Life during the lockdown and one finds oneself turning to the online world for community, support, and solace. The pandemic is a global phenomenon after all, and it would seem by the swell of blogs and posts on social media that millions of people the world over are doing the same. Social media explodes with information, disinformation, misinformation, distraction, and instruction.
One of the most shared posts by the online artistic community tells me ‘use the pandemic and the new reality to write that song, that novel, that screenplay you’ve always wanted to’ but this merely serves to impose a feeling of guilt -after all learning to adapt to the restrictions is difficult enough without the added pressure of trying to summon the muse and create new music.
What if I have no new ideas at my immediate disposal to inspire new tunes or fresh ideas to share with other musicians, let alone an audience?
My name is Marcelo Badari, and I am a musician from the southeast region of Brazil. Looming Flames is my instrumental solo project since 2011.
The idea behind Looming Flames is to create music with an electric guitar, a loop pedal, and some effects pedals in a minimalistic way. I also use a Boss SP 202 sampler in my guitar chain. With it, I can have sampled acoustic drum beats, played by me, in my compositions. I have some electronic beats and some noises sampled in the SP 202 as well.
Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.
I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.
As somebody who enjoys making music, I often find myself getting lost in a series of questions when writing and producing. The overriding thought being “What value does this have?”.
It is easy to deter ourselves from creating art, and putting ourselves in a vulnerable position, simply by talking ourselves out of finishing or sharing a creation in fear that it doesn’t add anything of value to the world, or worse; detracts value.
Due to these thoughts and conversations within my own mind, I haven’t shared an entire song or idea for many months, perhaps even years now.
Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.
When I called it a day about seven years ago, I was exhausted. Somehow I was emptied. I felt like I had already said and experienced everything. Since day one, music had always nourished me. How foolish was I to believe for a single moment that I could go on without it?
Hello friends. We are from the prairies of southern Alberta where it is sparse and dry, kind of like us. We don’t know what we’re doing or what we want, but we think we will continue. Join us as we try not to suck, but also don’t worry too much about being great. We’re just trying to be ok.
We are Loving Love, an art project that was started in Kyoto in 2018 by Kotoku Tsurutani and me, Hifumi Sasaki, the lead songwriter, and guitarist. We have grown to five members now, and we have released our 1st EP, “A Momentary Cocoon Of Memory.” Please check it out!