Digital Queer Aesthetics

by Ava (Hegemonix)

Digital Queer Aesthetics by Ava (Hegemonix)
My name is Ava and Ben, I use they/them pronouns, and I make music as Hegemonix. I’ve recently been exploring online queer aesthetics via electronic music and music videos. I’ve been using digital instruments and my physical body to communicate my exploration of having a non-binary gender identity. I’m interested in using the “precise” robotic language of electronic music combined with the uncertainty of the voice and body to explore what it means to be human in today’s digital world.

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Music as Magick. Magick as Music

by Dusty Santamaria

Music as Magick. Magick as Music. by Dusty Santamaria
The Sun looked like a prison break. I woke up in a suburb of Seattle and stared drowsily out of a stranger’s bedroom window. My wife was talking to an admirer of hers around the scattered ashes of a campfire from the night before. There was a mysterious text message from an unknown number on the blue screen of a broken iPhone. It was clear that the veils to what folks call the spirit world were perceptibly thin. Little hints of future memory flickered with mischievous honesty through the cracked wallpaper in the shadows of the room.

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From Death, Comes New Life

by Kirk Kisch (with the help of David Vega)

From Death, Comes New Life by Kirk Kisch and David Vega (Among the Wildflowers)
Around the age of 18, I was in a Pop Punk/Hardcore band called “All That.” At the time that was the style of music I wanted to work with, but at the same time, I wanted to mess around with some acoustic songwriter stuff. So I figured, on the side, I’d start my own solo acoustic project. Of course, I needed a name, but I didn’t want to go with my own name. I wanted an artist name, something that stood out. So that’s when I went through the good old music library and came across one of my all-time favorite songs. Among the Wildflowers.

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Starting a revolution through music

by Lee Brickley

Starting a revolution through music by Lee Brickley
Are you sick and tired of war, inequality, racism, and injustice? Me too, and that’s why I write revolutionary protest songs. I wish I knew how to do more, but for now, I’m trying to make people think with my music because that’s what I do best.

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Strange Ways: my follow up to my descent into psychdelic dream pop, from a history of ambient instrumental.

by Daniel Hammond / Impossible Machines

Strange Ways: my follow up to my descent into psychdelic dream pop, from a history of ambient instrumental. by Daniel Hammond / Impossible MachinesThis is the 7th album I’ve released – the follow up to its twin, On The Way. I’ve largely made ambient, electronic-esque music. My first 5 releases were instrumental. On The Way and As A Kite mark a shift towards pop songwriting for me. I would love to talk at length about what I’ve learned about music from making it and recording at home in my laundry room over the years, but I think for brevity’s sake it would be best to keep the conversation to this one album. I hope if you like what you hear that you will explore my older works as well, and find some value in my story and my music, and I hope I can reciprocate something for you. That’s all this is about in the end anyway, isn’t it?

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Know the Reasons Behind Dream Pop Artist Sid Ready’s New Release “I Can Actually Speak”

by Sid Ready

Know the Reasons Behind Dream Pop Artist Sid Ready's New Release
I started my music journey at fourteen in mid-2014 playing small coffee venues with my ukulele and guitar. In early 2017, I began to grow tired of my acoustic guitar and ukulele. I then moved on, and I started writing “I Can Actually Speak.” The album portrays a lot of things bunched into one that happened between mid-2016 and up until the end of 2017. I endured failed relationships and projects, moving out really young, and realizing how awful human beings can be. This is where the harsh beginning of “I Can Actually Speak” starts.

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