Indie Folk Singer-Songwriter Tatyana Kalko’s Three Step Guide to Transcending Emotions and Expressing the Divine

by Tatyana Kalko

Indie Folk Singer-Songwriter Tatyana Kalko’s Three Step Guide to Transcending Emotions and Expressing the Divine

Almost anything can be a metaphor for songwriting. Prying open a jar of pickles? Yes. Playing Russian Roulette? Sure. Tending to a plant. Why not? If writing songs is inseparable from life itself, then it must fall somewhere between meditating and giving birth, at the equator of zen and utter pain; the middle path between the sacred and mundane.

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Singing/Songwriting/Sisters

by Nine Year Sister

Singing/Songwriting/Sisters by Nine Year Sister
We are sisters, we write songs, we tell stories.

……We offered our first album on Bandcamp for free – (fans could pay if they wanted.) Someone paid 50 cents for one of our songs and we couldn’t believe it.

That was all the encouragement we needed……

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Pitch Black Noise: How I Learned to Write Lyrics

by Anna Brooks

Pitch Black Noise: How I Learned to Write Lyrics
In the first grade, I carried history books around like spell books. There was this magic about language that I felt compelled to keep close, like it had secret powers that I didn’t have access to yet. Clinging to an impressive-looking pile of books every day at school was also how I prevented my classmates from realizing I couldn’t read.

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The GDC’s of Songwriting

by Caitlyn O’Connor

The GDC’s of Songwriting by Caitlyn O'ConnorIt is not uncommon for artists to create bodies of work surrounding one incident, such as a breakup; Adele’s 21, and Joni Mitchell’s Blue come to mind as examples of this very thing. Myself, I went through a heartbreaking experience over four years ago which created the agony I needed to inspire myself to pick up a guitar and begin writing in a big way. I believe that that pain was the push I needed to put me where I am today. I released my debut album two months ago.

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The Collaboration Effect

by Evan Schafer

The Collaboration Effect
For a one-man band like myself, it could easily be perceived that collaboration is not of interest to me. When you produce and record your own material, the singularity of that can become very comfortable and sometimes it’s easy to forget that working with collaborators can give you new perspectives and angles on your own music. While I’ve only worked with a handful over the years, each has made their fitsindelible mark on my music, and for this I am forever grateful. Here I will give a short overview of each of my four primary collaborators and their contributions.

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How I Started Writing Music

by Evan Schafer

How I Started Writing Music
When somebody says, “I’m a songwriter” or “I compose music,” what most ordinary people think is that they are Mozart-incarnate and all of a sudden want to be their best friend. Either that or they become insanely jealous of them, and they never hear from those folks again. In my case, neither of these occurrences have actually happened but has nevertheless been a stressful journey. Here I will tell you, from my humblest beginnings, how I grew to be the songwriter I am today and the process I have undergone to get there.

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