I grew up in a small town in Minnesota called Elbow Lake. There wasn’t a whole lot to do in the “sticks” of MN, so I found love in rock ‘n’ roll at an early age through my older brother’s music collection. He moved out when I was young, joined the Air Force and was stationed in England when I was in middle school, so our family took a trip overseas to see him. When I got there, he showed me his electric guitar. I picked it up, and he showed me a couple of licks. I played that damn thing the rest of the time I was there. My parents heard me playing it the whole weekend and later that year, for Xmas, I got my first guitar. I was obsessed. I quit all sports and just focused on that.
My second album is somewhat of a time capsule. These are the songs I wrote between realizing I needed to get better and doing something about it.
My alcoholism and dependence on other addictive behaviors (weed, sex, etc.) had progressed to a point where they had begun destroying every semblance of a good life I’d managed to build despite them. To preserve any chance I had at living well, I needed to change the way I spent each and every moment of my time. In order to honestly document these in musical form, I stripped away every instrument other than my voice, guitar, laptop, and tape recorder.
If there is anything for you in these songs, you will most likely find it outside of what I have to say about them. All I really have to say is thank you so, so much for listening. So much.
That said, in case it might inform your listening, here’s what I have to say:
“Greg Connors is back with the release of is his new EP Holographic Static Proportion; it’s rough around the edges, jarring at times, (occasionally even skull-rattling). This album has all the earmarks Connors has become known for, brutally capricious lyrics and a quick dark wit. As a writer, he continues to mine the rubble of human relationships for nuggets of understanding and tenderness amongst the fury and confusion. A versatile storyteller, Connors will draw you in, hit you hard where it hurts and probably give you a good laugh as well.
Where were you when that tree fell in the forest? Check out Holographic Static Proportion and see what you hear…” -Catherine Swan
Recently I had the opportunity to interview Greg Connors about his new single “Future Nostalgia.” As I was listening, I was so drawn into the track, which prompted further listening to Connors’ vast cannon of eclectic material. I found his songs speak to me in a familiar voice, both vulnerable and comfortable. His melodic, yet ‘cut the crap’, self-styled phrasing dances with a deliberately off-kilter, sweetly angular guitar motion.
Are you sick and tired of war, inequality, racism, and injustice? Me too, and that’s why I write revolutionary protest songs. I wish I knew how to do more, but for now, I’m trying to make people think with my music because that’s what I do best.
Glamour? Stardom? Fame? Money? Is this it? That what you’re in for? Then you’re missing out on the real thing. On the hardship to inspire you. On the failure that’ll make you stronger. On the losses that’ll teach you there is more to it than things. On all of what’ll make you put your soul into your songs. Believe me, they will understand. They will know by the way you sing them. And they’ll laugh and cry and weep and smile. Once you’ve seen this, you’re on the right track.
Write a story about what inspired my first EP? Nothing might be better suited to represent the songs on the EP then the stories of Bucharest at night, haunted by all the life consumed by the city during the day.
So when I was living in Lakewood, CO and I was beginning to write what would end up being Burnt Toast Cosmonaut’s self-titled album. I was getting a lot of my first shows in Colorado even though they were just acoustic gigs I was taking a lot of pride in what I was I doing. At this time I was working at this nursing home because at the time I was a CNA, which in and of itself was incredibly rewarding. But any who one day this just super cute mousy girl Shelbe started working with us.
As a songwriter, I like to go back and study the songs that have left the biggest mark on me. When I was finishing my recent album Bad Poems For Good People, no song was stronger in my mind than The River by Bruce Springsteen.