Universe∞Man was born on earth.
It was a happy day; the universe gave him all its power and sent him to the planet called earth.
This is his favorite place, his home, where he lives and creates his music and universal stories.
London
Changes to Numbers Broken
by Ben George
The spherical ball flew flyingly through the damn autumn leaves like a nauseating plane that was too small and round to be in any way practical. But flew it did, having been propelled as it had by Adam’s fearsome left foot. The kids who lived in Miyashita-koen still tell stories about that left foot and use words like “fearsome” and “left”. I stood vertical in the goalmouth, a moth to the flame, a fish in a barrel, a horse to water, and did what any decent Thursday morning goalkeeper is obliged to do: I saved the potential goal so hard and crushed the dreams of the understandably confident Adam.
Bedtime Stories and Other Tales
My somewhat modest success in the good ol’ music biz came rather late in life, and almost completely by accident. Although, having said that, a lot of hard work had gone into making that accident happen.
“Time”
Far From Home
The time to start a musical project should probably have been in a university where access to a range of different musicians was abundant. But then most people choose to learn the hard way…
The New Nervous Kind was created in the wake of the university with nothing more than a laptop (to program drums), a guitar, and a bass guitar, with the help of a trusty microphone. The setting was an isolated attic space, far from friends or family, which would serve well as the basis for the nostalgic lyrics and mechanical quality for our first single “Going Nowhere.”
A Shoegaze Love Affair – The Story of ‘The Gulf’
My name is Peter Gilliver. I am in a London based band called Wondergeist, along with my bandmates Sam Stretch and Sam Lott. We released our first album as a three-piece this year called ‘The Gulf.’ This is how we got there.
Tuesday Atlas: The Ghost in Your Attic
What do you get when you combine the funky bass lines of the Chili Peppers, the haunting vocals of Nirvana, the screeching leads of Buckethead, the beefy guitars of Basement, and the powerful rumble of Balance and Composure drumming? A cacophony of styles and tastes blend into a unique representation of alternative rock music in the form of Tuesday Atlas. We just like to make songs that get stuck in your head, like a ghost in your attic.
Listen to the album while reading the text.
Continue readingOn Perfectionism
by Sam Nicholas
I’ve always been told I’m a perfectionist. I’m still not sure if this is the case. This is a sentence I’ll re-write several times, this a phrase I’ll think about for a few weeks.
Truths that no one wants to see
For me making music has always been about finding hidden lumps of pain, lighting fire to them and watching them disperse into the ether…
WEIGHTLESS/SINKING is the sonic representation of one of the most confusing periods of my life: I was simultaneously getting to grips with how much I had suffered from / attempted to forget the fact that one of my parents is a double cancer survivor, helping my family move out of my childhood home and trying to find my place in the mind-boggling metropolis that is London. I thought that the paradox of feeling like I was weightless yet at the same time sinking perfectly described the emotional soup I was in.
(I’m) a sparrow’s feather
on a lake: weightless/sinking
Writing songs at the age of five
by Ear Blocker
There once was an expectation, that an artist would take a while to create an album. That was certainly the case for my first album “Headfiller”. Over the course of a decade it was finally released. My latest “Assortment” was created in a comparative blink of an eye. The levels of frustration, pain and joy seem to be similar though.