Silent Scream

by Ioana Iorgu (JO)

Silent Scream by Ioana Iorgu (JO)
Being a self-taught guitarist and drummer, my journey into music production started back in 2014 when I was living in Borneo, Malaysia. I was very lucky that one of my teachers, a music producer himself, showed me how to do it. Traveling around Asia, hearing each place’s tune greatly influenced the vibe of my latest album ‘Silent Scream’ which is a collection of memories from there.

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Pioneering the Underground: A Fusion of Heart, Tech, and Art

by @N0RK!@

Pioneering the Underground: A Fusion of Heart, Tech, and Art by @N0RK!@
We’re all born incomplete and aspire for wholeness.

Thrown into this world at breakneck speeds, immediately socialized by our parents and guardians, who we trust as gods with our childish, wonder-filled minds. Once, we all believed our guardians and teachers and elders knew everything and could be trusted completely.

Alas, they were all once chucked into this world too, raised up by previous generations that may have often convinced themselves that they knew what life was all about. But they didn’t. No one did.

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Music Licensing Collective

by Jonathan Segel

Music Licensing Collective by Jonathan Segel
Songwriters and composers, lend me your ears/eyes/brains for 20 minutes here, this is IMPORTANT and critically timely. And it affects writers globally, if your music is streamed in the US. Please take time to read this and research a bit.

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Washington Drive: Be Punk, Do It Yourself!

by Gus Goldsmith

Washington Drive: Be Punk, Do It Yourself! by Gus Goldsmith
Hi, my name is Gus Goldsmith. I’m sixteen years old. I’ve been writing and recording songs in my house for about three years. It’s always just been me, a microphone, and as many instruments as I could teach myself to play. When I couldn’t find anyone to play music with, I did it myself. When I didn’t have anyone to publish my music, I sent it out myself. If I can get my music to mean something to anyone but me, then my goal is accomplished.

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Truths that no one wants to see

by Pablo Drexler

Truths that no one wants to see by Pablo Drexler
For me making music has always been about finding hidden lumps of pain, lighting fire to them and watching them disperse into the ether…

WEIGHTLESS/SINKING is the sonic representation of one of the most confusing periods of my life: I was simultaneously getting to grips with how much I had suffered from / attempted to forget the fact that one of my parents is a double cancer survivor, helping my family move out of my childhood home and trying to find my place in the mind-boggling metropolis that is London. I thought that the paradox of feeling like I was weightless yet at the same time sinking perfectly described the emotional soup I was in.

(I’m) a sparrow’s feather
on a lake: weightless/sinking

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Music Is A Staple

by Gretchen Pleuss

Music Is A Staple by Gretchen Pleuss

Photo by Thornburg Creative

Much of my childhood is hazy in my memory because of its ever-shifting nature. The one thing that I can still recall with rather unhindered detail is finding my voice as an artist even when life itself was uncertain.

When my parents split, it was messy. The house foreclosed, my mom and I moved in with my grandparents four hours north, and my two older sisters stayed in Cincinnati with my dad. As my mom struggled to find a job and a sense of new permanence in Akron, my aunts and grandparents stepped up and helped with caretaking duties. I was eight or nine years old.

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Why I started Vlogging aka Sunday Songwriting

by Aviva

Why I started Vlogging aka Sunday Songwriting by Aviva
I just wanted to keep it real.

Kind of like how meditating gives us a focused space for our peaceful energy to flourish, having a vlog has helped me to take my connection with my listeners to essentially a sacred space.

I often think deeply about the whole picture and how can I as an artist create safe spaces during quality entertainment experiences. I want to give people a window into my songwriting process and other aspects of me being because we are all creating this world together. I get inspired often by intense things clouded by introverted struggles with no release but music. And I didn’t want just those intense songs to be all I gave the world. Perhaps a good analogy is that not cleaning for weeks results in a big beautiful cleaning. And weekly songwriting is like weekly maintenance cleaning.

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