Music has always been said to be a universal language, but I don’t agree. Music has as many meanings as people who listen to it. What for us can be a sad melody, for someone from the other side of the world, it can be the happiest of songs, that’s why I refuse to believe that music is universal. However, I don’t think this is a problem, but an advantage to be able to communicate with ourselves. Art shows us the reality that we need to see.
My short 4 track EP, “2020”, first took form before the year it’s named after before all of this insanity took over. I often think it’s best to leave a song’s meaning up to the interpretation of the listener. But, if there were an outlet to air out my thoughts of my songs, it would be here. So I’ll go through each track in the lineage of which they’re recorded and break them down.
I started Nocturnal Company when I got to Albuquerque, New Mexico, for my freshman year of college. I often stayed up all night in my dorm recording on my laptop with the only live instruments being guitar and keyboard. Luckily, my roommate stayed at his girlfriend’s dorm most of the time. That kid was a character, he smoked hella pot and took watermelons full of vodka to parties, where he feigned a french accent.
When I stepped out of LAX and into the warm evening air I suppose I fell in love.
Kansas City, as much as I adore it and feel proud to represent, will never be as warm as Los Angeles was that night in mid-December, nor will it evoke the feelings of excitement and hope that still exist within. So when you grow up in a rural place it’s not uncommon to dream of bigger things – in the back of my mind LA was always the destination.
For most of a decade, Carlotta loitered, half-finished, in the fringes of my songbook. Old-fashioned with modern sensibilities, her presence was staunch, her gaze penetrating, yet musically, her identity remained vague.
Blurry lights, late-night, pink roses, and a tremendous amount of drama: Enter the world of The Spotlights. My name is Vincent, and I’m here to tell you the story of our first EP called THISWILLMAKEAFUNSTORYONEDAY.
Keno Nifty is a band made by the artist and part-time musician Ricky Alexander (also known as Chazz Forte online). It’s about a group of fictional musicians (left to right: Marlene, Penny, Apollo, and Niomi) who travel around, get into fights and use music as a coping mechanism.
What if you couldn’t love the difference in the world?
All the excitement of feeling love, fear, hope…
You would be someone else; but who?
We are nothing more than a bunch of insecurities and uncertainties!
We are always lost in a dark room; full with presumption and bad mood… But we just want to be happy!
It’s simpler than we think… Really! I’ll show it to you!
This is an account of ‘Pink Mirror’, the second album by UK singer-songwriter Jeremy Tuplin, by myself, Jeremy Tuplin. I don’t intend to provide any absolute or dictatorial interpretation of the songs on the album, or the record as a whole, as I would never want to do that, but I’m happy to shed some light on the thought processes and ideas that led to them, and it, having kindly been asked to by mySoundposter.