood out. So that’s when I went through the good old music library and came across one of my all-time favorite songs. Among the Wildflowers.