The ambition of Syrenomelia is to find back the strangeness, the dirtiness, the emotion and passion which characterised the alternative rock music between the 60ties and late 90ties – defying the industrialised and genre-focussed ways of making music that have been so ubiquitous in the last 20 years.
I guess to start things off I didn’t really have this direct introduction to music as blatantly most people get it (I think). You could say I kinda got ushered into it slowly during the period of 14 to 20ish.
Around my mid-teens, I started writing poetry in my native language which is Flemish (same as dutch), and in that same period, I also got into dancing, particularly in the styles hip-hop, poppin’, and bboying. Being a dancer and mainly educating myself in the field choreography, I got in contact with a lot of the musical influences that show themselves in my work today.
I think of people like: Frank Ocean, Kendrick Lamar, Kid Cudi, Kanye West, Sholomo, Clams Casino; and the list goes on…
I remember my dance tutor having this immense iTunes library, and after a lot nagging, I got him to put it on my blackberry tablet (hahaha). Having that period in my life gave me a passion for music in general, And helped me to develop my taste.
When I called it a day about seven years ago, I was exhausted. Somehow I was emptied. I felt like I had already said and experienced everything. Since day one, music had always nourished me. How foolish was I to believe for a single moment that I could go on without it?
The hugely successful Belgian DJ and producer Charlotte de Witte did work several years under a male pseudonym. Now she’s back with her real name. Why did she feel the need to be seen as a male musician?