I first started Nocturnal Company when I got to Albuquerque my freshman year of college. I would stay up all night in my dorm recording on my laptop with the only live instruments being guitar and keyboard. Luckily, I had this roommate (he smoked hella pot and would do things like hollow out watermelons and fill them full of vodka to take to parties while feigning a french accent in the hopes of getting laid) who would stay at his girlfriend’s dorm most of the time.
“…music is something to be passionate about, to learn about, and to gain mastery over, again and again, never actually surrendering to the will of the musician, but always driving them to continue to strive for something more.”
For most of a decade, Carlotta loitered, half-finished, in the fringes of my songbook. Old-fashioned with modern sensibilities, her presence was staunch, her gaze penetrating, yet musically, her identity remained vague.
My name is Peter Gilliver. I am in a London based band called Wondergeist, along with my bandmates Sam Stretch and Sam Lott. We released our first album as a three-piece this year called ‘The Gulf.’ This is how we got there.
I started recording my own music about seven years ago, when I was 14, by myself in my bedroom – like a lot of people do. I haven’t formally released anything over this period of time, but I still organized my songs into albums and made artworks for each of them. I’ve got about 11 of these ‘albums’ which I’ll probably never release, but they are certainly a good way to document my evolution as a singer-songwriter.
That being said, this first LP Postponed Arrivals means a lot to me – not only because it’s the first one, but it’s also the most uncomfortably personal thing I ever wrote.
Blurry lights, late-night, pink roses, and a tremendous amount of drama: Enter the world of The Spotlights. My name is Vincent, and I’m here to tell you the story of our first EP called THISWILLMAKEAFUNSTORYONEDAY.
My name is Kaine Harington, and I am the sole instrumentalist of the post-rock band American French Fries based in Dunedin, New Zealand. My latest album Bigger Things To Worry About wears its influences on its sleeves. Quite literally, the major influencing factors behind the album and its long-winded production is displayed clearly on the record sleeve. The image is of myself and my daughter (3 weeks old at the time) cuddled together and falling asleep. The longer I sit with the album as a finished product, the more I realize her influence is far greater than just a cutesy cover image. Every single track was shaped by the huge impact she has made on my life.
What do you get when you combine the funky bass lines of the Chili Peppers, the haunting vocals of Nirvana, the screeching leads of Buckethead, the beefy guitars of Basement, and the powerful rumble of Balance and Composure drumming? A cacophony of styles and tastes blend into a unique representation of alternative rock music in the form of Tuesday Atlas. We just like to make songs that get stuck in your head, like a ghost in your attic.
It all started after the earthquake in Christchurch, I’d always had an affinity for music as a kid, but now something really started to crystallize in my consciousness, so in the gray despairing numbness that followed – I reached for my big brother’s old guitar…..