Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.
I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.
As somebody who enjoys making music, I often find myself getting lost in a series of questions when writing and producing. The overriding thought being “What value does this have?”.
It is easy to deter ourselves from creating art, and putting ourselves in a vulnerable position, simply by talking ourselves out of finishing or sharing a creation in fear that it doesn’t add anything of value to the world, or worse; detracts value.
Due to these thoughts and conversations within my own mind, I haven’t shared an entire song or idea for many months, perhaps even years now.
Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.
When I called it a day about seven years ago, I was exhausted. Somehow I was emptied. I felt like I had already said and experienced everything. Since day one, music had always nourished me. How foolish was I to believe for a single moment that I could go on without it?
We are Loving Love, an art project that was started in Kyoto in 2018 by Kotoku Tsurutani and me, Hifumi Sasaki, the lead songwriter, and guitarist. We have grown to five members now, and we have released our 1st EP, “A Momentary Cocoon Of Memory.” Please check it out!
The Kameleon Bloom Collective was born from the amalgamation of two minds, two artists: Cuadrado and Torugo, that converged into the genre Lo-Fi, giving way to an idea: an album full of homemade beats, that would draw various references from many different subgenres, from trap (samurai jack), rock (changing perspective), reggae (bad luck), chillwave (working at 3 a.m.) and ambient (slow dance in the rain).
The years 2015 to 2017 were most probably the most crucial building block along my musical path. I’ve spent the two years struggling with a degenerative tendon disease leading to a derailing chronic wrist injury.
At first, I was misdiagnosed, and it took six months to understand why my wrists were escalating in pain. Since March 2015 I have routinely been a patient of several clinics, in and out of several hospitals, X-ray/Ultrasound/MRI scanning beds, frequented medical specialists and doctors offices around the city with minimal results.
It still affects me every day now. But I have new music released since and I’m moving on!
Being a self-taught guitarist and drummer, my journey into music production started back in 2014 when I was living in Borneo, Malaysia. I was very lucky that one of my teachers, a music producer himself, showed me how to do it. Traveling around Asia, hearing each place’s tune greatly influenced the vibe of my latest album ‘Silent Scream’ which is a collection of memories from there.