Catch me Catatonic is Soul-Punk. It started around a glass table. Some of us had been friends for years, and some of us had only just met, but we were immediately connected by our passion for music. We come from different places and pull our musical inspirations from even more places, but we contribute equally to the creation of every song we play, and it’s been magic from day one.
by D. Wild
When I was sixteen years old, I wrote and recorded a song called Infection. Eleven years later, it’s become completely cringe-worthy for me to listen to, but that song lead me to some of the most profound realizations I’ve had in my music career so far. The lyrics of Infection were about unrequited love, the negative feelings that come along with it, and the ability of those feelings to spread into other aspects of life.
At that time, I was extremely self-conscious about my voice, and my good friend Ravi Adams would sing on the actual recordings of my songs. Ravi was able to capture the things that my voice was not yet capable of, and for the first time in my life, I experienced the joy of having a completed musical project that I was proud to share with the world.
I continued striving to write better and better music, but one day Ravi stopped me in the middle of recording and told me “Dillon, you write awesome songs, but everything is sad and slow. Imagine what you could do if you changed things up and wrote a happy, more upbeat, song.”
by Jolie Flink
In the aftermath of being diagnosed with bipolar disorder and the end of a long-term relationship, I was on a manic tear and writing songs at lightning speed. At the time, my late-night escapades included a lot of flings and raging substance use — this was the only way I knew how to manage my symptoms at the time. I wasn’t exactly treating my bipolar disorder with traditional medicine or therapy.
Glamour? Stardom? Fame? Money? Is this it? That what you’re in for? Then you’re missing out on the real thing. On the hardship to inspire you. On the failure that’ll make you stronger. On the losses that’ll teach you there is more to it than things. On all of what’ll make you put your soul into your songs. Believe me, they will understand. They will know by the way you sing them. And they’ll laugh and cry and weep and smile. Once you’ve seen this, you’re on the right track.
Satyr Syndicate Records is my project to re-record and master much of the music I have written. On the website, I play the part of Hermes, the messenger god. Hermes gives updates on how the excavations are going. Sometimes, there is drama with the bands. For example, there was a socialist funk band, called Smashpattern, who only put out a single EP, and then tragically disappeared into the jungles fighting for liberation. Satyr Syndicate is the group of satyrs who write, record and perform the songs. They represent various moods or genres. There is also the imagery of excavation and of Hades. Since I am re-recording, I am excavating stuff that was done long ago, like an archeological dig. Hades represents the other-world or sub-conscious, from which the music comes. Gravedigging in reverse.
My story. It started with hosting/producing a public cable access TV show out of a mid-western Canadian city that focused on the local music scene in 1989. I was a teenager who wanted to know more than just what mainstream Top 40 could offer me. Though I had an extreme interest in music, I knew nothing about playing it myself other than some power chords I could figure out, by luck and patience, listening to some Heavy Metal and Punk songs. The first song I partially was able to play was “Shout At the Devil” by Motley Crue. Then some Blues chords would follow, and an individual mix began to take place. Wonders what could be next?
by K.P. Ransom
Ohmwrecker was formed out of complete chaos and desperation.
After recording 20+ albums by myself as Six Car Collision for 18 years, I moved from Boston to Vancouver Island, British Columbia, and was unable to write and play music for about 4 years. I was just blocked… completely stuck and unable to write or say what it is I needed to say. For the first time since I’d started writing and performing, I was completely helpless.
With the passing of legendary soul singer Aretha Franklin and the 60th birthday of Madonna occurring within days of each other this week I started to think about the enduring legacy of certain women in the music biz and how they got to where they are today. I also started to think about the mentors that have helped me on my journey. Here are seven female performers who have influenced my work and the stage of life I was in when they found me and first sang their song to me.