I’m Jesse, an independent singer/songwriter/producer. I’ve been recording music in different projects since 2009. Juliet’s Funeral, The Freddy Velcroman Expedition, and International Spies just to name a few. I’ve always been inspired by the DIY concept of garage rock and punk bands. I’m a huge fan of the ’60s and ’70s psychedelia and pop music.
I would describe my music as Alternative Pop Rock with explorations into Folk/Blues, Reggae and Jazz. I’m trying to find that someplace out there for my music, those ears to hear it and hearts to feel it. It’s been hard with such a wide range of influences. That’s when I realized I’d have to carve out my own corner here on this earth to fly my freak flag.
Vinyl Motherfuck is the solo (and unique) project of Leonard, a mexican guy that with his cheap lyricism and his basic but good instrumentals is making music since 2018 (but most of his published work is from 2019).
After we started Soft Milk in 2015, there was a little buzz going because of our music but also some of wacky on-stage antics. It was just two of us then. We played with some cheap 10-watt amps and wore nothing but ghastly bed sheet costumes.
The Kameleon Bloom Collective was born from the amalgamation of two minds, two artists: Cuadrado and Torugo, that converged into the genre Lo-Fi, giving way to an idea: an album full of homemade beats, that would draw various references from many different subgenres, from trap (samurai jack), rock (changing perspective), reggae (bad luck), chillwave (working at 3 a.m.) and ambient (slow dance in the rain).
As everyone knows, musicians often write songs for someone’s death. Before I became a musician, I was disgusted with this trend. Do they have to sing someone’s death on purpose? I was thinking like that.
The Artist writes his best song for seven years, suffers mental breakdowns, heartbreaks, crazy life situations, misunderstandings, self-doubt, rehabs, and other things that people might encounter in 7 long years. The song is finally ready. He records it. It takes a week. He releases it. Nobody buys it.
In the meantime, The Kid makes a beat on his iPhone; it takes him 3 minutes. He drops it. Someone buys it for $50, to rap about „bitches” over the mindless loop. The Kid buys more chewing gum.
We are Sick Bookies from Lincoln, UK. For our second album, Analogue Viral, our bass player Les drew a comic strip about our band. Previously only available as a limited edition comic book coming with the CD, we now proudly present it for the first time digitally.