I’ve been making music for ten years, and it really hasn’t gone anywhere…but I figured some things out.
Now I’m approaching a more critical way to make music, and it feels much better.
by Dim Kouchnir
I guess to start things off I didn’t really have this direct introduction to music as blatantly most people get it (I think). You could say I kinda got ushered into it slowly during the period of 14 to 20ish.
Around my mid-teens, I started writing poetry in my native language which is Flemish (same as dutch), and in that same period, I also got into dancing, particularly in the styles hip-hop, poppin’, and bboying. Being a dancer and mainly educating myself in the field choreography, I got in contact with a lot of the musical influences that show themselves in my work today.
I think of people like: Frank Ocean, Kendrick Lamar, Kid Cudi, Kanye West, Sholomo, Clams Casino; and the list goes on…
I remember my dance tutor having this immense iTunes library, and after a lot nagging, I got him to put it on my blackberry tablet (hahaha). Having that period in my life gave me a passion for music in general, And helped me to develop my taste.
You ever catch yourself listening to your favorite musician, band, or whatever it is you spend the most time on with headphones in. Only to be interrupted by an advertisment every single song change? Umm, yeah, that is the level I am trying to get you to help me reach.
by c o m r
Throughout our recent albums, we’ve strung a story. The story of a beloved friend. The story is continuing to this day, as he is still on his journey, we are only the messengers.
It began in New Jersey. Jeffrey Tomlinson was a young boy. He’d faced problems with his mother. She hid things from Jeffrey; things he may never have wanted to find.
I am living proof of the regenerative power of muscle memory and artistic practice. Music and lyricism saved my life, and to these, I owe everything I have. Ten years on from a major stroke, composer Liam O’Connell shares his thoughts on life and returning from the brink.