…and you feel like you never grew up,
I love your Peter Pan heart…
by Anna Brooks
In the first grade, I carried history books around like spell books. There was this magic about language that I felt compelled to keep close, like it had secret powers that I didn’t have access to yet. Clinging to an impressive-looking pile of books every day at school was also how I prevented my classmates from realizing I couldn’t read.
It is not uncommon for artists to create bodies of work surrounding one incident, such as a breakup; Adele’s 21, and Joni Mitchell’s Blue come to mind as examples of this very thing. Myself, I went through a heartbreaking experience over four years ago which created the agony I needed to inspire myself to pick up a guitar and begin writing in a big way. I believe that that pain was the push I needed to put me where I am today. I released my debut album two months ago.
by Evan Schafer
For a one-man band like myself, it could easily be perceived that collaboration is not of interest to me. When you produce and record your own material, the singularity of that can become very comfortable and sometimes it’s easy to forget that working with collaborators can give you new perspectives and angles on your own music. While I’ve only worked with a handful over the years, each has made their fitsindelible mark on my music, and for this I am forever grateful. Here I will give a short overview of each of my four primary collaborators and their contributions.
by Evan Schafer
When somebody says, “I’m a songwriter” or “I compose music,” what most ordinary people think is that they are Mozart-incarnate and all of a sudden want to be their best friend. Either that or they become insanely jealous of them, and they never hear from those folks again. In my case, neither of these occurrences have actually happened but has nevertheless been a stressful journey. Here I will tell you, from my humblest beginnings, how I grew to be the songwriter I am today and the process I have undergone to get there.