People ask me what instruments I play, and usually, I respond with, “Whatever gets it out of my head.”
Music has been an outlet for me for more than half my life at this point. I come from Chesapeake, Virginia, a place where music (let alone any form of art or entertainment) is totally underrated, never even remotely appreciated.
Greetings! I want to let you know that I have an Avant-garde/Alternative Rock music project called NETHRACEDICON.
I’m sure you’re probably thinking, “Nethra-what!?” And, you’re correct. This is not a word. It’s a fictional title I have given myself, as an independent recording artist. “Nethra” is actually a male first name that can be found in India. Also, at the tail end, you can find “Icon,” which someone I used to work with pointed out to me.
When I was 20, and still in college at Texas A&M University, I hooked up with some musicians who were needing a drummer for their Reggae group, Raggamuffin. During the Fall of 2005, I became their active drummer and managed to capture multiple rehearsal sessions with a portable device. This was my introduction into “do-it-yourself,” home audio recording and I’ve been doing this ever since.
Music is something very intimate and personal, so it’s not easy for me to write about it. On the other hand, it is essential to me; it is something I want to share and what I want to talk about.
To describe this experience, the language of poetry would be more appropriate. On the other hand, such a language would be too hermetic and, as a result, incomprehensible. Besides, I can’t write poetry. Music is my poetry.
Life during the lockdown and one finds oneself turning to the online world for community, support, and solace. The pandemic is a global phenomenon after all, and it would seem by the swell of blogs and posts on social media that millions of people the world over are doing the same. Social media explodes with information, disinformation, misinformation, distraction, and instruction.
One of the most shared posts by the online artistic community tells me ‘use the pandemic and the new reality to write that song, that novel, that screenplay you’ve always wanted to’ but this merely serves to impose a feeling of guilt -after all learning to adapt to the restrictions is difficult enough without the added pressure of trying to summon the muse and create new music.
What if I have no new ideas at my immediate disposal to inspire new tunes or fresh ideas to share with other musicians, let alone an audience?
My name is Marcelo Badari, and I am a musician from the southeast region of Brazil. Looming Flames is my instrumental solo project since 2011.
The idea behind Looming Flames is to create music with an electric guitar, a loop pedal, and some effects pedals in a minimalistic way. I also use a Boss SP 202 sampler in my guitar chain. With it, I can have sampled acoustic drum beats, played by me, in my compositions. I have some electronic beats and some noises sampled in the SP 202 as well.
Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.
I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.
As somebody who enjoys making music, I often find myself getting lost in a series of questions when writing and producing. The overriding thought being “What value does this have?”.
It is easy to deter ourselves from creating art, and putting ourselves in a vulnerable position, simply by talking ourselves out of finishing or sharing a creation in fear that it doesn’t add anything of value to the world, or worse; detracts value.
Due to these thoughts and conversations within my own mind, I haven’t shared an entire song or idea for many months, perhaps even years now.
Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.