by Adrian Sood
Music has always been an integral part of my life. I have been writing it since I can remember. Nevertheless, I feel I am only beginning to understand it now in my more mature years.
I’ve tried my hand at all different styles and genres. That’s important to do if you want to grow as a writer. I’ve been in and out of bands through the years but writing and recording is it for me.
Thats what I’m in it for.
Continue readingby Guido Maurizio Doria of Pancake Drawer
We are Veronica and Guido from Rome (Italy); we founded “Pancake Drawer” in 2018. Back in the day, we started as an acoustic duo, playing guitar and ukulele. Along our journey, we evolved our sound by introducing new instruments such as lap steel guitar and synthesizers.
The name “Pancake Drawer” is a quote from our favorite TV show, “Scrubs.” In our live sets, we love to play some covers from that show.
Continue readingby Ian C. Thomas of Busker’s Dog
Music ebbs and flows, back into time immemorial and forward into the unknown future. I was late to the party, learning instruments and theory as a self-funded young adult long ago.
After many years of compiling former band and personal demos for my own interest, I thought it was time to finish an album for release. Sea to City began with a bunch of “lost” songs from other abandoned collaborative projects and a cover concept. The songs seemed to join hands as a thematic collection, so I then wrote into the spaces, and painted the cover to go along with them.
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Music has always been said to be a universal language, but I don’t agree. Music has as many meanings as people who listen to it. What for us can be a sad melody, for someone from the other side of the world, it can be the happiest of songs, that’s why I refuse to believe that music is universal. However, I don’t think this is a problem, but an advantage to be able to communicate with ourselves. Art shows us the reality that we need to see.
by Rajeev
LunarWolf is a one-man alternative and experimental music project based in Bangalore, India. The project has produced six studio albums and been actively gigging since the early 2000s.
I’m Jesse, an independent singer/songwriter/producer. I’ve been recording music in different projects since 2009. Juliet’s Funeral, The Freddy Velcroman Expedition, and International Spies just to name a few. I’ve always been inspired by the DIY concept of garage rock and punk bands. I’m a huge fan of the ’60s and ’70s psychedelia and pop music.
I would describe my music as Alternative Pop Rock with explorations into Folk/Blues, Reggae and Jazz. I’m trying to find that someplace out there for my music, those ears to hear it and hearts to feel it. It’s been hard with such a wide range of influences. That’s when I realized I’d have to carve out my own corner here on this earth to fly my freak flag.
What’s in the name? Why Asking Everyone?
First, it’s an anagram of my name.
Second, I think it fits the purpose of my project, and ultimately my life purpose.
by Nicki Kris
HEARTBEAT is the album I’ve always dreamed of releasing and It’s the result of several years of hard work after putting my creative life on hold for many years.
My return to music began in 2011, after a conversation with my oldest son about following his dreams. I realized at that moment that I hadn’t been true to my own dream of pursuing a music career. I don’t know if it was an epiphany or a mid-life crisis, but I decided then to fully dedicate myself to music.
Why do you enjoy music? Is it the compelling lyrics, catchy melodies, or addictive rhythm? We are Tracing Faces, and we believe that every song is an opportunity to change a life for the better. Music is an incredibly powerful form of art, and with every lyric, melody, and rhythm we write we are striving to produce emotional content for you to blast in the car, listen through your headphones at night, or scream out loud at live shows.
by Xavier Xisto
Music is dying. Slowly, but it is. I don’t want to be one of those close-minded people who lives in the glorious pinnacle of the past, but we can all agree that the quality of the music industry has declined intensely since the second half of the past century. Today’s standards of what is labeled as art are worrying. Why do we live in such an artistic wasteland, you might ask?