When I wrote ‘Good For Nothin’, I knew that I wanted something that was different from what I’d done before; I wanted something that would clash with the music I’d released before.
So my producer played this loop of a guitar, and it reminded me of the song that’d play when Cowboys had a standoff; it sounded dangerous and captivating but once I heard the percussion, I was immediately excited! I’d never done something that was this brash and dark; I wanted the entire song to be like that.
When I stepped out of LAX and into the warm evening air I suppose I fell in love.
Kansas City, as much as I adore it and feel proud to represent, will never be as warm as Los Angeles was that night in mid-December, nor will it evoke the feelings of excitement and hope that still exist within. So when you grow up in a rural place it’s not uncommon to dream of bigger things – in the back of my mind LA was always the destination.
I get asked several times a day what I do for work, and this is while I’m on the job. I make most of my money as a rideshare driver, but I consider myself a singer-songwriter and musician. So when the question comes up, “Is this your full-time job?” I happily reply part-time and ask if they would like to hear my music. I’ve made some great connections this way, and it really helped me prepare for the release of my new ep “Both Sides.”
When I play a song for you, I want to create an experience that sticks with you. I want to take you to a place in your mind where you feel accepted and understood in a unique way that you haven’t before. That’s what music does. It understands us. I think everyone needs a chance to feel understood.