I Went To The Desert And Held Out My Thirst

by Noah Evan Wilson

I Went To The Desert And Held Out My Thirst by Noah Evan Wilson
The different settings for my latest album, Desert Cities – Part One, span from Denver to Seoul. Track three, Brooklyn, is a love song for the gritty and enigmatic Bushwick neighborhood and track four, Coming Home, rides the metro north to Midtown where home is not a place but a person (and a lovely oasis at that). Track two, Lost in Seoul, reflects on the foreign shores of South Korea, “the crowded streets, the angry East Sea, don’t mind if I belong here for a while.”

Only track one, Hold out Thirst, mentions a dry, barren, lifeless, sandy desert. Its brief and stark first refrain, “I went to the desert and held out my thirst,” captured something much bigger in me when I first listened back to the completed album. The desert, in this case, is where one goes to reflect deeply, to test themselves against the elements, physically and emotionally and to experience thirst as a fundamental sensation of life, to feel acutely alive. The remainder of the album (part two included, TBR Fall 2019) is born of this same desire.

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Music, Good For The Brain

by Limbic

Music, Good For The Brain by Limbic
Hi we’re Limbic, yes we’re named after the limbic system in your brain. The limbic system processes your emotions and memories, two things we believe music heavily influences.

Coming from the north-east of England we found ourselves in a local gigging scene oversaturated with your stereotypical indie bands, a cliché we never wanted to find ourselves landing in. Looking for an original sound to our area we created Limbic. An alt-experimental band that utilises synth to create a balance between your traditional indie band and the whacky world of synth sounds.

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Fly My Freak Flag

by Jesse Whetsell

Fly My Freak Flag by Jesse Whetsell (TheTaxies)
I’m Jesse, an independent singer/songwriter/producer. I’ve been recording music in different projects since 2009. Juliet’s Funeral, The Freddy Velcroman Expedition, and International Spies just to name a few. I’ve always been inspired by the DIY concept of garage rock and punk bands. I’m a huge fan of the ’60s and ’70s psychedelia and pop music.

I would describe my music as Alternative Pop Rock with explorations into Folk/Blues, Reggae and Jazz. I’m trying to find that someplace out there for my music, those ears to hear it and hearts to feel it. It’s been hard with such a wide range of influences. That’s when I realized I’d have to carve out my own corner here on this earth to fly my freak flag.

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Odd Woman Out

by Charley Young

Odd Woman Out by Charley Young
My name is Charley Young. I’m an indie synthpop artist based in NYC. I was born in San Diego, California, and grew up on the Gulf Coast of Florida. I’ve always loved music and always knew I wanted to be a singer, but it took me a while to become confident enough to pursue my dreams. About five years ago, I decided it was time to stop being scared and go for it – Whether or not the timing was good, whether or not I was “ready.”

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Life Goes On

by Valerija Kravale

Life Goes On by Valerija Kravale
“Life goes on” has come out with quite a psychedelic buzz – it has had a big CD release party in the Hangar49 in Berlin on May 24th. For me, “just a girl with guitar from Eastern Europe,” the album turned out to be a momentum of all the things unsaid, a story of moving abroad, a cry-your-heart-out type of collection for self-therapy.

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Keno Nifty: the new cartoon band that wants to deconstruct genre

by Richard Allen Alexander

Keno Nifty: the new cartoon band that wants to deconstruct genre by Richard Allen Alexander
Keno Nifty is a band made by the artist and part-time musician Ricky Alexander (also known as Chazz Forte online). It’s about a group of fictional musicians (left to right: Marlene, Penny, Apollo, and Niomi) who travel around, get into fights and use music as a coping mechanism.

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The 21st Century Cult and Magical Shows

by Eli Stevick

The 21st Century Cult and Magical Shows by Soft Milk
After we started Soft Milk in 2015, there was a little buzz going because of our music but also some of wacky on-stage antics. It was just two of us then. We played with some cheap 10-watt amps and wore nothing but ghastly bed sheet costumes.

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