Room 167 – A Space In Time

by Manuel of Raven and Phan

How Many Times by Raven and Phan


Raven and Phan, also known as Utku and Manuel (me), is a duo from Vienna, Austria. Utku is originally from Istanbul, Turkey, and has lived in various countries in Europe and America. Our music is influenced by cultural, musical, melodic, and rhythmic elements, which is why we like to refer to our music as “A sonic odyssey from the Bosporus to the Alps.”

We met in 2014 when I was searching for a guitar player for my project. A mutual friend, Ilkhan, introduced us, and we began playing together. At the time, they were founding a recording label, which I was also indirectly a part of. We spent our summer days chilling on Utku’s balcony, listening to inspiring music such as Caribou’s track “Sun,” Chet Faker, Nicolas Jaar, and Jamie XX. Our goal was to create music that reflected our unique perspectives and shared influences.

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The Amok Sun Rises in The East

by Amok Sun

Amok Sun


When I was proposed to write this article, I was thrilled, but also asked myself if my story as a musician was interesting enough to write an article about. But like music, you don’t know how it will be received until it’s out in the world.

I’m Amox, an independent music artist. I’m located in Bucharest, Romania, for now. My project is called Amok Sun. I like to think about Amok Sun as a band. It needs collaboration as a foundation to work as I envision it. I currently do everything by myself. And I mean everything. Promotion, videos, artwork, social media, and others. All of this is on top of a full-time job as a UX Designer.

Thinking about Amok Sun’s sound, it is difficult for me to define the main genre. Maybe call it electro-rock. I hope that it will determine its own style. This is something for the community to decide. I would describe the music I create as a mix of genres and themes like alternative rock, electronica, IDM, medieval or renaissance, and world genres. Well, that’s the goal anyway, right now I’m pretty much isolated from the artist community because of my late bloom.

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My life in music, and “Fluorite / Caldera”

by Seth Gibbs

My life in music, and Fluorite / Caldera by Seth Gibbs
Music is one of the few constants in my life.

I’ve been interested in a lot of different subjects and have tried to learn numerous skills over time — digital art, programming, web design, (briefly) robotics, among others — but most I either eventually decided weren’t for me, or I have a very on & off relationship with, being deeply interested and practicing it for months, and then spending the next year completely forgetting about it.

But everything about music — the production of it, how instruments are made, the history of music and its influences on cultures — that is the one thing I have always been fascinated by. I loved finding new music and wanted so badly to either play an instrument or even somehow make new music myself.

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„93-105”, my new album, my old story.

by Adam Majdecki-Janicki

93-105, my new album, my old story. by Adam Majdecki-Janicki

The album costs 3 euro, but took 18 years to make, of course, not continuous 18 years, but I wouldn’t record such music without living my life as I did since 2002 when I started recording cassette tapes with my friend in a high rise block in Poznań, Poland. The block’s address was 93-105. So, now you all know what „planet 93-105” means. And high rise blocks are really like separate planets, at least in Poland…

And cassettes are beautiful items, surviving years and owners, and „93-105” is now not only my block’s address, an imaginary planet, and album title, but also a beautiful cassette released with Illuminated Paths, USA, and this full circle of space and tapes, and my life April-July 2020 is what this story is all about a sound story. A sound story best experienced on cassette.

So go grab a copy of „93-105”, and feel like it’s 2002 in a Poznań, Poland high rise block, or elsewhere in the galaxy, wherever imagination takes you… this cassette is yours, not mine, now. And 18 years are gone, but it feels like light years…

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The Imaginary, Symbolic, and the Real

by Dillon Vetere (aka Safehouse)

The Imaginary, Symbolic, and the Real by Dillon Vetere (aka Safehouse)
The 2010’s have come to an end, and there was no better way to end the decade with a collection of songs that mean so much to me as an artist and person… The tracks of the Mirror Stage era. This collection of 80’s inspired new wave tracks, with sprinkles of modern chillwave, have taught me so much about myself as a musician and will forever hold a special place in my heart. The Mirror Stage era ended with my newest release to date, the Imaginary Order EP. This EP is only 17 minutes long, but it packs so much emotion and angst into 5 tracks. Although the Mirror Stage era is over, this EP is the perfect way to kick off the new decade.

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A Grave Made Road

by Kevin David Marin Quiñonez (KDMQ)

A Grave Made Road by Kevin David Marin Quiñonez (KDMQ)

Well, this is my 3rd time writing this, my second try at writing this on a computer. I have to put a disclaimer out; this might get dark and depressing. Don’t know, but, yeah, I just wanted to put that out here.

I write this not coming from a place of hate, but from a place of time, and exhaustion. Also, I do this so I can try to explain the songs I have released thus far as part of an upcoming album I’m working at the moment.

Now…

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Tone poems

by Artjom

Tone poems by Artjom (Oudeis)

Photo taken by Evert Palmets.

Hi, my name’s Artjom. I am from the city of Tallinn in Estonia, a country on the eastern coast of the Baltic Sea in Northern Europe. I’m the guy behind electronic projects such as Oudeis, Jaded Fields (drone and ambient), and Democide (techno). As of recent, Jaded Fields and Democide are on hiatus since I’m trying to experiment with sounds, to explore, which is the basis of my Oudeis project.

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The Spanish Disaster of Independent Electronic Music

by Julio Gutiérrez (Nühn)

The Spanish Disaster of Independent Electronic Music by Julio Gutiérrez (Nühn)

In Spain, to be honest, it is hard to find excellent independent musicians (composers) in electronic music. It’s true that in other music cultures, like jazz, rock, blues, etc., we have some outstanding musicians. But if we talk and refer to (only) in electronic music, it is a colossal disaster.

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Music is my Life

by Vugatti Beyron

Music is my Life by Vugatti Beyron

Born and bred in Bristol, UK, I have always been surrounded by music. My father is a guitarist and always listens to Iron Maiden and Black Sabbath. My mother is not a musician, but she always listens to AC/DC and Billy Idol. At age 8, I started playing guitar. I am now 19 and have made guitar my main instrument, but I can also play drums. Last year, however, my musical journey nearly ended.

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