The heyoka chants but who’s listening?

by The Pilgrim

Heyoka Chants by The Pilgrim


The Pilgrim is the artistic name I gave myself as a singer-songwriter and guitar player because I’ve done and studied so many different stuff, lived in many places, traveled and changed my life more than once. I’ve lived many lives in one, in the search for myself, guided by inspiration, challenging myself, learning so much and preserving my essence and sensitivity.

I live for freedom, truth, justice, compassion and altruism. I want to get moved, I want to cultivate special experiences, relationships and feelings, I want to investigate the dark sides of the soul.

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The Window Seat

by Joe Holtaway

More The Love That's Given by Joe Holtaway


They sat in that window seat for 5 days as we moved through the house as normal, 106 Erlanger Road in London. We had a pact in that house that came from somewhere deeply rooted, you could feel it in the wooden corridors, in the table, the cups and furniture, it said, you’re ok – whatever is happening inside and outside, we got you.

15 of us shared the space, the landlord, living out in the countryside, set it up years before to be a kind of sanctuary I guess. They interviewed prospective tenants and also trusted friends of friends to fill the rooms.

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Singing to Survive: From “Skin and Bones” to “A Fully Educated Man”

by Paul Kameen

Singing to Survive: From 'Skin and Bones' to 'A Fully Educated Man' by Paul Kameen width=
“I sing because I’m happy. I sing because I’m free.” I like those lines from the famous gospel song “His Eye Is on the Sparrow,” especially as sung by The Preservation Hall Jazz Band, who convey in both their instruments and voices all the hardship and pain that often precede or surround the moments of happiness and freedom that singing can create, the way one really depends on the other to achieve its full impact.

I create a lot of different kinds of things. Singing is the one among them that always gives me more back than I put into it, leaves me feeling happy and free. Whether it’s dark or light in my life at that moment those sounds are being made, I always feel that a good eye is still on the sparrow.

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SWEET WILLIAM – 33 years of music and more

by Sweet William

SWEET WILLIAM - 33 years of music and more

In 1986 it all began near Cologne (Germany) in a little town called Kerpen Sindorf. For me, it was clear that it would be a long journey, and it still is. Now 33 years later and after 33 released albums, it is still something special and every day something new to create music.

Right now, we just released the album “Laughter filled with pain” – eight acoustic songs with some electronic elements here and there. It is a very personal album reduced to the essentials.

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Heartfelt and Light-Hearted

by Al Barnes

Heartfelt and Light-Hearted by Al Barnes
I grew up in a small town in Minnesota called Elbow Lake. There wasn’t a whole lot to do in the “sticks” of MN, so I found love in rock ‘n’ roll at an early age through my older brother’s music collection. He moved out when I was young, joined the Air Force and was stationed in England when I was in middle school, so our family took a trip overseas to see him. When I got there, he showed me his electric guitar. I picked it up, and he showed me a couple of licks. I played that damn thing the rest of the time I was there. My parents heard me playing it the whole weekend and later that year, for Xmas, I got my first guitar. I was obsessed. I quit all sports and just focused on that.

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I Went To The Desert And Held Out My Thirst

by Noah Evan Wilson

I Went To The Desert And Held Out My Thirst by Noah Evan Wilson
The different settings for my latest album, Desert Cities – Part One, span from Denver to Seoul. Track three, Brooklyn, is a love song for the gritty and enigmatic Bushwick neighborhood and track four, Coming Home, rides the metro north to Midtown where home is not a place but a person (and a lovely oasis at that). Track two, Lost in Seoul, reflects on the foreign shores of South Korea, “the crowded streets, the angry East Sea, don’t mind if I belong here for a while.”

Only track one, Hold out Thirst, mentions a dry, barren, lifeless, sandy desert. Its brief and stark first refrain, “I went to the desert and held out my thirst,” captured something much bigger in me when I first listened back to the completed album. The desert, in this case, is where one goes to reflect deeply, to test themselves against the elements, physically and emotionally and to experience thirst as a fundamental sensation of life, to feel acutely alive. The remainder of the album (part two included, TBR Fall 2019) is born of this same desire.

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Metapop Track-by-Track

by Luis DH

Metapop Track-by-Track by Luis DH
For most artists, songs and albums are like snapshots of periods of time and their lives at those moments. Creating and expressing yourself can be both a healing and a learning experience – to know more about yourself and the world around you.

Last year I went through the worst and messiest breakup ever. I saw things I thought I would never see. I got to witness the ugliest part of human nature, and it was truly heartbreaking – and the ultimate test in life.

But I survived.

And I decided to express all those feelings through songs.

This is the story behind every track on my latest album, “メタポップ (Metapop).”

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Indie Blues Folk Rock

by J-C0B

Indie Blues Folk Rock by J-COB

“What genre do you play?” – Everyone Else.

Seriously, have you ever told someone you write/perform music only to have someone ask what genre you play? Because that seems to be most of my experience with people, and it’s more or less the reason I decided to call this oh so important first EP I.B.F.R or, for those of you who skipped the title, Indie Blues Folk Rock.

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