The years 2015 to 2017 were most probably the most crucial building block along my musical path. I’ve spent the two years struggling with a degenerative tendon disease leading to a derailing chronic wrist injury.
At first, I was misdiagnosed, and it took six months to understand why my wrists were escalating in pain. Since March 2015 I have routinely been a patient of several clinics, in and out of several hospitals, X-ray/Ultrasound/MRI scanning beds, frequented medical specialists and doctors offices around the city with minimal results.
It still affects me every day now. But I have new music released since and I’m moving on!
Songwriters and composers, lend me your ears/eyes/brains for 20 minutes here, this is IMPORTANT and critically timely. And it affects writers globally, if your music is streamed in the US. Please take time to read this and research a bit.
HEARTBEAT is the album I’ve always dreamed of releasing and It’s the result of several years of hard work after putting my creative life on hold for many years.
My return to music began in 2011, after a conversation with my oldest son about following his dreams. I realized at that moment that I hadn’t been true to my own dream of pursuing a music career. I don’t know if it was an epiphany or a mid-life crisis, but I decided then to fully dedicate myself to music.
I’m a musician. I used to just make and teach music, but lately I have been consumed by climate activism because I love people and nature. I can’t continue living without doing something to prevent it all from disappearing.
E. E. Cummings wrote:
“I arise in the morning torn between a desire to save the world and a desire to savor the world. That makes it very hard to plan the day.”
This describes pretty much every day of my life now.
At the time of writing this I am 14 years old, a freshman in high school, and chock-full of angst. I write music to express how I feel— so basically just to bitch to the universe about whatever shit is happening in my life — however, I take it seriously and put a lot of effort into what I make because it makes me happy.
In this post, I will go through each of the songs on my debut album, “Going Nowhere”, and explore the backstories to each of them.
When Beast Folk formed in 2018, we were not called Beast Folk. It was a melding of the minds of a few friends who frequented Darrell’s Tavern in Shoreline, WA. I was slated to play the Hybrid Festival in Everett. Being an acoustic performer engaged in an event that mostly revolved around metal was a jarring task of fear management. I needed a band.
Seriously, have you ever told someone you write/perform music only to have someone ask what genre you play? Because that seems to be most of my experience with people, and it’s more or less the reason I decided to call this oh so important first EP I.B.F.R or, for those of you who skipped the title, Indie Blues Folk Rock.
Day & Dream is a husband-wife team, Peter Frizzante, the morning person, and Abby Amaya, the night owl – our band name is a nod to our opposite sleep schedules. We are often writing music or lyrics at home in between work and daily chores, finding inspiration in personal relationships, nature, and risk-taking.