Hi, my name is Gus Goldsmith. I’m sixteen years old. I’ve been writing and recording songs in my house for about three years. It’s always just been me, a microphone, and as many instruments as I could teach myself to play. When I couldn’t find anyone to play music with, I did it myself. When I didn’t have anyone to publish my music, I sent it out myself. If I can get my music to mean something to anyone but me, then my goal is accomplished.
I’m a musician. I used to just make and teach music, but lately I have been consumed by climate activism because I love people and nature. I can’t continue living without doing something to prevent it all from disappearing.
E. E. Cummings wrote:
“I arise in the morning torn between a desire to save the world and a desire to savor the world. That makes it very hard to plan the day.”
This describes pretty much every day of my life now.
by DT Jackson
When Beast Folk formed in 2018, we were not called Beast Folk. It was a melding of the minds of a few friends who frequented Darrell’s Tavern in Shoreline, WA. I was slated to play the Hybrid Festival in Everett. Being an acoustic performer engaged in an event that mostly revolved around metal was a jarring task of fear management. I needed a band.
In the beginning, a rock appeared in the firmament, and on that rock a fissure did form. An old man with youthful eyes looked upon this rock and said, “I shall call you ‘Shredrock.'” And upon receiving the reverberations of his utterance, the rock burst forth a great explosion, showering the old man with mystical properties, endowing him with the wisdom of old age and the vigor of youth. And when the phenomenon did cease, the rock told the man, “I shall call you ‘Grampfather.'”
Hi, I am Miira. I am living far from YOUR world. I mean far from this patriarchal-smallminded-selfcalled-society. This is a great pool and I am not very sure that I can swim there or if I even want to. So I created my own world, and I am trying to hold its contour above my head.
Catch me Catatonic is Soul-Punk. It started around a glass table. Some of us had been friends for years, and some of us had only just met, but we were immediately connected by our passion for music. We come from different places and pull our musical inspirations from even more places, but we contribute equally to the creation of every song we play, and it’s been magic from day one.
by D. Wild
When I was sixteen years old, I wrote and recorded a song called Infection. Eleven years later, it’s become completely cringe-worthy for me to listen to, but that song lead me to some of the most profound realizations I’ve had in my music career so far. The lyrics of Infection were about unrequited love, the negative feelings that come along with it, and the ability of those feelings to spread into other aspects of life.
At that time, I was extremely self-conscious about my voice, and my good friend Ravi Adams would sing on the actual recordings of my songs. Ravi was able to capture the things that my voice was not yet capable of, and for the first time in my life, I experienced the joy of having a completed musical project that I was proud to share with the world.
I continued striving to write better and better music, but one day Ravi stopped me in the middle of recording and told me “Dillon, you write awesome songs, but everything is sad and slow. Imagine what you could do if you changed things up and wrote a happy, more upbeat, song.”
by Jolie Flink
In the aftermath of being diagnosed with bipolar disorder and the end of a long-term relationship, I was on a manic tear and writing songs at lightning speed. At the time, my late-night escapades included a lot of flings and raging substance use — this was the only way I knew how to manage my symptoms at the time. I wasn’t exactly treating my bipolar disorder with traditional medicine or therapy.