Originally from Great Falls, Montana, I became involved with music at a young age and was writing songs by age 13. In highschool my bedroom was set up like a recording studio with an old Tascam 24 track recorder and various instruments.
“I slept in my closet! So I had room for the studio.”
At that time, I was making music under the moniker Wayyyne with a sound similar to Animal Collective and experimental pop from 2011. After graduating highschool, I moved to Portland, OR to pursue music further.
Originality is what makes you different. Stop copying others instead of bringing uniqueness into your work. Let the world know who you are and what stuff you are made of.
I know I’m supposed to promote myself, but before I do that, let me break down why my latest project is bigger than me.
So. I am born, raised, and artistically based in Queens, New York City, USA. The borough of Queens as a standalone city would be the single most diverse place in the world; something like 200 languages are spoken here. In high school, I knew this girl who spoke English, Spanish, and a specific dialect of her family’s motherland (I forget which specific country it was – sorry mija). And it gets way more diverse than that around here.
Music is like a fine wine; it got you entwined in its life-changing taste. Like the finest damsel, it got you caught its charms. To many of us, music is a love we never want to let go.
I started recording my own music about seven years ago, when I was 14, by myself in my bedroom – like a lot of people do. I haven’t formally released anything over this period of time, but I still organized my songs into albums and made artworks for each of them. I’ve got about 11 of these ‘albums’ which I’ll probably never release, but they are certainly a good way to document my evolution as a singer-songwriter.
That being said, this first LP Postponed Arrivals means a lot to me – not only because it’s the first one, but it’s also the most uncomfortably personal thing I ever wrote.
Sometimes I wonder if I like making people cringe or maybe it’s just an inevitable effect that comes with my need to overexpress my emotions and thoughts. I always thought oh well maybe I’m one of those who are seeking desperately for attention, but I figured that actually, it is more than just that. I just can’t control it, saying the things the way they are, if I hate my self, I’m gonna write about it if I’m ego tripping I’m gonna write about that as well. A bit of a drama queen mixed with a trouble maker with an honest desire to be better and be happy. And make the people around me happy, mostly with me.
To take my thoughts and put them into words helps me reach into conclusions, let my mind process, and move on faster. And I’m guessing doing it out loud for other people to hear is part of it. I’ve always appreciated artists that are being totally authentic, that are not afraid to write about themselves and their quirkiness and be honest. Let me, the listener, to get to know them better.
Hi we’re Limbic, yes we’re named after the limbic system in your brain. The limbic system processes your emotions and memories, two things we believe music heavily influences.
Coming from the north-east of England we found ourselves in a local gigging scene oversaturated with your stereotypical indie bands, a cliché we never wanted to find ourselves landing in. Looking for an original sound to our area we created Limbic. An alt-experimental band that utilises synth to create a balance between your traditional indie band and the whacky world of synth sounds.
My name is Charley Young. I’m an indie synthpop artist based in NYC. I was born in San Diego, California, and grew up on the Gulf Coast of Florida. I’ve always loved music and always knew I wanted to be a singer, but it took me a while to become confident enough to pursue my dreams. About five years ago, I decided it was time to stop being scared and go for it – Whether or not the timing was good, whether or not I was “ready.”
Music is a reflection of experiences – your own experiences, the things you see, the things you hear, the things you do, the things that happen to you, the things that happen to the people you are connected to. To me, making music has become a way of taking what is so deep inside and/or what is so out of of grasp outside and turning it into something that does its best to conceptualize what is impossible for me to understand at the time. And then, hopefully, people can connect with the emotion and relate to it.
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