by Sydney J
Hi, I’m Sydney J, an indie-folk artist based in Manhattan, New York. I’ve been writing songs for as long as I can remember, but in 2025, my approach to songwriting began to shift. I became more interested in creating something open-ended, less like a straightforward retelling of events, and more like a space where multiple emotions and experiences could exist at once.
That shift is what led me to create my most popular song, “but so close!”.
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“There is a place in the heart that/ will never be filled / a space / and even during / the best moments / and / the greatest times.” Charles Bukowski (You get so alone at times that it just makes sense)
The universe is full of magical things and insightful signs.
However, like the sun is sometimes completely out of sight, hidden behind the thickest winter fog and grey skies, it can be hard to connect with it when going through certain moments or chapters of our lives. Magic can seem out of reach or, worse, forever gone.
How I experience the world and everyday life is a rare and precious gift I am very grateful for. It also comes with frequently struggling with finding balance and peace.
I have so much joy to share and so much darkness in me that I still wonder how can these two coexist with such intensity within the same person? And what to do with such parameters?
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Recorded on Saturday, December 6th, this album is a fully organic exploration of rhythm, memory, and improvisation — no MIDI, no digital manipulation, just hands, found objects, and a willingness to discover. Percussion led the way: it was the initial spark that pushed me to create something as raw and immediate as possible, letting the sounds emerge naturally through the act of playing.
by The Nouve
For Leonard Cohen, Felix Flaucher, Karl Liebknecht & Rosa Luxemburg…
So yes, I’m writing songs, producing songs, mixing songs, writing lyrics, novels, screenplays, essays, doing video clips, short films, sure… but you want to know WHY? Great Question, man! What makes us doing what we do? Is there a rational and catchy answer, maybe a citation (Where is Leonard Cohen when you really need him? Why did he had to go at all??) – Well, “Music was my first love”, eh right, that’s what they all say… but that never led to give up their normal lives: they never had the idea to look behind the curtain, sell themselves at the Crossroads and die on the dream to release just this one and only song that sounds like it did in their head once before they recorded it.
So why? It doesn’t make sense if you could have stayed on the safe and secure consumer site, does it?
Continue readingby Anna Karney
After my previous album, Creatures In The Garden, I didn’t think I had another one in me. But suddenly this chorus just popped out, lyrics, chords, and melody all at once, “We will all come out together for love, love, love.” And I really needed to hear these hopeful words, because of the daily barrage of sad news. It was enough to start me off on my next album journey.
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It feels ironic to be releasing my song ‘Better’ at a time where it appears the world is, in fact, doing worse. Civil rights and liberties are being rolled back while our governments flirt with the idea of World War III, and yet, when I finished this song several years ago, I thought to myself, “I’ll release this when the world is better”. But as I’m getting older, I’m learning life is more nuanced than that. You can’t wait for the world to be better, you can’t wait for the world to give you permission to find your joy.
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When I wrote I REMEMBER YOU, I had been watching a friend go through a really rough time. They had been going through the kind of difficulties that challenge your identity and your ability to show up for life in a healthy way. They had pretty much shut down and tried to hide it from the world, but they were not themselves, and anyone who really knew them could see how much they were struggling.
In moments like that, you have two choices: show up and love the person where they are, and remind them who they are and that they are loved, regardless of whether they can give anything back to you, or check out and leave. I choose to show up.
Continue readingby Poli Nika
I look into his eyes and remain silent. I know my silence wounds him, but I can’t utter a single word. My throat tightens, my head spins with the darkest thoughts I’d never dare say out loud. “What would he think of me then?” These are the monsters inside me, and I’ll never let them destroy what we have. I’ll never let them out, because then…
by Scott Hays of Black Rain
Black Rain – Three grumpy men from the North East of England. We are excited to share our debut album with the world. We’ve poured our hearts and souls into creating something that truly reflects who we are. We’ve always felt like we exist in a unique space – “Too Goth to be Punk. Too Punk to be Goth.” – a phrase from a review of one of our early gigs, and we felt it captured what we are about far more concisely than we have ever managed to.
We’ve come to embrace the idea that we don’t fit in to one particular musical pigeon hole and in fact it’s something we wear with pride. A sonic storm of raw energy, brooding atmosphere, and razor-sharp intensity. The music blends the cold, jagged edges of classic post-punk with a modern a unrelenting drive and dark overtures. You’ll find haunting melodies, pounding rhythms, and a relentless emotional pull that we hope you won’t be able to ignore.
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Like inside a mirror. On one side the artist, on the other the critic. It is a mirror game. A sending back and forth of suggestions, echoes, signs. Both on the way towards the imaginary.
(Gerardo Pedicini – Dentro lo Specchio)
This quote is my starting point to approach the review of “Hard Boiled”, an album produced and played by me for Liburia Records – giving me the opportunity to investigate the hidden reasons in my music after reflecting on these words.
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