Satyr Syndicate Records is my project to re-record and master much of the music I have written. On the website, I play the part of Hermes, the messenger god. Hermes gives updates on how the excavations are going. Sometimes, there is drama with the bands. For example, there was a socialist funk band, called Smashpattern, who only put out a single EP, and then tragically disappeared into the jungles fighting for liberation. Satyr Syndicate is the group of satyrs who write, record and perform the songs. They represent various moods or genres. There is also the imagery of excavation and of Hades. Since I am re-recording, I am excavating stuff that was done long ago, like an archeological dig. Hades represents the other-world or sub-conscious, from which the music comes. Gravedigging in reverse.
Moonshine Effect travel through the night in a psychedelic mood, humming dream pop melodies. They enjoy riding into pink moons on dancing horses and whispering folk sounds in the cool early morning breeze. They insist on watching the constellations of trembling blue stars, gently screaming their poetry till it touches the sky.
Weston Smith, which is my actual name, is a Solo Synth Pop project I started in early 2016 as a way for me to cope through my mental illnesses. For years I had been battling with enormous waves of anxiety and depression, I had gone through multiple treatments to balance my life with various medications, but there wasn’t really any success with said attempts.
So when I was living in Lakewood, CO and I was beginning to write what would end up being Burnt Toast Cosmonaut’s self-titled album. I was getting a lot of my first shows in Colorado even though they were just acoustic gigs I was taking a lot of pride in what I was I doing. At this time I was working at this nursing home because at the time I was a CNA, which in and of itself was incredibly rewarding. But any who one day this just super cute mousy girl Shelbe started working with us.
This is the 7th album I’ve released – the follow up to its twin, On The Way. I’ve largely made ambient, electronic-esque music. My first 5 releases were instrumental. On The Way and As A Kite mark a shift towards pop songwriting for me. I would love to talk at length about what I’ve learned about music from making it and recording at home in my laundry room over the years, but I think for brevity’s sake it would be best to keep the conversation to this one album. I hope if you like what you hear that you will explore my older works as well, and find some value in my story and my music, and I hope I can reciprocate something for you. That’s all this is about in the end anyway, isn’t it?