by Sam Nicholas
I’ve always been told I’m a perfectionist. I’m still not sure if this is the case. This is a sentence I’ll re-write several times, this a phrase I’ll think about for a few weeks.
For me making music has always been about finding hidden lumps of pain, lighting fire to them and watching them disperse into the ether…
WEIGHTLESS/SINKING is the sonic representation of one of the most confusing periods of my life: I was simultaneously getting to grips with how much I had suffered from / attempted to forget the fact that one of my parents is a double cancer survivor, helping my family move out of my childhood home and trying to find my place in the mind-boggling metropolis that is London. I thought that the paradox of feeling like I was weightless yet at the same time sinking perfectly described the emotional soup I was in.
(I’m) a sparrow’s feather
on a lake: weightless/sinking
by Ear Blocker
There once was an expectation, that an artist would take a while to create an album. That was certainly the case for my first album “Headfiller”. Over the course of a decade it was finally released. My latest “Assortment” was created in a comparative blink of an eye. The levels of frustration, pain and joy seem to be similar though.
Hailing from the town of Nottingham, England, I relocated to London in 2014. Gigging consistently solo and with various outfits such as Never Never Man and Frankie Teardrop Dead, I found time to begin working with producer Gavin Bowers (Elêphant, Tsuki) on the record in the fall of 2017. Collaborating with a host of different musicians on the album, I wanted to ensure that each track on my album ’The Town and The City’ was as varied as the settings that inspired the songs themselves.
by The Real Mac
The song Too Late off our recently released EP Smoke Signals, which to the naked ear sounds like a love song about two people who are realizing they may be near the end of their relationship is, in fact, an analogy of a story that happened to myself and a friend of mine while backpacking across Europe.
As a singer-songwriter for me, each song is a mini-adventure in self-expression. Typically spanning just a few days from inception to release into the world. That is the reality of it, so my approach is to honor that, and especially resist the temptation to contrive into something artificially grand, or to morph into some sort of a product aimed at securing commercial return.
Recently I read an article on Glorious Noise about the Regrettes. I love that kind of music, but it also always transfers me back to the late 80s, early 90s and the hights of Brit-Pop. One of my favorites of that time was Elastica, with their fresh, alternative understanding of pop music.