Passion is the driving wheel to success without which our dreams won’t be realized. It is the driving force for achievement.
I’m Jesse, an independent singer/songwriter/producer. I’ve been recording music in different projects since 2009. Juliet’s Funeral, The Freddy Velcroman Expedition, and International Spies just to name a few. I’ve always been inspired by the DIY concept of garage rock and punk bands. I’m a huge fan of the ’60s and ’70s psychedelia and pop music.
I would describe my music as Alternative Pop Rock with explorations into Folk/Blues, Reggae and Jazz. I’m trying to find that someplace out there for my music, those ears to hear it and hearts to feel it. It’s been hard with such a wide range of influences. That’s when I realized I’d have to carve out my own corner here on this earth to fly my freak flag.
The Kameleon Bloom Collective was born from the amalgamation of two minds, two artists: Cuadrado and Torugo, that converged into the genre Lo-Fi, giving way to an idea: an album full of homemade beats, that would draw various references from many different subgenres, from trap (samurai jack), rock (changing perspective), reggae (bad luck), chillwave (working at 3 a.m.) and ambient (slow dance in the rain).
I am living proof of the regenerative power of muscle memory and artistic practice. Music and lyricism saved my life, and to these, I owe everything I have. Ten years on from a major stroke, composer Liam O’Connell shares his thoughts on life and returning from the brink.
The conversation always goes the same way. Our friends, our family, they eventually say something along the lines of “You guys are pretty good, I bet if you wrote songs that were more mainstream, you could make it.”
First of all, that’s assuming we haven’t “made it” and what is “making it” anyway? So often in the music industry, we are constantly aware of the ones who have “made it.” Their videos are full of gold chains, models, fancy cars. They make money hand over fist and have crews of a hundred people making sure their every photo, blog, article, makes them appear to be super human. Yet their songs? Their lyrics? Almost always the same regurgitated fluff.
A few years ago I was traveling from St. Ann to Kingston, Jamaica. While on the highway I noticed a police jeep signaling me to stop. I wasn’t speeding nor was I doing anything out of order. So I hesitated a bit to make a halt. But the cops insisted. Therefore I finally pulled over.
by Prince Levy
It all began in Westmoreland Jamaica for me: A young Reggae artist, who grew up in the same local community where the iconic Peter Tosh was born, set out at a very early age to make his mark in music. Surrounded by luscious canefields and a landscape that produce some of Jamaica’s best cannabis, I had all the motivation I needed to fully pursue my musical journey. Continue reading
My brothers and I started out deejaying and producing as Chalice Palace Music in the late 90s, still Teenagers. Most of our productions were with local upcoming talents from our hood. At that time, we never had a distribution deal, so most of the work was unreleased until 2004 we released a few 45s. But we still had a long, long way to go until to receive recognition.