We are sisters, we write songs, we tell stories.
……We offered our first album on Bandcamp for free – (fans could pay if they wanted.) Someone paid 50 cents for one of our songs and we couldn’t believe it.
That was all the encouragement we needed……
by Anna Brooks
In the first grade, I carried history books around like spell books. There was this magic about language that I felt compelled to keep close, like it had secret powers that I didn’t have access to yet. Clinging to an impressive-looking pile of books every day at school was also how I prevented my classmates from realizing I couldn’t read.
I began with a classical training from age eight on violins made by my grandfather, from a half size to three quarter, then to his “number 2” with a finessed fiddleback grain in high glaze. His Luthier’s hands I remember as large and gnarly as they would trace the creases of my palm to elucidate future prospects. After ten years of scales and arpeggios working my way through graded texts filled with compositions by the gifted and deceased, a final concert in the embers of 1990 marked the occasion of my last musical performance on stage, aside from dreams.
Barely 12 months passed before my own strange sounds were committed to cassette tape for the first time, born of a natural necessity to do, and it was this background of prescribed exam pieces that gave me something to react against.
Moonshine Effect travel through the night in a psychedelic mood, humming dream pop melodies. They enjoy riding into pink moons on dancing horses and whispering folk sounds in the cool early morning breeze. They insist on watching the constellations of trembling blue stars, gently screaming their poetry till it touches the sky.
by Weston Smith
Weston Smith, which is my actual name, is a Solo Synth Pop project I started in early 2016 as a way for me to cope through my mental illnesses. For years I had been battling with enormous waves of anxiety and depression, I had gone through multiple treatments to balance my life with various medications, but there wasn’t really any success with said attempts.
by Xavier Xisto
Music is dying. Slowly, but it is. I don’t want to be one of those close-minded people who lives in the glorious pinnacle of the past, but we can all agree that the quality of the music industry has declined intensely since the second half of the past century. Today’s standards of what is labeled as art are worrying. Why do we live in such an artistic wasteland, you might ask?
by The Facades
So who are The Facades? It’s a good question. Even though I play all four members of the group, and they all come from and live in my head, I still have a little trouble clearly defining them. Zyote, the serious executive producer with a heart of lead and a painted smile. Aces Wild, the androgynous rock star/party angel who borrows Bowie’s vision and runs amok with it. Glitchtech, the anxiety-driven machine made man with an ear to the subway walls and an eye on the truth. The Thin Man, the pure diamond of barely-repressed spite with a literal cult following. How do I play them all, and how do they all play me?
by DJ ZETTEY Z
Lizette Roman-Johnston (DJ ZETTEY Z) grew up in a musical family, which was intimidating for a long time, but eventually, she worked up the courage to put out her first album called “BORDERLINE,” a 13-track work centered around her borderline personality disorder. Through the power of electronic bedroom pop, she touches upon the highs and lows of relationships, young adult life, and mental health.