In the first grade, I carried history books around like spell books. There was this magic about language that I felt compelled to keep close, like it had secret powers that I didn’t have access to yet. Clinging to an impressive-looking pile of books every day at school was also how I prevented my classmates from realizing I couldn’t read.
When the daily grind seems without purpose creating music is my way out. This was of course not by intent or design. I guess what drove me into making music as a solo-project (from playing bass in bands since I was 14 or 15 years old) was mostly curiosity. Could I record at home? How does it work and what can I do?
I began with a classical training from age eight on violins made by my grandfather, from a half size to three quarter, then to his “number 2” with a finessed fiddleback grain in high glaze. His Luthier’s hands I remember as large and gnarly as they would trace the creases of my palm to elucidate future prospects. After ten years of scales and arpeggios working my way through graded texts filled with compositions by the gifted and deceased, a final concert in the embers of 1990 marked the occasion of my last musical performance on stage, aside from dreams.
Barely 12 months passed before my own strange sounds were committed to cassette tape for the first time, born of a natural necessity to do, and it was this background of prescribed exam pieces that gave me something to react against.
Satyr Syndicate Records is my project to re-record and master much of the music I have written. On the website, I play the part of Hermes, the messenger god. Hermes gives updates on how the excavations are going. Sometimes, there is drama with the bands. For example, there was a socialist funk band, called Smashpattern, who only put out a single EP, and then tragically disappeared into the jungles fighting for liberation. Satyr Syndicate is the group of satyrs who write, record and perform the songs. They represent various moods or genres. There is also the imagery of excavation and of Hades. Since I am re-recording, I am excavating stuff that was done long ago, like an archeological dig. Hades represents the other-world or sub-conscious, from which the music comes. Gravedigging in reverse.
My name is Mootzart. I am a composer and sound designer, but I have been interested in most modern art-forms for many years. Since I was a young child, I had the fortune of exposure to great musical works and education of the genres. Rock, Metal, Pop, Funk, Folk, Dance, Trance, Drum & Bass, Techno and so on…
Sometimes a song writes itself, coming from the depths of an unexpressed desire or loss, guided by the mysterious forces of nature. “West Coast Blues” is a story of grieving, mixed with a touch of sunshine, exploring the gray area we call being human.