by Robert Sword
An indie folk band might be considered an unlikely outfit for a classically trained pianist (me), and an Oceanography graduate (Simon Thomas), to end up in. However, these things can happen in unusual ways, like with Sandtimer.
by Todd Tobias
Instrumental mood music is my thing, so I expected my latest project to end up as an ambient album in my collection of solo works. But after I finally had a pool of finished tracks to draw from, I decided to ask my fellow Hidden Shoal label mate Chloë March if she might have a listen and see if she’d like to add her lovely voice to the music.
I’ve jumped around from thing to thing for as long as I can remember. I grew up waterskiing competitively, then gave it up to move across the country to major in theater, and pursued music journalism. All that time I was writing music and sharing it with no one aside from a few close friends. It was a hobby, a flight, a fancy; something to do on flights, car rides, or while waiting for an appointment. Writing has always been an integral part of my being and music, in my experience, is a transcendent mechanism. So I finally shared my music with more than just a few close friends.
As a singer-songwriter for me, each song is a mini-adventure in self-expression. Typically spanning just a few days from inception to release into the world. That is the reality of it, so my approach is to honor that, and especially resist the temptation to contrive into something artificially grand, or to morph into some sort of a product aimed at securing commercial return.
I’m 25 years old, living in Central New York. I often think about taking a one-way ticket to the West Coast, specifically like Los Angeles, or Seattle. I have been working on putting out what I believe is the best I can do with what I have. I’ve recorded hundreds of songs, I have written over 790 poems. I do what I do because I love art. Music is awesome. I’m not attempting to re-invent the wheel. I don’t want to sound the same. I’m not looking to fit into standards.
by K.P. Ransom
Ohmwrecker was formed out of complete chaos and desperation.
After recording 20+ albums by myself as Six Car Collision for 18 years, I moved from Boston to Vancouver Island, British Columbia, and was unable to write and play music for about 4 years. I was just blocked… completely stuck and unable to write or say what it is I needed to say. For the first time since I’d started writing and performing, I was completely helpless.