Sometimes I wonder if I like making people cringe or maybe it’s just an inevitable effect that comes with my need to overexpress my emotions and thoughts. I always thought oh well maybe I’m one of those who are seeking desperately for attention, but I figured that actually, it is more than just that. I just can’t control it, saying the things the way they are, if I hate my self, I’m gonna write about it if I’m ego tripping I’m gonna write about that as well. A bit of a drama queen mixed with a trouble maker with an honest desire to be better and be happy. And make the people around me happy, mostly with me.
To take my thoughts and put them into words helps me reach into conclusions, let my mind process, and move on faster. And I’m guessing doing it out loud for other people to hear is part of it. I’ve always appreciated artists that are being totally authentic, that are not afraid to write about themselves and their quirkiness and be honest. Let me, the listener, to get to know them better.
Hi we’re Limbic, yes we’re named after the limbic system in your brain. The limbic system processes your emotions and memories, two things we believe music heavily influences.
Coming from the north-east of England we found ourselves in a local gigging scene oversaturated with your stereotypical indie bands, a cliché we never wanted to find ourselves landing in. Looking for an original sound to our area we created Limbic. An alt-experimental band that utilises synth to create a balance between your traditional indie band and the whacky world of synth sounds.
My name is Charley Young. I’m an indie synthpop artist based in NYC. I was born in San Diego, California, and grew up on the Gulf Coast of Florida. I’ve always loved music and always knew I wanted to be a singer, but it took me a while to become confident enough to pursue my dreams. About five years ago, I decided it was time to stop being scared and go for it – Whether or not the timing was good, whether or not I was “ready.”
Music is a reflection of experiences – your own experiences, the things you see, the things you hear, the things you do, the things that happen to you, the things that happen to the people you are connected to. To me, making music has become a way of taking what is so deep inside and/or what is so out of of grasp outside and turning it into something that does its best to conceptualize what is impossible for me to understand at the time. And then, hopefully, people can connect with the emotion and relate to it.
After we started Soft Milk in 2015, there was a little buzz going because of our music but also some of wacky on-stage antics. It was just two of us then. We played with some cheap 10-watt amps and wore nothing but ghastly bed sheet costumes.
My name is Ava and Ben, I use they/them pronouns, and I make music as Hegemonix. I’ve recently been exploring online queer aesthetics via electronic music and music videos. I’ve been using digital instruments and my physical body to communicate my exploration of having a non-binary gender identity. I’m interested in using the “precise” robotic language of electronic music combined with the uncertainty of the voice and body to explore what it means to be human in today’s digital world.
“Waiting For” was written alongside producer/writer Abraham Hovey. I had been wanting to release a single for a while, and let something sit on its own… this finally felt like the track that could do just that.
HEARTBEAT is the album I’ve always dreamed of releasing and It’s the result of several years of hard work after putting my creative life on hold for many years.
My return to music began in 2011, after a conversation with my oldest son about following his dreams. I realized at that moment that I hadn’t been true to my own dream of pursuing a music career. I don’t know if it was an epiphany or a mid-life crisis, but I decided then to fully dedicate myself to music.