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Blues

Unused Songs And Their Potential To Make You Sick

by Loic J Tuckey

Loic J Tuckey


Whether you’re professional or amateur, tour-famous or bedroom-idle, every musician has them. They hover around like a foul scent and rear their ugly heads each time you’ve forgotten they exist. If you’re a music type, I’ve no doubt you’ve got a batch lying around, too.

I’m talking about unused songs and recordings you have no idea what to do with. A jam you tracked one night but never finished. A memory you should probably try to let go. Move on with your life, buddy!

Yet, now and then, you pull one out and give it a listen. Each time, the reek of unfulfilled potential makes you sick to your stomach. You like the tune enough to vouch for it, but know it’s never getting uploaded to Spotify. It’s regrettable because, given the right resources, you believe it had the potential to be an absolute belter.

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About a Musician

by Gerrit Walter a.k.a. The Song & Dance Brigade

Gerrit Walter


I am kindly asked to write something about my musical life, which has now spanned several decades. No one had ever asked me that before. Well, I have been making music since I was 13 years old. My mother taught me how to play the guitar, at least the rudimentary playing she mastered. That was when I was thirteen.

Since then, I’ve been playing the guitar. It’s the instrument I desire in terms of beauty, sound, and challenge. In school, they told me I couldn’t sing. I did it anyway.

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Gathering Flowers

by Richard Thomas a.k.a. Mint Biscuit

Richard Thomas aka Mint Biscuit gathering flowers in his parent's garden


I spent three or four years as a student in school and University, playing in rock bands and organizing music events. These years were the best of my life, filled with music, love, learning, friendship, and joy. It was also a tumultuous time, with stress, illness, and injury plaguing my life. In the band “Mint,” we played loads of gigs around my University town of Durham and recorded an album, “Leaving It Late,” which marked the culmination of our collective collaboration with a flourish.

After going “off the rails” slightly for this short period, I had to force discipline back into my life. I quit the rock and roll lifestyle completely and returned to being the hard-working, sports-playing, family-oriented guy I was before. I played rugby four times a week. I completed my degree eventually and got married to my girl.

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Not Needing To Live Up To An Image

by Sound Furies

Sound Furies


Our story is that we have no story, at least not one that is interesting for a lot of people. We’ve always thought it strange that musicians need to have a story or an image for people to listen to their music when it is a purely aural art form. Our music as “Sound Furies” speaks for itself; it is its own entity that tells its own stories.

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Good For Nothin

by Klay Cartier

Klay Cartier
Image credit: Rachael Baker @RWPhotography

When I wrote ‘Good For Nothin’, I knew that I wanted something that was different from what I’d done before; I wanted something that would clash with the music I’d released before.

So my producer played this loop of a guitar, and it reminded me of the song that’d play when Cowboys had a standoff; it sounded dangerous and captivating but once I heard the percussion, I was immediately excited! I’d never done something that was this brash and dark; I wanted the entire song to be like that.

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The Sinclair Express – “All Aboard” Album Release

by Chris Sinclair

The Sinclair Express - All Aboard Album Release
The Sinclair Express is a Chicago-based alternative rock trio. We’ve been working on our debut album, “All Aboard,” for four years and are incredibly proud to finally release it!

If you like Pink Floyd or Jimi Hendrix, you will like this album. If you like Reggae or Hip-Hop music, you will like this album. If you like Country or Blues music, you will like this album. If you just like to get insanely high and listen to music, you will like this album. We hit every genre with tact and precision and hope that there is a song for everybody here. Enjoy!

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When all else fails, do it yourself

by Context Sensitive

When all else fails, do it yourself by Context Sensitive
You will never know my real name, but will instead know me as Britain Chambers. I am the sole mind behind my band Context Sensitive. Unlike everyone who happens to chase the next big trend or stay within the confounds of genres, I make the music that I like with all the sounds that I desire the music that turns me on. Follow me down the rabbit hole and see how far it goes.

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Music, Obsession and Romance

by Twinchild Edozie

Music, Obsession and Romance by Twinchild Edozie
Music is like a fine wine; it got you entwined in its life-changing taste. Like the finest damsel, it got you caught its charms. To many of us, music is a love we never want to let go.

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Hide and​/​or Seek

by Queen Cabbage

Hide and​/​or Seek by Queen Cabbage
My second album is somewhat of a time capsule. These are the songs I wrote between realizing I needed to get better and doing something about it.

My alcoholism and dependence on other addictive behaviors (weed, sex, etc.) had progressed to a point where they had begun destroying every semblance of a good life I’d managed to build despite them. To preserve any chance I had at living well, I needed to change the way I spent each and every moment of my time. In order to honestly document these in musical form, I stripped away every instrument other than my voice, guitar, laptop, and tape recorder.

If there is anything for you in these songs, you will most likely find it outside of what I have to say about them. All I really have to say is thank you so, so much for listening. So much.
That said, in case it might inform your listening, here’s what I have to say:

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The Roller-Coaster of Naomi Ruth

by Ruth McKenna

The Roller-Coaster of Naomi Ruth by Ruth McKenna
I first found Naomi Ruth when I was 14. I’d built up the courage to take what my grandmother had taught me about guitar chords and fuse it with the inspiration of pop-divas and bluesy women, blended together with the help of my teenage brain to produce an emotive mess. Out of it all emerged a sound that was bluesy but somehow country, angsty but emotional, and despite the lo-fi quality and cringey lyrics, I somehow liked it a lot.

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