In the beginning, a rock appeared in the firmament, and on that rock a fissure did form. An old man with youthful eyes looked upon this rock and said, “I shall call you ‘Shredrock.'” And upon receiving the reverberations of his utterance, the rock burst forth a great explosion, showering the old man with mystical properties, endowing him with the wisdom of old age and the vigor of youth. And when the phenomenon did cease, the rock told the man, “I shall call you ‘Grampfather.'”
Hi, I am Miira. I am living far from YOUR world. I mean far from this patriarchal-smallminded-selfcalled-society. This is a great pool and I am not very sure that I can swim there or if I even want to. So I created my own world, and I am trying to hold its contour above my head.
Catch me Catatonic is Soul-Punk. It started around a glass table. Some of us had been friends for years, and some of us had only just met, but we were immediately connected by our passion for music. We come from different places and pull our musical inspirations from even more places, but we contribute equally to the creation of every song we play, and it’s been magic from day one.
Around the age of 18, I was in a Pop Punk/Hardcore band called “All That.” At the time that was the style of music I wanted to work with, but at the same time, I wanted to mess around with some acoustic songwriter stuff. So I figured, on the side, I’d start my own solo acoustic project. Of course, I needed a name, but I didn’t want to go with my own name. I wanted an artist name, something that stood out. So that’s when I went through the good old music library and came across one of my all-time favorite songs. Among the Wildflowers.
by D. Wild
When I was sixteen years old, I wrote and recorded a song called Infection. Eleven years later, it’s become completely cringe-worthy for me to listen to, but that song lead me to some of the most profound realizations I’ve had in my music career so far. The lyrics of Infection were about unrequited love, the negative feelings that come along with it, and the ability of those feelings to spread into other aspects of life.
At that time, I was extremely self-conscious about my voice, and my good friend Ravi Adams would sing on the actual recordings of my songs. Ravi was able to capture the things that my voice was not yet capable of, and for the first time in my life, I experienced the joy of having a completed musical project that I was proud to share with the world.
I continued striving to write better and better music, but one day Ravi stopped me in the middle of recording and told me “Dillon, you write awesome songs, but everything is sad and slow. Imagine what you could do if you changed things up and wrote a happy, more upbeat, song.”
by Jolie Flink
In the aftermath of being diagnosed with bipolar disorder and the end of a long-term relationship, I was on a manic tear and writing songs at lightning speed. At the time, my late-night escapades included a lot of flings and raging substance use — this was the only way I knew how to manage my symptoms at the time. I wasn’t exactly treating my bipolar disorder with traditional medicine or therapy.
Glamour? Stardom? Fame? Money? Is this it? That what you’re in for? Then you’re missing out on the real thing. On the hardship to inspire you. On the failure that’ll make you stronger. On the losses that’ll teach you there is more to it than things. On all of what’ll make you put your soul into your songs. Believe me, they will understand. They will know by the way you sing them. And they’ll laugh and cry and weep and smile. Once you’ve seen this, you’re on the right track.
Satyr Syndicate Records is my project to re-record and master much of the music I have written. On the website, I play the part of Hermes, the messenger god. Hermes gives updates on how the excavations are going. Sometimes, there is drama with the bands. For example, there was a socialist funk band, called Smashpattern, who only put out a single EP, and then tragically disappeared into the jungles fighting for liberation. Satyr Syndicate is the group of satyrs who write, record and perform the songs. They represent various moods or genres. There is also the imagery of excavation and of Hades. Since I am re-recording, I am excavating stuff that was done long ago, like an archeological dig. Hades represents the other-world or sub-conscious, from which the music comes. Gravedigging in reverse.
by Sid Ready
I started my music journey at fourteen in mid-2014 playing small coffee venues with my ukulele and guitar. In early 2017, I began to grow tired of my acoustic guitar and ukulele. I then moved on, and I started writing “I Can Actually Speak.” The album portrays a lot of things bunched into one that happened between mid-2016 and up until the end of 2017. I endured failed relationships and projects, moving out really young, and realizing how awful human beings can be. This is where the harsh beginning of “I Can Actually Speak” starts.