If Griefer, my shitty one-man band, is about anything, it’s about boredom and anxiety. I started it because I wanted to make something really, really loud – the volume helped, somehow. Then it morphed into something else. It lets me show a bit of myself that I usually have trouble showing. Music makes me a better person. I think it’s as simple as this: the reality of being a “bedroom musician” is waking up alone, surrounded by reminders of work you need to finish.
My second album is somewhat of a time capsule. These are the songs I wrote between realizing I needed to get better and doing something about it.
My alcoholism and dependence on other addictive behaviors (weed, sex, etc.) had progressed to a point where they had begun destroying every semblance of a good life I’d managed to build despite them. To preserve any chance I had at living well, I needed to change the way I spent each and every moment of my time. In order to honestly document these in musical form, I stripped away every instrument other than my voice, guitar, laptop, and tape recorder.
Hi, I am Miira. I am living far from YOUR world. I mean far from this patriarchal-smallminded-selfcalled-society. This is a great pool and I am not very sure that I can swim there or if I even want to. So I created my own world, and I am trying to hold its contour above my head.
Driving (in the) snow from Kempten. I was supposed to put saucers and blondes together, but the reversable rider of Skye said „NO!”, and off he went on a rollercoaster ride of thrift shop guitars, carrying the torch for Lady Biba. The 4 A.M. Lamp kept burning, and sociopaths were rescued from their shady caves, turned into rainbows and oh! Butterflies „above the nation”. That was the dream of the Woodstock generation, now wasn’t it?
by Jack Blare
Lydia Lunch is the undisputed Queen of No Wave and is one of the most dynamic and influential artists of our time. She started Teenage Jesus & The Jerks in 1977. Since then she’s been part of numerous bands such as 8-Eyed Spy & Big Sexy Noise and worked with artists as diverse as Sonic Youth, Last Poets, Cypress Grove, Richard Kern, Christine IX, Brian Eno, James Chance, Robert Quine, Nick Cave and Rowland S. Howard of the Birthday Party. She’s published several books and memoirs like Will Work For Drugs, Incriminating Evidence & Paradoxia.
She was a pioneer in the genre of Transgressive Film and is known for her powerful spoken word performances and outspoken feminism. Lydia Lunch has been influencing musicians, poets and artists since she appeared on the scene in 1977 and bands like Sonic Youth and L7 were heavily influenced by her music and ideals. So was I, an unknown 20-something poet and noise musician from a small town in Canada. This is the story of how we first met.