My name is Marcelo Badari, and I am a musician from the southeast region of Brazil. Looming Flames is my instrumental solo project since 2011.
The idea behind Looming Flames is to create music with an electric guitar, a loop pedal, and some effects pedals in a minimalistic way. I also use a Boss SP 202 sampler in my guitar chain. With it, I can have sampled acoustic drum beats, played by me, in my compositions. I have some electronic beats and some noises sampled in the SP 202 as well.
The time to start a musical project should probably have been in a university where access to a range of different musicians was abundant. But then most people choose to learn the hard way…
The New Nervous Kind was created in the wake of the university with nothing more than a laptop (to program drums), a guitar, and a bass guitar, with the help of a trusty microphone. The setting was an isolated attic space, far from friends or family, which would serve well as the basis for the nostalgic lyrics and mechanical quality for our first single “Going Nowhere.”
Born and bred in Bristol, UK, I have always been surrounded by music. My father is a guitarist and always listens to Iron Maiden and Black Sabbath. My mother is not a musician, but she always listens to AC/DC and Billy Idol. At age 8, I started playing guitar. I am now 19 and have made guitar my main instrument, but I can also play drums. Last year, however, my musical journey nearly ended.
“…music is something to be passionate about, to learn about, and to gain mastery over, again and again, never actually surrendering to the will of the musician, but always driving them to continue to strive for something more.”
What do you get when you combine the funky bass lines of the Chili Peppers, the haunting vocals of Nirvana, the screeching leads of Buckethead, the beefy guitars of Basement, and the powerful rumble of Balance and Composure drumming? A cacophony of styles and tastes blend into a unique representation of alternative rock music in the form of Tuesday Atlas. We just like to make songs that get stuck in your head, like a ghost in your attic.
I grew up in a small town in Minnesota called Elbow Lake. There wasn’t a whole lot to do in the “sticks” of MN, so I found love in rock ‘n’ roll at an early age through my older brother’s music collection. He moved out when I was young, joined the Air Force and was stationed in England when I was in middle school, so our family took a trip overseas to see him. When I got there, he showed me his electric guitar. I picked it up, and he showed me a couple of licks. I played that damn thing the rest of the time I was there. My parents heard me playing it the whole weekend and later that year, for Xmas, I got my first guitar. I was obsessed. I quit all sports and just focused on that.
Hi we’re Limbic, yes we’re named after the limbic system in your brain. The limbic system processes your emotions and memories, two things we believe music heavily influences.
Coming from the north-east of England we found ourselves in a local gigging scene oversaturated with your stereotypical indie bands, a cliché we never wanted to find ourselves landing in. Looking for an original sound to our area we created Limbic. An alt-experimental band that utilises synth to create a balance between your traditional indie band and the whacky world of synth sounds.
For me making music has always been about finding hidden lumps of pain, lighting fire to them and watching them disperse into the ether…
WEIGHTLESS/SINKING is the sonic representation of one of the most confusing periods of my life: I was simultaneously getting to grips with how much I had suffered from / attempted to forget the fact that one of my parents is a double cancer survivor, helping my family move out of my childhood home and trying to find my place in the mind-boggling metropolis that is London. I thought that the paradox of feeling like I was weightless yet at the same time sinking perfectly described the emotional soup I was in.
(I’m) a sparrow’s feather
on a lake: weightless/sinking