I began with a classical training from age eight on violins made by my grandfather, from a half size to three quarter, then to his “number 2” with a finessed fiddleback grain in high glaze. His Luthier’s hands I remember as large and gnarly as they would trace the creases of my palm to elucidate future prospects. After ten years of scales and arpeggios working my way through graded texts filled with compositions by the gifted and deceased, a final concert in the embers of 1990 marked the occasion of my last musical performance on stage, aside from dreams.
Barely 12 months passed before my own strange sounds were committed to cassette tape for the first time, born of a natural necessity to do, and it was this background of prescribed exam pieces that gave me something to react against.
Hailing from the town of Nottingham, England, I relocated to London in 2014. Gigging consistently solo and with various outfits such as Never Never Man and Frankie Teardrop Dead, I found time to begin working with producer Gavin Bowers (Elêphant, Tsuki) on the record in the fall of 2017. Collaborating with a host of different musicians on the album, I wanted to ensure that each track on my album ’The Town and The City’ was as varied as the settings that inspired the songs themselves.
Joseph Mosman is the latest wave of modern day indie-folk songwriters that emphasizes a warm tone, alternative soundscapes and meaningful lyrics. Mosman, originally from Illinois, is currently touring the South with a whole lot of heart.
It is not uncommon for artists to create bodies of work surrounding one incident, such as a breakup; Adele’s 21, and Joni Mitchell’s Blue come to mind as examples of this very thing. Myself, I went through a heartbreaking experience over four years ago which created the agony I needed to inspire myself to pick up a guitar and begin writing in a big way. I believe that that pain was the push I needed to put me where I am today. I released my debut album two months ago.
An indie folk band might be considered an unlikely outfit for a classically trained pianist (me), and an Oceanography graduate (Simon Thomas), to end up in. However, these things can happen in unusual ways, like with Sandtimer.
Hello. After 27 years of being scared to sing in front of anyone, I am jumping into the deep end and showing a side of myself for the first time in my life. Read about my journey, but more importantly listen to my music because the music is more important than anything else.
Have you ever felt out of place? Have you ever felt out of space or just as another person walking the streets wearing a mask? Well probably you did it, and if is the case you did perhaps look for a way to fit in, to enjoy naturally the constant passage of time. We are all adaptable beings looking for goodness, in search of a method of living free of suffering and anxiety.
Our very first Artist of the Week is Shenandoah and the Night. She offers a haunting, noir-ish sound counter-balanced by bursts of joy and infectious energy. Rootsy enough for folk enthusiasts without sacrificing its modernist edge, Shenandoah and the Night cast a wide net across the spectrums of taste and time, blending and blurring a diverse set of influences that range from the operatic anguish of Nina Simone and Kurt Weill, to the dusky psychedelic sturm und drang of the Doors and Janis Joplin.