If Griefer, my shitty one-man band, is about anything, it’s about boredom and anxiety. I started it because I wanted to make something really, really loud – the volume helped, somehow. Then it morphed into something else. It lets me show a bit of myself that I usually have trouble showing. Music makes me a better person. I think it’s as simple as this: the reality of being a “bedroom musician” is waking up alone, surrounded by reminders of work you need to finish.
Sometimes I wonder if I like making people cringe or maybe it’s just an inevitable effect that comes with my need to overexpress my emotions and thoughts. I always thought oh well maybe I’m one of those who are seeking desperately for attention, but I figured that actually, it is more than just that. I just can’t control it, saying the things the way they are, if I hate my self, I’m gonna write about it if I’m ego tripping I’m gonna write about that as well. A bit of a drama queen mixed with a trouble maker with an honest desire to be better and be happy. And make the people around me happy, mostly with me.
To take my thoughts and put them into words helps me reach into conclusions, let my mind process, and move on faster. And I’m guessing doing it out loud for other people to hear is part of it. I’ve always appreciated artists that are being totally authentic, that are not afraid to write about themselves and their quirkiness and be honest. Let me, the listener, to get to know them better.
So, I’m gonna let u know me better as well.
Hello friends. We are from the prairies of southern Alberta where it is sparse and dry, kind of like us. We don’t know what we’re doing or what we want, but we think we will continue. Join us as we try not to suck, but also don’t worry too much about being great. We’re just trying to be ok.
My second album is somewhat of a time capsule. These are the songs I wrote between realizing I needed to get better and doing something about it.
My alcoholism and dependence on other addictive behaviors (weed, sex, etc.) had progressed to a point where they had begun destroying every semblance of a good life I’d managed to build despite them. To preserve any chance I had at living well, I needed to change the way I spent each and every moment of my time. In order to honestly document these in musical form, I stripped away every instrument other than my voice, guitar, laptop, and tape recorder.
by Kyle Johnson
I have an incredibly vivid memory of the first time I heard Bad Brains. It was the first punk rock I had ever heard. I was fourteen years old, and I’m twenty-one now, but I can still conjure the feeling of that moment. The music tore through me. I felt the sound more than I heard it. It was summer, and I was staying in on a beautiful day to listen to music that a youtube algorithm was recommending me – but I’m so grateful I did. It made something click in my brain, like a light in a dingy basement being flicked on for the first time. I felt completely at home in the break-neck speed and sheer volume of the music. If you know that record, the first Bad Brains record, it is insane sounding even by today’s standards. I left the first playthrough of hundreds a completely changed kid. The world looked and felt different. I was in on some kind of secret.
I would later learn, of course, that I was far from being the only person that had this exact revelation. Very far. But it felt so special to me. I’ve played in bands and written at least a couple hundred songs since that day. I started a band with my best friends (Bad Nostalgia, check us out) that’s still kicking to this day, and we’ve played countless shows. We made an album by ourselves. I have grown as a person and lived through trial and tribulation as we all have. But that first experience hearing punk rock music was my watershed moment.
It encapsulated everything I love about music, art, and life. It’s all lead to me starting Pet Traits. I wanted to capture that feeling of excitement and wonder and use it as a creative power-tool. I threw out a lot of what I knew about music: the conventions, the chase of perfection, the safe bet, for total creative liberation. This is how I did it.
“Hey, mom where is my bass and guitar?”
“I took them to grandma’s; you’ve been playing way too much.”
This is how I woke up one day in grade 11 because I wasn’t doing much of anything other than making up random melodies and recording them on a tape player. I loved the fact that I was in control of making these things up and that they were not being graded or picked apart by a teacher or whatever…
Hi we’re Limbic, yes we’re named after the limbic system in your brain. The limbic system processes your emotions and memories, two things we believe music heavily influences.
Coming from the north-east of England we found ourselves in a local gigging scene oversaturated with your stereotypical indie bands, a cliché we never wanted to find ourselves landing in. Looking for an original sound to our area we created Limbic. An alt-experimental band that utilises synth to create a balance between your traditional indie band and the whacky world of synth sounds.
I’m Jesse, an independent singer/songwriter/producer. I’ve been recording music in different projects since 2009. Juliet’s Funeral, The Freddy Velcroman Expedition, and International Spies just to name a few. I’ve always been inspired by the DIY concept of garage rock and punk bands. I’m a huge fan of the ’60s and ’70s psychedelia and pop music.
I would describe my music as Alternative Pop Rock with explorations into Folk/Blues, Reggae and Jazz. I’m trying to find that someplace out there for my music, those ears to hear it and hearts to feel it. It’s been hard with such a wide range of influences. That’s when I realized I’d have to carve out my own corner here on this earth to fly my freak flag.
We are Loving Love, an art project that was started in Kyoto in 2018 by Kotoku Tsurutani and me, Hifumi Sasaki, the lead songwriter, and guitarist. We have grown to five members now, and we have released our 1st EP, “A Momentary Cocoon Of Memory.” Please check it out!