In the deep need to express a feeling or say a word, to come in contact with people and be heard, be accepted, to feel like I belong where I am.
When I called it a day about seven years ago, I was exhausted. Somehow I was emptied. I felt like I had already said and experienced everything. Since day one, music had always nourished me. How foolish was I to believe for a single moment that I could go on without it?
I’m Jesse, an independent singer/songwriter/producer. I’ve been recording music in different projects since 2009. Juliet’s Funeral, The Freddy Velcroman Expedition, and International Spies just to name a few. I’ve always been inspired by the DIY concept of garage rock and punk bands. I’m a huge fan of the ’60s and ’70s psychedelia and pop music.
I would describe my music as Alternative Pop Rock with explorations into Folk/Blues, Reggae and Jazz. I’m trying to find that someplace out there for my music, those ears to hear it and hearts to feel it. It’s been hard with such a wide range of influences. That’s when I realized I’d have to carve out my own corner here on this earth to fly my freak flag.
Keno Nifty is a band made by the artist and part-time musician Ricky Alexander (also known as Chazz Forte online). It’s about a group of fictional musicians (left to right: Marlene, Penny, Apollo, and Niomi) who travel around, get into fights and use music as a coping mechanism.
Music is a reflection of experiences – your own experiences, the things you see, the things you hear, the things you do, the things that happen to you, the things that happen to the people you are connected to. To me, making music has become a way of taking what is so deep inside and/or what is so out of of grasp outside and turning it into something that does its best to conceptualize what is impossible for me to understand at the time. And then, hopefully, people can connect with the emotion and relate to it.
My name is Ava and Ben, I use they/them pronouns, and I make music as Hegemonix. I’ve recently been exploring online queer aesthetics via electronic music and music videos. I’ve been using digital instruments and my physical body to communicate my exploration of having a non-binary gender identity. I’m interested in using the “precise” robotic language of electronic music combined with the uncertainty of the voice and body to explore what it means to be human in today’s digital world.
What if you couldn’t love the difference in the world?
All the excitement of feeling love, fear, hope…
You would be someone else; but who?
We are nothing more than a bunch of insecurities and uncertainties!
We are always lost in a dark room; full with presumption and bad mood…
But we just want to be happy!
It’s simpler than we think…
Really! I’ll show it to you!
I just wanted to keep it real.
Kind of like how meditating gives us a focused space for our peaceful energy to flourish, having a vlog has helped me to take my connection with my listeners to essentially a sacred space.
I often think deeply about the whole picture and how can I as an artist create safe spaces during quality entertainment experiences. I want to give people a window into my songwriting process and other aspects of me being because we are all creating this world together. I get inspired often by intense things clouded by introverted struggles with no release but music. And I didn’t want just those intense songs to be all I gave the world. Perhaps a good analogy is that not cleaning for weeks results in a big beautiful cleaning. And weekly songwriting is like weekly maintenance cleaning.