Hi, I’m Sydney J, an indie-folk artist based in Manhattan, New York. I’ve been writing songs for as long as I can remember, but in 2025, my approach to songwriting began to shift. I became more interested in creating something open-ended, less like a straightforward retelling of events, and more like a space where multiple emotions and experiences could exist at once.
That shift is what led me to create my most popular song, “but so close!”.
It feels ironic to be releasing my song ‘Better’ at a time where it appears the world is, in fact, doing worse. Civil rights and liberties are being rolled back while our governments flirt with the idea of World War III, and yet, when I finished this song several years ago, I thought to myself, “I’ll release this when the world is better”. But as I’m getting older, I’m learning life is more nuanced than that. You can’t wait for the world to be better, you can’t wait for the world to give you permission to find your joy.
Mina vs the Pit of Despair is an album born out of desperation. I’ve struggled with chronic depression and suicidal thoughts since I was 11 years old. I’m sure many of you can relate to teenage years full of tumultuous emotions and searching for answers. My memories of high school and early college are filled with trips to the doctor, seven different therapists, countless medication modifications, and reading philosophy and religion, all culminating in a 3-month inpatient residency. No matter what I did, nothing could convince me that life was worth living. In a final attempt, I decided to construct my own thesis on why life is inherently good. This effort would coalesce over two years into my debut album, Mina vs the Pit of Despair.
JVWN — which stands for Just Vibing With the Now — is more than just a name; it’s a whole vibe, a way of life, and a philosophy that defines how we make music. We’re all about being present in the moment, letting the energy around us guide what we create, and finding inspiration in everything happening right now. Each of us brings something unique to the table, but together, our approach to music is one of freedom, expression, and constant growth.
“The Opposite Of Shapes” is a term I’ve coined for the sound I hear in my favorite songs – the one I strain my ears for, impossible to pick out of the mix, so loud and so subtle at the same time, until I just have to believe it’s the final instrument – the sound that bubbles in between all of the tracks, everything and nothing at the same time. The element that makes a song good or not, well mixed or not, a hit or a flop. Sometimes it’s a feeling, sometimes it’s an actual sound. When that final piece reveals itself in a song, I can float in it, become it, and insert myself into that mysterious and thrilling space. I feel like it’s been made just for me.
Our story is that we have no story, at least not one that is interesting for a lot of people. We’ve always thought it strange that musicians need to have a story or an image for people to listen to their music when it is a purely aural art form. Our music as “Sound Furies” speaks for itself; it is its own entity that tells its own stories.
The most vivid artwork I’ve ever seen was a series of blank frames.
The first time I walked into the Dutch Room at the Isabella Stewart Gardner Museum in Boston, I was gobsmacked. This room was the site of the most notorious art heist in history, where thirty-three years ago, two thieves disguised as police officers broke into the museum and stole half a billion dollars worth of masterpieces by Rembrandt, Vermeer, and Degas. I’ve never witnessed such a visceral display of the absence of art.
For those who don’t know my name is Alex Black, but I go by many names. I’m Alex Black. I’m Flash The Stampede. I’m Johnny Louisville. Hence the The Man With Three Faces moniker. When I practice martial arts I’m Three Chāoláng (超狼) LOL. My main creative persona is Alex Black, however. I’m an artist in every sense of the word. A dreamer, hard worker, flamboyant, charismatic, experimental. I’m gorgeous, and one of the most dopest people walking this planet. I’m one of one, I do what I want, when I want & how I want which confuses people.
I’ve said this somewhere else but people see a 6’5 dude from Brooklyn, muscular, with an androgynous pretty boy style, constantly rocking something flamboyant. They’ll see this dude pull up in a streetwear brand from London, or maybe he’s rocking some vintage designer clothes from the 80s and 90s, mixing it with crazy footwear and eyeliner. An eccentric human being, but his talent and charisma is undeniable. That’s who Alex Black is.
When you cue up a song titled “Highway 1”, you probably anticipate a great driving song. Greg Connors delivers with his new single, which if you let it, will take you on a journey to both your own bitter end and recreation.
“Highway 1” manages to relentlessly unbalance and rebalance its discord and flow. The lyrics have that signature Connors flair, the mercurial duplicity and winking turns of phrase. —
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