The GDC’s of Songwriting

by Caitlyn O’Connor

The GDC’s of Songwriting by Caitlyn O'ConnorIt is not uncommon for artists to create bodies of work surrounding one incident, such as a breakup; Adele’s 21, and Joni Mitchell’s Blue come to mind as examples of this very thing. Myself, I went through a heartbreaking experience over four years ago which created the agony I needed to inspire myself to pick up a guitar and begin writing in a big way. I believe that that pain was the push I needed to put me where I am today. I released my debut album two months ago.

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3 scenes from the creation of an album, or: How we traded perfectionism for vitality

by Robert Sword

3 scenes from the creation of an album, or: How we traded perfectionism for vitality by Robert Sword (Sandtimer)An indie folk band might be considered an unlikely outfit for a classically trained pianist (me), and an Oceanography graduate (Simon Thomas), to end up in. However, these things can happen in unusual ways, like with Sandtimer.

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Writing music to get through the day

by Gian Jesus

Writing music to get through the day

Have you ever felt out of place? Have you ever felt out of space or just as another person walking the streets wearing a mask? Well probably you did it, and if is the case you did perhaps look for a way to fit in, to enjoy naturally the constant passage of time. We are all adaptable beings looking for goodness, in search of a method of living free of suffering and anxiety.

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Shenandoah and the Night

Shenandoah and the Night

Our very first Artist of the Week is Shenandoah and the Night. She offers a haunting, noir-ish sound counter-balanced by bursts of joy and infectious energy. Rootsy enough for folk enthusiasts without sacrificing its modernist edge, Shenandoah and the Night cast a wide net across the spectrums of taste and time, blending and blurring a diverse set of influences that range from the operatic anguish of Nina Simone and Kurt Weill, to the dusky psychedelic sturm und drang of the Doors and Janis Joplin.

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